Drawings

Intriguing painting of a sea view. Wonderful approach to water and sky. It is a gouache on paper, framed in a wooden gilded frame behind glass. Atm...

Late 19th century pastel dog portrait of puppy with tablecloth in wooden frame.

Unknown Academy Student 19th C Drawing, pencil on paper.

Gorgeous French 18th century etching of an architectural scene with watercolor details. Add some classic architecture to your home, very nice gil...

Richard Giglio, American, b. 1936 Nude Studies, Crayon on Vellum, Signed Measures: 26.5" w x 29.75" h Richard Giglio was raised in New Rochelle, ...

American Steel Engraving of General George Washington "Before the Battle of Trenton" By John Trumbull Under Original Wavy Glass and Thirteen Starred Gilt Frame, Early 19th Century. T...

Wonderful charcoal portrait of a girl. By a very good victorian artist, William Wardlaw Laing* Sitter unknown. Signed lower left Presented in an antique bleached tropical hardw...

Large Color lithograph after the work by Henri Matisse, circa 1970. Signed in the stone. Edited by Edition des Nouvelles Images, France. Framed. Henri Matisse whether working...

An intricate and striking Ink Drawing full of movement and coiled energy. Signed lower left. Two figures of women in robes walking, done in stippled ink on off-white paper. sight 23...

Rare and beautiful painted work by Fortunato Depero from 1948. The work bears the Signature in the lower left-hand corner. Work archived at the Archivio Unico per il catalogo delle o...

Very nice pastel on paper featuring a young girl noblewoman. This painting, never before on the market, comes from a private collection and is beautified by an impressive XVIII Cent...

Vintage midcentury colored pencil portrait on paper of Texas artist Geneva Flores Hart Fell by Charles Berkeley Normann (1903-1985) Texas. Sign...

A chic vintage Boho original pencil drawing. A chic composition of a nude male. Beautifully framed. Acquired from a Palm Beach estate.

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Painted painting by BOWES DAVID, Untitled from 1986. Details: Signature and year at upper left. Technique : drawing on Fabriano Watermark. His figures have a theatrical air, especially those with the appearance of Pierrot and Columbine and other Commedia dell'Arte characters. Consciously flirting with the decorative, Bowes often compresses the background and foreground, as in wallpaper, and there is a suggestion of fabric design in the way he repeats his patterns at intervals on the surface. In some images, patterns emerge. In others, the pattern overwhelms itself Provenance; Lucio Amelio Collection, Naples; Private collection. Slight defects. David Bowes...

An expressive etching aquatint in color on wove paper titled "Crowd Portrait" by Lester Johnson. Signed in pencil on the bottom right with an annotation of 27/44 on the bottom left. Published 1977. Gallery tag on verso from Donald Morris Gallery, Birmingham, MI. A quintessential subject by the artist depicting a tightly crowded group of people in conversation or dancing. This artwork makes a lovely modern accent. It also works well with a grouping of art on a gallery wall. From a private collection. Dimensions: 21"h x 21"w. (In very good vintage condition). Lester Johnson (1919-2010) was an American artist and educator. Johnson was a member of the Second Generation of the New York School during the late 1950s. The subject of much of his work is the human figure. His style is considered by critics and art historians to be in the figurative Expressionist mode. In New York, Johnson exhibited at the Martha Jackson Gallery, Zabriskie Gallery...

Werner Wilder Gouache with graphite drawing of a man Werner Wilder (German American 1925-2004) gouache and graphite on paper drawing. The whimsical...

Rare pen drawing by Giovanni Gariboldi for Paolo Buffa.

Drawing made in pencil and white lead on paper by artist Alberto Pasini (1826 - 1899) around 1860, during his time in Istanbul. The subject is the recognizable "Blue Mosque," bett...

As an outstanding and highly esteemed painter, this artist was much more famous during his lifetime than his better known brother Giacomo. Francesco is believed to be an illegitimate...

Oil on canvas. Signed in the lower right corner. Émile Bemindt was a French artist active between 1859 and 1872 and is best known for his work in the Ro...

Sublime illumination from the end of the 18th century. It is a sonnet which was composed, drawn and written by an elderly person, since his dedication mentions his seventy-fifth year, precisely dated by the author's care in 1771. Dimensions: H: 54 x W: 42cm The frame which is original has been fully restored, then fully gilded with gold leaf, presenting a double patina. We would like to thank the HB workshop and Henda Bayoudh for the care taken in this exceptional work which has spanned more than two centuries. The sonnet is certainly the most widely used fixed form of poetry. The recipes for the sonnet vary from time to time and each poet tries to add his own personal touch. Made up of fourteen lines, originally from the Decasyllables, then especially from the Alexandrines, his lines are divided into three distinct stanzas, two quatrains followed by a sizain, separated into two tercets. Here our eyes are amazed at the agility of this elderly man, who, guided by Love, gratitude and benevolence, was able to express his gratitude, through the different arts he mastered, writing and drawing. It is a thanksgiving, not intended directly for God but for one of his disciples, who on this earth was for him like the “Savior”. We will notice the quality and the care brought to the work, the symbolism is also very present and reveals the devotion of the artist. In the lower part of the work, the presence of the dog, the dog is the animal of Ahura Mazda...

