Early 20th Century Decorative Art

Large French Majolica oyster plate signed TN Bavent, circa 1920. Vibrant emerauld green colors. Diameter / 10.5 inches. Rustic style.

Vintage Shooting Lodge Target Plaque dated 1929. A rare and beautiful wooden shooting target plaque with inscriptions. This rare kings plaque was issued by a shooting club...

Pair of antique hand carved walnut bas relief panels / wall plaques, showing Neoclassical female figures, one holding sheaves of wheat and the other ...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

Great image of a colour chart Unframed. Chromo-lithograph Published, C.1900 The measurement is the paper size of the print Free shipping.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. India Ready to go on a wall. Framed...

Fabulous Moroccan Moorish hand-hammered brass tray, intricate multi dimension artwork, very fine Islamic Metalwork brass repousse designs. Handcrafted wall hanging decorative brass tray with a copper...

Wonderful image by Harry Clarke Lithograph. Published C.1920 Unframed Free shipping

Wonderful image by Margery Lawrence Tipped in plate. On green card Lithograph. Published 1921 The measurement given is the card size not the actual printed image.

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th C. Uzbekistan. Ready to go on a wall. Fram...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

This Christmas Stocking was made from a late 19th or Early 20th C. Caucasıan rug fragments. Linen in the back. Please note, this stocking was made from caucasian

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th C. Ottoman Turkey Ready to go on a wall. F...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Majolica pear plate signed Sarreguemines, circa 1920.   

Antique Chinese watercolor painting on paper, enclosed in glass and gilt wood frame, early 20th century Measures: height 27.5 inch...

Rather small size wall telephone model 305 with detached earpiece, made in 1918 by L.M. Ericsson & Co, Stockholm. Size app.: 45 cm (roughly 17.7 in) high, 23 cm (roughly 9.1 in) wid...

Middle Eastern Islamic Vintage round brass tray.The handcrafted circular brass platter is decorated and hammered with Islamic Moorish designs.Heavy met...

Wonderful image of Shakespeare's garden Tipped in plate. On card Lithograph. Published C.1920 The measurement given is the card size not the actual printed image.

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Wonderful image by E.J Detmold Tipped in plate. On paper Lithograph. Published C.1920 The measurement given is the paper size not the actual printed image.

Antique map of Connecticut and Rhode Island Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

Large Black Forest 10 Pointer Red Deer Trophy on Wooden Plaque 1902 An antique uneven 10 pointer red deer (Cervus elaphus) trophy from the Black Forest. The trophy was shot in 1902....

Majolica corn Keller & Guerin Saint Clement Plate.   

Antique bird print titled 'Buteo Intermedius'. Old bird print depicting a female buzzard. This print originates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by Magnus von Wr...

Fabulous set of 8 figural medical prints. Unframed. Published, circa 1900. The measurement given below is for one of the prints. Free shipping

Beautiful French Majolica wall plate from the Jugendstil / Art Nouveau period (ca 1900). Elegant design with a lovely lady in the middle. Nu...

Antique map of Colorado Published By A & C Black. 1903 Original colour Good condition Unframed. Free shipping

French Majolica oyster plate Orchies, circa 1910.

Antique Black Forest Roe Deer Trophy on Carved Plaque, Bavaria 1932 Item e7322 A large abnorm roe deer (Capreolus capreolus) trophy on a wooden carved plaque. The trophy was shot in ...

A Chinese hand-painted fan with hand-painted calligraphy (with two different drawing on either side). The fan's frame is crafted from bamboo and also includes wood engravings. The ca...

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Small Majolica sunflower plate Villeroy & Boch, circa 1900. Diameter / 6.6 inches.

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso c...

A large Japanese Wedding Kimono with bold embroidery designs. The auspicious attire was known as Uchikake and was worn by the bride during the wedding ceremony made from silk and hea...

English Majolica Strawberry & Grapes Plate Wedgwood Circa 1920 Diameter / 8.8 inches. Chips on the back.

English Majolica Strawberry & Grapes Plate Wedgwood Circa 1920 Diameter / 8.8 inches. Chips on the back.

A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...

Great image of the solar system Unframed. Chromo-lithograph Published, C.1900 The measurement is the paper size of the print Free shipping.

A vintage wall relief or panel made of French plaster, featuring two cherubim in good condition. The relief is molded in French Plaster and refinished by hand. Not recommended for ex...

Antique Persian Hamadan Oriental rug, Small size A vintage Persian Hamadan oriental rug in small size, size 6'6"x 4'5", circa 1920. This lovely hand-knotted carpet features a hera...

Set of Six Roe Deer Trophies on Turned Plaques Germany ca. 1900s A set of six antique Black Forest roe deer (Capreolus capreolus) trophies mounted on turned wooden plaques. The trop...

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Bronze statue of young goatherder by Oscar Gladenbeck. Circa 1900. Signed "Oscar Gladenbeck Friedrichshagen".

This stunning French Art Deco crackle glaze ceramic plaque, dating back to the 1920s, showcases the elegance and craftsmanship of the era. The plaque features a beautiful crackled gl...

Large size, great shape and excellent condition antique coat rack. If you are looking for a stylish and practical coat rack in the Arts & Crafts style then this period piece could be perfect for you. It is truly stylish, entirely original and, as you can see in our images, it is in very good condition. This quality antique is handcrafted from solid oak and it comes with the inlaid, hand painted and glazed tiles. These tiles are extra special, because on top of the glazing are unique, gilt and stylized flower motifs. This luxurious and colorful coat rack also comes with all the original and aesthetically beautiful hooks...

These four Rookwood Arts & Crafts Grape Tiles are framed with a grape and leaf motif. Each tile is 6"x6" and the total length is 26" x 8" including the frame.

A large intermediate size Caucasian rug from the early 20th century Measures: 5'2'' x 9'4''. Antique Caucasian rugs from the Shirvan district village are still considered one of th...

Wonderful image by Arthur Rackham. It is one of the illustrations for Wagner's " The Rhinegold & The Valkyrie " Tipped in plate. On card Lithograph. Published 1910 The measurem...

A vintage petit wall relief made of French plaster, inspired from a 18th Century French original relief featuring four cherubim and surrounded by a plaster frame, in good condition. ...

A wondrous collection of Florentine botanicals lovingly gathered between 1905 and 1907 and presented under glass in a weathered window frame with nine panels, dated, categorized and ...

Lovely Majolica pink & purple cyclamens flowers plate signed Schultz Cilli, circa 1900, Art Nouveau.

French Faience Blue & White Bird Plate Moustiers Style Moustiers style Martres Tolosane, circa 1900.  

Wonderful image by Arthur Rackham. It is one of the illustrations for Wagner's " The Rhinegold & The Valkyrie " Tipped in plate. On card Lithograph. Published 1910 The measurem...

This is a signed cat postcard by Louis Wain called "I felt rather upset at not hearing from you", originally posted in Edwardian England, circa 1905. The ca...

Wonderful image by Sutton Palmer Tipped in plate. On card Lithograph. Published C.1920 The measurement given is the card size not the actual printed image.

Probably circa 1910, decorative painting with craquelure throughout. Old dark varnish. The sky near frame edge has thicker paint suggesting some later in painting. Stretcher marks sh...