Drawings

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941...

Ash wood frame, glass, charcoal on paper. Charcoal study of sculpture.

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018)....

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018). A pastel study of exceptional qua...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018)....

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018). A pastel study of exceptional qua...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018)....

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018). A pastel study of exceptional qua...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941-2018)....

Anna Walinska gouache on Paper, from the 'Biblical' series. Abstract imaging of large groups of huddled people in Classical/Renaissance style. Image si...

A beautiful piece from a larger collection of framed 20th century show horse drawings by Royal Academy artist Leslie Charlotte Benenson (1941...

Color lithograph 'Nu Aux Oranges' after the work by Henri Matisse, plate-signed by Matisse Framed and signed in the stone, as issued Henri Matisse whether working as a draftsma...

Charcoal drawing and white chalk highlights on paper. Collioure, return from fishing. Signed lower right. Jacques Martin-Ferrieres (1893-1972). He finds himself, from his birth...

Color lithograph after the work by Henri Matisse, circa 1970. Signed in the stone. Edited by Edition des Nouvelles Images, France. Framed. In good original condition, with mi...

Ink on paper parabola hyperbola Martín Kenneth Winkler 4-8-43 16.13 x 13.63 x .75 Art 10.88 x 8.38 Preowned original vintage condition. See images please.

BIC blue colored pen on paper. Serie "The Italian Dream" Nº2 Ed 50/75, 2009 Juan Francisco Casas Ruiz 1976: He has had numerous individual exhibi...

Drawing in Transparency, 20th century Transparency drawing on canvas, 20th century, unsigned, unframed. Measures: H: 100 cm, W: 81 cm, D: 2 cm.

Large 1986 Surreal charcoal on paper by American artist Richard Parker. Pencil signed Richard G. Parker 1986 on the right bottom corner. Newly f...

Italian modern colored tempera work of art painted signed by G. Maffei, 1970s Abstract painting in tempera, painted with thick brushstroke with various colors, with chromed steel fr...

Large Color lithograph after the work by Henri Matisse, circa 1970. Signed in the stone. Edited by Edition des Nouvelles Images, France. Framed. Henri Matisse whether working...

2006, Australian, Betsy Lewis Napangardi (1940-2008), Framed Mina Mina Dreaming, etching on paper. Number 5 of 60 and pencil signed Betsy Lewis with embossed seal. Information on the back of the work from the Warlukurlangu Artists Aboriginal Association and dated 1/11/2007, describes the story behind the work authenticates it. Dimensions: 17.5"w x 23.5"h x 1.5"d (framed) 7.5"w x 13"h (sight) Condition: Good. Not examined out of frame. Shows well. Ready to hang. Biography: Betsy Lewis Napangardi was a traditional Warlpiri woman from the Yuendumu Community region. Betsy was born in the bush just west of Yuendumu in the 1940’s, this was before hospitals and health clinics were available and accessible in the area. Betsy moved to Mount Doreen Station with her family at a young age. She was raised by Paddy Japanangka Lewis and attended the Yuendumu School. She spent her life living in Yuendumu. Betsy began painting full time in 1999 however she had been painting for Warlukurlangu Artists for some time before then. She was considered at the forefront of the move towards more abstract depictions of Aboriginal art however did maintain a strong connection to her Kurruwarri heritage. Her art is bright and textured with thick layers of paint. Some of her family members are also artists such as Margaret Lewis. Betsy is known best for five Dreamtime depictions - Snake Vine, Women’s Dreaming, Edible Fungus, Dreaming Site and Dogwood. The story of Jintiparnta is of the Napangardi and Napanangka women who collect Jintiparnta or Edible Fungus at Karnakarlangu. The area is also known as Mina Mina. The ancestral women would travel from here heading north and east toward Janyinki and Alcoota country. The Mina Mina is a ceremonial place which belongs to the Japanangka and Japangardi men and the Napanangka and Napangardi women. Water soakages, sand hills...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Red ink portrait drawing by Betty Lieberman Gerald (20th Century) Texas. Unsigned, dated 1971 lower left corner. Unframed, age toning, from the artists es...

Lucio Fontana. "Concepto spaziale", 1965. China ink on paper. Dimensions: 30 x 20 cm. With certificate. This is a preparatory work that is re...

BIC blue colored pen on paper. Serie "Aquafan" Juan Francisco Casas Ruiz 1976: He has had numerous individual exhibitions highlighting (He) artbr...

Vintage circa 1990's pencil on paper illustration drawing by Delmos Hickmott (1934-2016) Texas. Zombie walking dead like abstract skeletal woman Signed lo...

Wonderful and powerful work of a cat washing itself by Dutch artist Estella den Boer. Such a pleasure to look at. This trusting cat in utmost concentration to clean its coat. It i...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Series of Six Architectural Drawings Italy, '40 - '50 Signed and dated "P. Sinisi" (between 1948 - 1951) Pencil on paper black frame 67 x 52 x 1.2 cm (with frame) 48 x 33.5 ...

Original Dario Campanile female nude drawing, circa 1995. It is beautifully framed and matted. Additional information: Materials: Paper. Color: Gray. Period: 1990s. Art subjects:...

Fine vintage graphite pencil drawing on paper - featuring an Iris flower in full bloom - drawing contained in a vintage matte - initialed L.T. lower right (unknown/unidentified artis...

A framed watercolor and gouache on paper depicting sliced watermelon on a color block background, signed Tamayo and dated 1945 as shown. The work was in keeping with the style of Rufino Tamayo and it retains a paper label from Salon de la Plastica Mexicana, listing the detail info. SPM was formed in 1949 to promote contemporary Mexican artists...