Antique Original Charcoal and Chalk Study Depicting a Girl and her Dog An extremely charming portrait study which is sensitively and skillfully executed. Framed and glazed in its o...

This drawing is representing a nude woman. The frame is in a brown color, and the drawing is done on a white support. It has made circa 1940. Art Deco Period. by VAN DOREN (Raymond...

A very good 19th century American Classical Period / Empire Period scissor-cut silhouette by Auguste Edouart, depicting the full length figure of a prominent New York gentleman with spectacles in hand, gazing out the window from a partially hand-coloured parlour interior. Set within its original & highly figured bird's eye maple frame & burnished gilt fillet. Signed & dated lower left, 'Aug. Edouart, fecit 1845, 369 Broadway, New York'. The reverse referencing a family provenance purportedly associated with a collection having once belonged to a Civil War officer by the name of Nathan Hale...

Red ink portrait drawing by Betty Lieberman Gerald (20th Century) Texas. Unsigned, dated 1971 lower left corner. Unframed, age toning, from the artists es...

John Lennon & Yoko Ono Seals Art Poster Print. Hardware for hanging. Seascape / Nautical drawing. Taken from the personal sketchbook of John Lennon.  

Vintage 1967 original Etching titled, dated, signed and numbered "St. Petersburg" #6/6 H. Valoff 1967. 1967 Original Etching by Artist H. Valoff is framed and ready to hang. St. ...

1930s colored drawing inscribed on the back "Promenade" This important drawing we can very likely attribute to the Italian master Carlo Carrà. The beauti...

William P. Katz, American (1926-2003). "The Lady of the Forest", mixed media gouache and pastel on paper, 1991. Signed/dated "W.P. Katz '91" bottom right, inscribed on verso: "To Ruthie 4/6/92; Happy birthday from 'The Lady of the Forest'". Presented in a gold-painted wooden frame. A lovely and whimsical painting in pastel colors by respected sculptor/artist William P. Katz, depicting the face of a woman...

1995 Byron Gálvez Abstract Modernism Artwork Pencil on White Paper MEXICO Signed art Measures: 8.5 x 11. Preowned original art vintage condition ...

Pen and ink on artist board of a pair of cowboys on horseback by Eugene Shortridge (1926-2014) well know western illustration artist. Signed lower right corner. Unframed, edge wear.

Vibeke Alfelt was born in 1934 as the daughter of the artist couple Else Alfelt and Carl-Henning Pedersen. Vibeke Alfelt made her debut as an artist at the age of 14, when she participated with her father in the Cobra group...

Drawing done of a nude male in 1898. 450 each.

Lucio Fontana. "Concepto spaziale", 1965. China ink on paper. Dimensions: 30 x 20 cm. With certificate. This is a preparatory work that is re...

Graphite and wash drawing, study of a pair of female nudes. Pencil signed lower right. Two heavy set female nudes with their hair up in a pretty peach tone wash. Full paper 20 x 1...

Italy, circa 1750 A mid eighteenth century drawing of a winged putto with arms outstretched, in the manner of Michelangelo. Executed in b...

Paul Wightman Williams, American (20th century). This diminutive mixed-media watercolor, pastel, and ink on paper depicts a haunting abstracted face. It is float-mounted in a faux-g...

An Art Nouveau inspired color aquatint etching on paper depicting a female nude with botanical flowers by Polish artist Barbara Rosiak. Hand signed in pencil on the bottom right with an annotation of 8/30. Titled bottom left. Taking inspiration from modern artists like Gustav Klimt and Alphonse Mucha, organic lines and forms found in nature create a powerful feminine aesthetic. From the personal collection of famed artist, Dominic Pangborn. Dimensions: 24.75"w x 1.25"d x 31"h. In very good vintage condition. Barbara Rosiak is a Polish painter...

A pair of cow studies in charcoal and pastel, done by Leslie Charlotte Benenson (1941-2018), deceased Royal Academy artist in 1999. These appear to be, from the top, a Longhorn bull...

Vintage Original Drawing Depicting a Life Drawing Class An accomplished work that successfully brings out the character of both the sitters and artists in a life drawing class. Exe...

Circa 1930's ink wash on thin paper study of bearded man. Unsigned, age toning, tape residue along edges, some cockling to paper.

