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Ceramic Tiles with La Conversazione Classica Designed by Gio Ponti

$4,318.16

About

La Conversazione Classica designed by Gio Ponti ceramic tiles. New old stock beautiful set of ceramic tiles with a famous design made by Gio Ponti in 1925 for ceramic producer Richard Ginori. The tiles are in perfect condition and come with their original box. Each tile measures: 20 x 20 cm. Tiles will be shipped abroad in a custom-made crate. Cost of the insured transport to the US is crate included. One of the most famous and influential architects of the 20th century, Gio Ponti revolutionized the worlds of architecture and design. Gio Ponti was born in Milan, Italy, in 1891 and earned a degree in architecture after serving his country’s military in WWI. He took his first job with an Italian ceramics company, serving as artistic director and began to pursue architecture soon afterward. It is possible that his early career in ceramics design influenced the rest of his career, as Ponti never viewed architecture as simply creating buildings. Instead, he often conceived of the building’s interior as well, creating furniture (chairs, coffee tables), lighting appliances and even items like ceramics, glassware and silverware.

Details

  • Creator
    Gio Ponti (Designer)
  • Dimensions
    Height: 7.88 in. (20 cm)Width: 7.88 in. (20 cm)Depth: 0.4 in. (1 cm)
  • Style
    Art Nouveau (In the Style Of)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1970
  • Condition
    All tiles are in perfect condition.
  • Seller Location
    Weesp, NL
  • Reference Number
    1stDibs: LU1464222040722

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Weesp, Netherlands
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About Gio Ponti (Designer)

An architect, furniture and industrial designer and editor, Giò Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

 

The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.


His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.


Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

About the Seller
5 / 5
Located in Weesp, Netherlands
Platinum Seller
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Established in 1996
1stDibs seller since 2015
208 sales on 1stDibs
Typical response time: <1 hour
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