Lithography intervened by Diane Guyot de Saint Michel, 2017. Limited edition of 50 copies. Each lithographies are different from the others and are unique pieces. Hand signed b...

1995 Byron Gálvez Abstract Modernism Artwork Pencil on White Paper MEXICO Signed art Measures: 8.5 x 11. Preowned original art vintage condition ...

Walter Henry Williams Sunflowers at Sunset woodcut, signed, numbered, 1959, USA. Walter Henry Williams, Sunflowers, 1959 woodcut in colors on thi...

Seventeen Lithographs for Frank O'Hara, New York, Limited Editions Club, 1988 the complete set of 17 signed and numbered lithographs in colors by Willem De Kooning, title page, and justification, on Chine appliqué, numbered 51 of 60 (there were also 12 with opposite facing text, and 550 bound copies with the lithographs appliquéd to the text pages), all with full margins and beautifully framed. Comes with original black cloth-covered portfolio with black leather label and gilt stamped title (very minor wear) and original purchase paperwork from Baby Jane...

Abstraction with India ink on paper by Nell Blaine.

This is an example of a hand-drawn scaled drawing of the ‘Top of New Dining Table (DRW.79)’, 17th December 1952. The drawings depicts the top view of what seems to be a ‘simplified’ version of Finn Juhl’s Silver Table, or more commonly known as the ‘Judas Table...

ROY D. FLEMING - 'Collingwood Harbour in Autumn - The Memory of Alex Macleod 1936-2002' - Contemporary fine art original graphite and colored pencil drawing on tracing paper - extraordinary quality and composition - gallery conservation framing - float mounted artwork set...

Lithography intervened by Diane Guyot de Saint Michel, 2017. Limited edition of 50 copies. Each lithographies are different from the others and are unique pieces. Hand signed by the artist. The collaboration with José Pérez...

Important ink drawing representing animated landscape with ruins and aqueduct in the background Venetian school Every item of our Gallery, upon request, is accompanied by a certific...

AUNG KHIN (1921-1996) Attributed - Vintage Impressionist style oil pastel and graphite drawing on black paper - featuring a young a Burmese girl perched on a plank collecting water -...

This is an example of a hand-drawn 1:4 scale orthographic drawing of the ‘Conversation Armchair in Maple-Walnut’, 1st March, 1951 by Finn Juhl. The drawings depicts the font view, side on, back, top view and the detail of the armrest.The drawings were sent to Baker Furniture in Michigan...

Important Sir Jacob Epstein drawing. Signed pencil on paper life drawing of the Indian Woman 'Sunita'. Drawing itself 14 3/4" x 21 1/2", framed and glazed 25 1/4" 32". Provenance: Al Ross...

Italian modern Abstract mixed media painting on paper and metal frame, 1972 Abstract style mixed media painting on paper. The gestural painting is characterized by rounded lines and...

Eugène de Sala, 1899 - 1987. Charcoal drawing on paper, portrait of his wife 1920s. Eugène de Sala's an avant-garde painter from the 1920s are considere...

Unknown artist, pencil and watercolor on cardboard. Portrait of a young woman with a pencil. Signed Lam, Paris 1951. In excellent condition. Measures : 27.5 cm. x 35.5 cm. Total...

Vintage Chinese Asian Artistry Fisherman in Boat Framed Wall Art Yang Chun Floods No information available Preowned vintage unrestored condition 24 h...

Vibrant modern mexican art drawing 7 Eiffel Tower oaxacan Artist signed. Ink on paper drawing, Original Art, Custom made paper. Inspiration Sergio...

MIKE MARONEY - Study for 'An October Sunset' (View from the Schoolhouse - Wabash) - Charcoal landscape sketch on paper - featuring a sunset backlit silhouette landscape...

Roy D. Fleming - 'Collingwood Harbour in Summer - Memory of Alex Macleod 1936-2002' - Contemporary fine art original graphite and colored pencil drawing on tracing paper - extraordinary quality and composition - gallery conservation framing - float mounted artwork set...

Roy Fleming - 'Collingwood Harbour in Spring - In Memory of Alex Macleod 1936-2002' - Contemporary fine art - original graphite and colored pencil drawing on tracing paper - extraordinary quality and composition - gallery conservation framing - float mounted artwork set...

ROY D. FLEMING - 'Collingwood Harbour - Winter - In Memory of Alex Macleod 1936-2002' - Contemporary fine art original graphite and colored pencil drawing on tracing paper - extraordinary quality and composition - gallery conservation framing - float mounted artwork set...

Reminiscent of John James Audubon specimen drawings, these two meticulously drawn swallow tail butterflies are matted separately and framed in a beautifully carved silver frame Sylvia Beckman Swallow Tails colored pencil on paper 19H x 15.50W in 48.26H x 39.37W cm SUB013 Sylvia Beckman, b. 1938, Detroit, MI Education University of Michigan, School of Arch. & Design University of Wisconsin, Botany Private apprenticeship in stone sculpture, bronze, gilding and painting Exhibitions 2017 “Coming Attractions”, Gallery Victor Armendariz, Chicago, IL 1997 S.O.F.A. exhibition, Ann Nathan Gallery, Navy Pier, Chicago, IL 1997 Monumental Bronze Sculpture Commisson, Olbrich Park, Madison, WI 1994 Sculpture, Olbrich Botanic Gardens, Spring Display, Madison,WI 1994 Paintings & Drawings, North Seas Gallery, Charlevoix, MI 1994 Paintings & drawings, Olbrich Botanic Center, Madison, WI 1988 Monumental Stone Sculpture...

This artwork is signed by Jim Kras, and dated 1994. The artist used oil pastels to feature a yellow crying character sketched with curvy long black l...