Beautiful drawing by Gustave Wertheimer (1847-1904) in pencil, gouache and watercolour. Signed and dated 1881 and dedicated in 1882. Dimensions in cm : 49.4 x 37.6 Very good condition. Passe-partout cardboard frame glued to outer edges. Secure shipping. Gustave Wertheimer was born in 1847 in Vienna and died in Paris in 1904. A respected artist in his own day, he was particularly known as a history painter specialising in genre scenes and portraiture, his pictures often embodied fantasy and dreamlike qualities. He studied under Joseph Führich at the Viennese Academy before continuing his studies in Munich and then Paris, where he arrived in 1882. It was during his time in Paris that Wertheimer obtained widespread recognition and success after exhibiting his painting, Le repas des lions chez Pezon, at the Salon of 1886. He exhibited frequently at the Salon and participated in many of the great exhibitions of the period, receiving medals at Amsterdam, London, New Orleans and Paris. He also received an honourable mention at L’ Exposition Universelle 1889...

A stunning vintage boho original pencil sketch of man. An amazing 1935 rendering with incredible attention to detail. Acquired from a Palm Beach estate.

Circa 1930's powerful ink wash on thin paper study of African man. Unsigned, probably executed by an African American artist, based on the other works from the estate. Age toning, ta...

Miniature signed and framed watercolor Portrait of a woman.

The Root of Kings Evil, 1835 This dark image is in reference to an incident which occurred in the winter of 1821. Great Britain, struggling with economic distress after the strain of the Napoleonic Wars, was thrown into a period of intense social unrest. The middle class, who bore the brunt of the cost of the victory against France, was struggling under the newly imposed Corn Laws. Periods of famine ensued, and unemployment soared as soldiers returned from the continent looking for work. One such soldier was Arthur Thistlewood. In January of 1820, King George III died unexpectedly, precipitating a constitutional crisis, and creating the necessity of a general election. Thistlewood, aggrieved by the erratic behavior of the now dead King, and affronted by the lavish lifestyle of the prince regent, took advantage of the wave of national instability, and organized a group of 12 men to overthrow the government. They called themselves The Spenceans Philanthropists, after Thomas Spence, a schoolteacher who had been imprisoned for selling “radical” books. Now known as the Cato Street Conspiracy (named after the address of the conspirator’s den), the incident is primarily well known for having gone famously wrong, and it being the last major insurrection in Great Britain. Almost absurdly, the Spenceans planned to murder the entire cabinet, and Prime Minister, Lord Liverpool, while they were all in attendance at a dinner in Grosvenor Square. Unfortunately for Thistlewood, along with his cronies, he was informed upon, and the group was arrested on their way to the Cato Street meeting place. The group was reportedly confronted with bags in their hands, which they had brought to carry the heads of the men they intended to assassinate. Thistlewood, along with co-conspirators Thomas Preston, John Hopper, and James Watson, was convicted of High Treason, and was publicly hanged and beheaded. The other conspirators were sent to Australia. In this ghoulish image by George Cruikshank, an apparition of a demon appears to King George III from the well of a censer, as he sits in his study, reading on the subject of the history of rebellion, and specifically, the etymology of the word “Radical.” Growing from a mangled root, the demon holds lances in both hands, one run through the Holy Bible, with the severed head of the Archbishop of Canterbury impaled upon its blade, the other run through the Magna Carta...

Original Garry Trudeau Comic Strip Drawing from 1973. Inscribed and signed top border. Framed and matted.

Decorate an office or a den with this elegant framed dog painting. Created in England circa 1880, and set in the original carved frame, the drawing depicts a cocker spaniel poodle mi...

Old engraving from the 17th century: Nicolas Paussin 1677 Large seventeenth century engraving dated 1677. With very decorative back frame total measures: 91x71 cm and only the engra...

Dutch painting of the 20th Century. Work in Impressionist style oil on canvas depicting View of cathedral of good pictorial hand. Highly detailed painting with pleasant color use, of...

Set of 6 19th century McKenney and Hall portraits of Native Americans. Hand colored lithographs from: The history of the Indian tribes of North Ameri...

This charming sketch shows the head and the legs of a child. The drawing is executed in black chalk with white heightening on coloured paper. The paper has been mounted on card. Ther...

Framed, signed and dated.

An original on paper by Jack Hooper 'Red Line Through' professionally framed, black painted wood frame and glass. About Jack Hooper Born in Los Angel...

This beautiful work features on the front a lithograph from a 1958 drawing by Henry Moore from the series 'Heads, figures and ideas'. on the verso an origi...

Mid-century artwork by Italian artist August Mosca. "Two Sleeping Girls" in silver point and ink with wood frame. Please confirm location.

Pen and ink drawing by artist Walter Stawuszewski (20th Century) The drawing depicts a muscular man kneeling. Many of Walter Stawuszewski's art pi...