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18th Century Portrait of Sir John Inglis Bart by Sir Henry Raeburn

Price:$8,500
$10,000List Price

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Painting of a Young Boy with His Dog after Henry Raeburn
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The oil painting on canvas is of a young boy 'hugging' his dog, which lies on the boy's lap. It is very much in the style of the Scottish painter Henry Raeburn. The boy is dressed in...
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18th Century Portrait of a French Aristocratic Gentleman
Located in Vancouver, British Columbia
A fine half length portrait of a powder wigged 18th century French aristocratic gentleman simply dressed in a brown waistcoat over an embroidered buttoned vest in which he has placed...
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18th Century English Portrait of Two Bearded Gentlemen
Located in Vancouver, British Columbia
An unsigned canvas depicting two bearded ‘Renaissance’ gentlemen painted from the waist up in a loving posterior embrace. The painting is very likely English late 17th or 18th century. Relined well over a hundred years ago which suggests that the work may be 17th or 18 century. Presently in a contemporary, compatible frame. The canvas relining was done by John Peel who was active in London in the early 19thC. John Peel worked from Golden Square, London 1819, 7 Naylors Yard 1820-1834, 17 Golden Square 1832-1843, 17-18 Golden Square 1844-1858, 12 Marlborough Row as carver and gilder...
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Gentleman with his Three Children by 18th Century English Artist John Opie
By John Opie
Located in Vancouver, British Columbia
A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...
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19th Century Rendition of “The Blind Fiddler” in the Tate by Sir David Wilkie
By Sir David Wilkie
Located in Vancouver, British Columbia
An extremely true to the original work by Scottish-born artist Sir David Wilkie, (1785–1841) now displayed in the Tate Gallery in London The painting ...
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18th C, Oil on Copper of a Nude After Titian's Venus of Urbino by Adam J. Braun
By Adam Johann Braun
Located in Vancouver, British Columbia
An exquisite and rare late 18th century oil on copper plate of a reclining nude by Austrian artist Adam J. Braun, (1748-1827) in the manner ...
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