French Decorative Art

Painted canvas playbill stretched on wood frame. Folds into three sections. Monumental in size.

French oak hand carved Gothic revival panel. There are three available. Each panel is 1" deep by 8.5" wide by 13" high.

A ceramic wall panel by Pierre Digan, to La Borne, circa 1970-1975. The base is in wood. Very good original conditions.  

Inspired by an antique Chinese silk panel, this design features exotic birds and cherry blossoms and is true to the original scale. Available as a pr...

These are four attractive individual Delft ceramic wall tiles, dating to the second half of the 19th century. All tiles are nominally 5 inches square and 5/16 to 3/8 inches thick....

English Arts and Crafts transferware pottery tile, late 19th-early 20th century, featuring polychrome Art Nouveau / Aesthetic Movement floral motif, set i...

Inspired by an antique Chinese silk panel, this design features exotic birds and cherry blossoms and is true to the original scale. Available as a p...

Inspired by an antique Chinese silk panel, this design features exotic birds and cherry blossoms and is true to the original scale. Available as a printed linen and a wallcovering. ...

Created by the Seventh-Day Adventists church in 1951 for their October 27th, 1951 Temperance Day "Weapons and Warfare" Campaign against alcohol consumption in the United States. The ...

Rare Velvet Underground record released in Europe circa late 1990s/early 2000s. Well suited for framing. Medium: Vinyl record album. Dimensions: 12 x 12 inches (30.48 x 30.48). Both the record and cover are in very good overall vintage condition. Though The Velvet Underground existed for less than three years with its original members, it is considered to be not just the ‘ultimate New York band’ but also the most influential group ever. Artists who have acknowledged such influence include David Bowie, The Sex Pistols, Patti Smith, Joy Division and Nirvana. Witts places the band and its genesis in the cultural context of Manhattan’s beatnik bohemianism, its radical artistic environment, and the city’s negative reaction to California’s ‘Hippie’ counterculture. Lou Reed’s song factory background is also considered, while his Primitives (1964-5) and Velvet Underground songs (1965-70) are examined within the stylistic context of rock music. The band’s sound world is likewise considered in this light. John Cale’s experimental contribution is assessed, especially his work for LaMonte Young (The Theatre of Eternal Music) and what he carried from that experience into the Velvet’s sound. The visual artist Andy Warhol became the band’s manager and producer in 1965. He placed his ‘superstar’ Nico in the line-up (which already included a female drummer). The radical nature of the group’s Warhol period performances are examined, together with those aspects related to issues of gender, sexuality and drugs culture...

1950s French wall sign for coffee. Great wall decoration in modern style; a sign in bright blue color with a red band and a kind of ribbon with the Jihair ...

A Spanish carved-wood wall hanging pediment with it's original painted finish from the 19th century. This antique wooden architectural pl...