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17th Century Spanish Oil on Canvas, Religious "Mary Inmaculate"

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18th Century Spanish Painting on the Glass, Couple of Painting, Gildwood Frame
Located in Valladolid, ES
Amazing pair of baroque cornucopias, with painted glass, s. XVIII, Spanish origin, Andalusian school (Córdoba) Outstanding pair of Cornucopias in carved wood and gilwood decorated w...
Category

Antique 1780s Baroque Paintings

Materials

Glass, Giltwood, Paint

Oil on canvas Spain Abstraction Blue gray “Children's Islands” Esteban de la Foz
By Spanish Manufactory
Located in Valladolid, ES
An exceptional and one of a kind large-format work by Esteban de la Foz, undoubtedly the most representative and influential figure in abstract art in Cantabria. Titled "Children's ...
Category

1990s Spanish Mid-Century Modern Paintings

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Canvas, Paint

Gabriel Deschamps French Oil on canvas “Saint Tropez”
By Gabriel Deschamps
Located in Valladolid, ES
Technique on stand: Oil on board Title of the work: "Saint Tropez" Author: Gabriel Dechamps (1919 – 2011) Signed in the lower right corner Period: Se...
Category

Vintage 1970s French Mid-Century Modern Paintings

Materials

Wood, Paint

Catalan School Large Painting "The Walk" Oil on canvas , Romantic style
By Mary Spain
Located in Valladolid, ES
“The walk”, Lluís Muntané Muns, Catalan School, pp. 20th century - Spain Technique on support: oil on canvas Title of the work: “The Walk” Author: Lluís Muntané Muns (1899 - 1987) Style/School: Catalan School Period: first half of the 20th century Country of origin: Catalonia, Spain Origin: Banco Santander Some damage visible in the photographs and that could be restored Dimensions: 204 x 343 cm. One of a kind and Large oil on canvas signed by Lluís Muntané Muns depicting a pleasant everyday scene, aristocrats and bourgeois taking a walk along a wide avenue. The ladies with their elegant dresses and parasols and the men with long coats. This work is unique, not only for its pictorial quality in such a large, almost muralist size, but for its traceability, it was commissioned at the beginning of the 20th century and includes a bank building from the end and beginning of the 20th century in Latin America. The composition is divided into a horizontal strip in the lower half in which the different characters are arranged, conversing with each other, flanked by the trees that appear at the ends. Behind them, in the center of the composition rises a large neoclassical-style building that escapes towards the landscape that can be seen in the background. Lluís Muntané Muns opted for a realistic academicism, of high quality but with sober and static expression, which is also reminiscent of some of the characteristics of Catalan noucentisme. Although most of his career was dedicated to portraits, he also cultivated muralism. A lover of chiaroscuro, he managed to provide warmth to his plastic environments with an equally elegant and contained palette. His compositions are always well constructed and have the elegance that seems a dominant note in all aspects of his work. Noucentisme or Novencentism designates a cultural movement that began in 1906 in Catalonia (propounded by Eugenio d'Ors), claiming the need for a classicism with a sense of modernity, but that was at the same time linked to tradition, given its nationalist mood. . Catalan identity linked to the classic substratum of Catalonia and its connection with the Mediterranean. He wanted to break with the cosmopolitan character of Modernism and the transience of Impressionism. He set out to achieve a more objective, constant and, ultimately, eternal art. For this, the idea of ​​the “classical” (but never an explicit copy of said period) and the “Mediterranean” was used and the way to capture it in painting was through static, balanced, and simple compositions. It must be pointed out that it cannot be understood as a style, but as a series of ideas that each artist understands in his own way. In this case, the memory of noucentisme is appreciated above all in the composition: a feeling of serenity, proportion, the figures do not present very exaggerated or grandiose movements... It attempts to represent the eternal through compositional balance. The colors seem muted because this effect was sought, since they understood classicism as something serene and balanced. Lluís Muntané Muns (Mataró, Barcelona, ​​1899 – Barcelona, ​​1987) A disciple of Vicente Borrás and José...
Category

Vintage 1920s Spanish Romantic Paintings

Materials

Canvas, Paint, Wood

Spanish Baroque estipite, Column Sculpture , carved and gilded wood
By Spanish Manufactory
Located in Valladolid, ES
One of a kind carved and gilded wood sculptural work that was part of an outstanding Spanish altarpiece from the Baroque period, around the 17th and 18th centuries in the Andalusian ...
Category

Antique 1690s Spanish Baroque Religious Items

Materials

Giltwood

France Oil on panel “Marina”, French School
By French House & Garden
Located in Valladolid, ES
Exceptional painting depicting a Mediterranean seascape. The two fishing boats in the center of the composition stand out. In the far distance, a village with a small harbor, charact...
Category

Antique Early 1900s French Beaux Arts Paintings

Materials

Wood, Giltwood, Paint

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The temptation of St Anthony. Oil on canvas. 17th c., after David Teniers II
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Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690). Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing. San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they). David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...
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