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Mixed Media on Paper and Wood Behind Aryl Glass Mimmo Paladino, Italy 2009
About the Item
Mixed media on paper and wood behind aryl glass Mimmo Paladino, Italy 2009 (2/20)
Mimmo Paladino found art inspired by his uncle, a painter who introduced him to traditional techniques at an early age. After attending the 1964 Venice Biennale, he made the decision to become an artist. He studied painting at the Liceo Artistico in Benevento from 1964 to 1968 and, influenced by Max Ernst and Paul Klee, experimented with collages, frottages and non-objective paintings. In 1968 he finished his academic training with a diploma and began to paint freely.
In the early to Mid-1970s, the artist dealt almost exclusively with mythological themes, such as the Icarus myth, which he translated into drawings. In the process, Paladino developed his own fresco-like technique, significant for his later work, in which he painted large-scale walls with pastel colors. Paladino had his first exhibition in 1977 at the "Galerie Lucio Amelio" in Naples. Several trips to Milan as well as contact with the art critic Tommaso Trini and the gallery owner Franco Toselli soon made Paladino known nationwide. In Toselli's gallery he presented his murals for the first time in 1978. That same year he traveled to New York, where he met Sandro Chia and Francesco Clemente. Several trips to Brazil followed.
In 1980 Mimmo Paladino, together with the publisher Emilio Mazzoli, published a book with texts by Achille Bonito Oliva. The art critic Oliva had introduced the term Transavanguardia at the end of the 1970s for the style of the new movement, mainly characterized by young Italian artists such as Chia, Clemente, Enzo Cucchi and Paladino, who found parallels in Germany with the Neue Wilde. In the same year Paladino participated in the Aperto 80 Biennale in Venice and in 1982 in the Biennale of Sydney. In the following years Paladino had exhibitions at the Kunstmuseum in Basel and at the Galleria d'Arte Moderna di Bologna. In 1999 he had an extensive retrospective at the Lenbachhaus in Munich and in the same year he became an honorary member of the Royal Academy of Arts in London. The Centro per l'arte contemporanea Luigi Pecci in Prato dedicated an extensive retrospective to him in 2002/2003.[1] Works by Mimmo Paladino can be found in the collections of the Tate Gallery in London, the Irish Museum of Modern Art (IMMA) in Dublin, the Metropolitan Museum of Art and the Museum of Modern Art in New York.
The artist lives and works in Milan and Benevento, Italy.
PLANT
Mimmo Paladino's works are often mixed media on paper or wood pre-sketched with drawing pencil, using all traditional means. His oeuvre includes watercolor, oil painting, and tempera, as well as collage, frottage, engraving, drypoint, or woodcut. Paladino's paintings are often untitled.
Examples
1987: The Perfect Room
1992: hortus conclusus, horse sculpture in Benevento, Chiostro di San Domenico
1993: montagna bianca
2002: Le chien
2004: ciclismo
2008: Porta di Lampedusa - Porta d'Europa, iron sculpture covered with ceramic plates on the beach of Lampedusa in memory of the migrants who lost their lives at sea
EXHIBITIONS
1979: Transavanguardia, Turin
1980: Venice Biennale, Venice
1982: documenta 7, Kassel
1982: Biennale of Sydney, Sydney
1984: Merianpark, Basel, sculpture in the 20th century
1985: The European Iceberg, Toronto
1985: Biennale de Paris, Paris
1986: Municipal Gallery in Lenbachhaus, Munich, in honor of Beuys
until 2008: Oklahoma City Museum of Art, Oklahoma City
until 2008: Museum Haus Lange, Krefeld
2009 (May-October): Blickachsen 7, Schlosshof, Bad Homburg vor der Höhe, Germany
SOLO EXHIBITIONS
1976: first solo exhibition in Brescia
1981: Mimmo Paladino. Drawings 1976-1981, Kestner-Gesellschaft, Hanover
1985: Mimmo Paladino - Works 1977-1985, Städtische Galerie im Lenbachhaus and Kunstbau, Munich [2].
1992: Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro
1999: South London Gallery, London
2000: Art Gallery Artiscope, Brussels
2001: Alan Cristea Gallery, London
2002: Galleria Valentina Bonomo, Rome
2003: Waddington Galleries, London
2005: Museum of Modern Art Salzburg, Salzburg
2005: Museo Nazionale di Capodimonte, Naples
2006: Galleria Cardi, Milan
2007: Gallery Thaddaeus Ropac, Paris
2009: Gallery Klüser, Munich
2013: Art Forum Würth Capena, Capena
LITERATURE
Wieland Schmied: GegenwartEwigkeit. Traces of the Transcendent in the Art of Our Time. Martin-Gropius-Bau, Berlin April 7-June 24, 1990, Edition Cantz, Stuttgart 1990, ISBN 3-89322-179-4.
James Joyce: Ulysses. Preface by Stephen James Joyce, Introduction by Jacques Aubert, with etchings by Mimmo Paldino. The Folio Society, London 1998.
Mimmo Paladino: Paladino: A Monograph. Edizioni Charta, Milan 2001, ISBN 88-8158-290-2.
Enzo Di Martino, Mimmo Paladino, Klaus Albrecht Schroder: Mimmo Paladino: Graphic Work 1974#2001. Rizzoli International Publications, 2002, ISBN 0-8478-2417-9.
