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Abstract Painting Acryl on Canvas in Black-Grey-White by Guillermo Aritza 1991
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£3,871.24
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About the Item
Modern abstract painting in black and white colors signed on backside Guillermo Aritza, black shadow gap frame silvered on front view.
Born 1949 in Mexico, living since 1985 in Paris - Guillermo Arizta is an established contemporary visual artist.
Graduated from the "Escuela Nacional de Pintura, México"
The artist experiences with different art forms for example: painting, sculpture, cinema and specific installations.
He also created special designs on behalf of the "American Theatre Group" for the "PETIT PRINCE".
Further Biographical Context for Guillermo Arizta:
Artists like Hilka Nordhausen, George Parkin, Unglee, Roger Corona, and Broto were also born in 1949.
Guillermo Arizta was born in 1949, grew up during the 1960s and was influenced by the artistic atmosphere of the time. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing concurrently as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were developing. Minimalism developed the central idea that art should subsist in its own reality, and not try to mimic the physical world. Born of a desire to erase all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental philosophies of Abstract Expressionism, while eliminating the emotional and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different regions or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism strongly influenced artists like Francis Bacon and Alberto Giacometti, who sought to depict the raw human emotions often connected to reflections on death and the lingering angst of the meaninglessness of life.
- Creator:Guillermo Arizta (Painter)
- Dimensions:Height: 45.67 in (116 cm)Width: 39.38 in (100 cm)Depth: 2.37 in (6 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1990-1999
- Date of Manufacture:1991
- Condition:
- Seller Location:Salzburg, AT
- Reference Number:1stDibs: LU2438316087331

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View AllAbstract Painting Mixed Media in Gray-white-rust-black by Hassan Bourkia, 2008
Located in Salzburg, AT
Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008
Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech.
SOLO SHOWS
« Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques.
« Ivresse de la Terre », Galerie Vila Nova, Portugal.
« L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc.
« Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc.
« Chants de la Terre », Galerie Sanitas, Zurich – Suisse.
« Être et…Illusion », Galerie Al Manar, Casablanca – Maroc.
1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal.
2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse.
« Derniers Travaux », Galerie Wingy House, Solothurn – Suisse.
2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc.
2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc.
2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc.
2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc.
« Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc.
« Flammes et cendres », l’Institut français de Marrakech, Maroc.
2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc.
2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc.
Galerie Venise Cadre, Casablanca – Maroc.
2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc.
2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar.
2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc.
2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil.
2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc.
GROUP SHOWS
1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc.
1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc.
1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc.
« Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc.
« Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc.
1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc.
2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc.
« La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc.
2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte.
« L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc.
2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc.
2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies.
« Petits Formats », Galerie Venise Cadre, Casablanca – Maroc.
« À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc.
« Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France.
« La Grande Exposition Nationale des Arts
Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc.
2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal.
2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies.
Peintres Écrivains, 16? Congrès des Écrivains
du Maroc, Théâtre Mohamed V, Rabat – Maroc.
Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc.
Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc.
La semaine culturelle du Maroc, Doha – Qatar.
La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil.
La Galerie Nationale, La semaine du Maroc, Mexico – Mexique.
Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc.
Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc.
Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite.
2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc.
L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie.
Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran.
2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc.
Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France.
Espace Fès Palace, La CDG, Fès – Maroc.
Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie.
« Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc.
« L’art contemporain marocain », Galerie Chaabia,
El Jadida (Maroc) ;
Médiathèque Al Assad, Maison de la culture, Damas – Syrie.
Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc.
La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït.
Loft Galerie, Casablanca – Maroc.
Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc.
Forsight Gallery, Amman – Jordanie.
« Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc.
Venise Cadre, Casablanca – Maroc.
Salle Nationale, Ouagadougou – Burkina Faso.
2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso.
Parcours Mobile, Hommage pour Edmond Amran
El Maleh, Galerie 38, Casablanca – Maroc.
Nature et paysage, La Société Générale, Casablanca.
Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc.
Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc.
Top 25, Foire Internationale, Casablanca – Maroc.
2012 : Palais d’Expositions, Genève – Suisse.
Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc.
Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc.
ArtSyriat, Institut du Monde Arabe, Paris – France.
« 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc.
« Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne.
« Matière », Banque Al Maghrib, Rabat – Maroc.
5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc.
L’art moderne marocain, Galerie Orfely, Amman – Jordanie.
2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc.
Galerie Al-Alanda, Amman – Jordanie.
Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage
à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc.
Carte Blanche, CDG, Rabat – Maroc.
Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech.
2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne.
Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France.
« Des Papiers et des Mains », Dar Chrifa, Marrakech.
Al Makan d’Art Actuel, Gafsa – Tunisie.
Mail-Art, Ambre Espace, Casablanca.
2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie.
Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie.
Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech.
2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc.
« Mare Nostrum », Comptoir des Mines Galerie, Marrakech.
2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc.
Maison Sébastian, Hammamat – Tunisie.
Bab El Madina, Tunis – Tunisie.
Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc.
Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine.
2? Biennale Internationale Art et Désigne, Brazilia – Brésil.
2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil.
PUBLICATIONS
Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux :
Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle.
1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc.
1996 : « Crépuscule des Idoles », F. Nietzsche,
(co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc.
« Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française.
« Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban.
« Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte.
2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc.
2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte.
2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc.
« Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc.
2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc.
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