Cinzia Sarni: Mimmo Paladino. Feminae. Edizioni Grafica Giorgio Upiglio, Milano 2003
James Joyce, Mimmo Paladino, Klaus Reichert: Ulysses. Texts and Images. Insel, Frankfurt am Main 2004, ISBN 3-458-19255-7.
Eleonora Louis: Mimmo Paladino. Bibliothek der Provinz, Weitra 2005, ISBN 3-85252-694-9.
- Creator:Mimmo Paladino (Artist)
- Dimensions:Height: 31.11 in (79 cm)Width: 26.78 in (68 cm)Depth: 4.34 in (11 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2009
- Condition:
- Seller Location:Salzburg, AT
- Reference Number:1stDibs: LU2438334357642
Mimmo Paladino
Mimmo Paladino (b. 1948, Italy) played a central role in the development of the Transavantgarde movement alongside Sandro Chia and Francesco Clemente. Regarded as the Italian version of Neo-Expressionism, Transavantgarde revived the emotion, figuration and mysticism in art. Paladino’s sculptures, paintings and prints often reference past art historical traditions, modernizing iconography with distinct, graceful elongation. Paladino attended the Benevento Art High School, where he was influenced by Pop artists Claes Oldenburg and Jim Dine. The artist has exhibited internationally, including at the 1980 Venice Biennale and the 1982 documenta VII. His work can be found in prominent collections worldwide, notably the Hirshhorn Museum and Sculpture Garden (Washington, D.C), Metropolitan Museum of Art (New York), Museum of Fine Arts (Houston) and Tate Modern (London).
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Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008
Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech.
SOLO SHOWS
« Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques.
« Ivresse de la Terre », Galerie Vila Nova, Portugal.
« L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc.
« Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc.
« Chants de la Terre », Galerie Sanitas, Zurich – Suisse.
« Être et…Illusion », Galerie Al Manar, Casablanca – Maroc.
1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal.
2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse.
« Derniers Travaux », Galerie Wingy House, Solothurn – Suisse.
2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc.
2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc.
2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc.
2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc.
« Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc.
« Flammes et cendres », l’Institut français de Marrakech, Maroc.
2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc.
2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc.
Galerie Venise Cadre, Casablanca – Maroc.
2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc.
2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar.
2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc.
2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil.
2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc.
GROUP SHOWS
1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc.
1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc.
1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc.
« Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc.
« Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc.
1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc.
2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc.
« La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc.
2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte.
« L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc.
2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc.
2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies.
« Petits Formats », Galerie Venise Cadre, Casablanca – Maroc.
« À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc.
« Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France.
« La Grande Exposition Nationale des Arts
Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc.
2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal.
2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies.
Peintres Écrivains, 16? Congrès des Écrivains
du Maroc, Théâtre Mohamed V, Rabat – Maroc.
Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc.
Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc.
La semaine culturelle du Maroc, Doha – Qatar.
La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil.
La Galerie Nationale, La semaine du Maroc, Mexico – Mexique.
Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc.
Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc.
Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite.
2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc.
L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie.
Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran.
2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc.
Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France.
Espace Fès Palace, La CDG, Fès – Maroc.
Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie.
« Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc.
« L’art contemporain marocain », Galerie Chaabia,
El Jadida (Maroc) ;
Médiathèque Al Assad, Maison de la culture, Damas – Syrie.
Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc.
La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït.
Loft Galerie, Casablanca – Maroc.
Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc.
Forsight Gallery, Amman – Jordanie.
« Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc.
Venise Cadre, Casablanca – Maroc.
Salle Nationale, Ouagadougou – Burkina Faso.
2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso.
Parcours Mobile, Hommage pour Edmond Amran
El Maleh, Galerie 38, Casablanca – Maroc.
Nature et paysage, La Société Générale, Casablanca.
Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc.
Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc.
Top 25, Foire Internationale, Casablanca – Maroc.
2012 : Palais d’Expositions, Genève – Suisse.
Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc.
Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc.
ArtSyriat, Institut du Monde Arabe, Paris – France.
« 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc.
« Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne.
« Matière », Banque Al Maghrib, Rabat – Maroc.
5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc.
L’art moderne marocain, Galerie Orfely, Amman – Jordanie.
2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc.
Galerie Al-Alanda, Amman – Jordanie.
Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage
à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc.
Carte Blanche, CDG, Rabat – Maroc.
Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech.
2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne.
Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France.
« Des Papiers et des Mains », Dar Chrifa, Marrakech.
Al Makan d’Art Actuel, Gafsa – Tunisie.
Mail-Art, Ambre Espace, Casablanca.
2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie.
Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie.
Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech.
2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc.
« Mare Nostrum », Comptoir des Mines Galerie, Marrakech.
2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc.
Maison Sébastian, Hammamat – Tunisie.
Bab El Madina, Tunis – Tunisie.
Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc.
Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine.
2? Biennale Internationale Art et Désigne, Brazilia – Brésil.
2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil.
PUBLICATIONS
Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux :
Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle.
1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc.
1996 : « Crépuscule des Idoles », F. Nietzsche,
(co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc.
« Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française.
« Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban.
« Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte.
2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc.
2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte.
2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc.
« Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc.
2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc.
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