A 19 Century Painting titled "Shipwrecked" by English Artist Stuart Henri Bell

An atmospheric oil painting depicting a seaside with sunlit high sand dunes in the forefront and in Stark contrast a dark stormy sky in the background with seagulls overhead. Small sailing ships can be seen in the distance. Climbing the dunes is a shepherdess and her small flock of sheep grazing on meagre offerings along the dunes. A young couple can also be seen sitting on the beach in the background. The painting is in its original carved and gilded frame. Signed James Webb and dated 18_7 on the bottom right hand corner of the canvas. Why the artist omitted the "decade" digit and put an underscore instead is a mystery. The painting is set in an intricately carved gilded frame which has been professionally restored. James R Webb...

A happy and colourful painting of a smiling young woman holding a basket of flowers in an open fruit and flower market. People mill around her at other tented stalls picking and choo...

An impressionist oil on canvas showing day to day Industrial and merchant shipping activity on the Seine at the town of Rouen France right on the cusp of the break out of World War II 1939, The canvas is by Roger Bertin. It is signed and dated on the left hand corner of the canvas. The artist also inscribed the word Rouen with his signature leaving no doubt where the work was executed. The painting is presented in a gilded period frame, Bertin was born in Paris in 1915. His godfather was the poet and painter Max Jacob...

A calming bucolic painting of a shepherd herding his flock of sheep back home at sunset along a country lane assisted by his sheepdog. The painting is presented in a gesso carved g...

A large and beautiful three quarter length portrait of a partly seated lady her hat over one arm holding a bouquet of flowers, the other arm held upward holding a branch of a tree. This original oil on canvas by the British artist Laurence Koe, (1863-1913), is signed on the lower right and dated 1905. Lawrence E. Koe was a portrait painter and sculptor. He is listed as living in Brighton when he first exhibited at The Royal Academy in 1891, but by 1894 he had moved to London where he appears to have settled for the remainder of his life. Koe exhibited widely; over twenty times at The Royal Academy, but also at the R.O.I, The Royal Society of Artists in Birmingham and the Walker Art Gallery in Liverpool. Most of his exhibited works were portraits, and among his sitters were the wives of fellow artists Harold Speed RP (1872-1957) and Harold Piffard (fl. 1895-1899). In 1896 Koe exhibited “Venus and Tännhauser” at the Royal Academy, now in the permanent collection in the Brighton Museum and Art and he showed a painting of Sappho two years later. He clearly shows the influence of other artists working at the same time, notably Singer Sargent, Arthur Hacker RA (1858-1919) and Herbert James Draper...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

In the sphere of marine art, a Romantic-era painting portrays a somber and tragic scene of naval disaster aftermath. Executed in the 19th century, the canvas depicts a group of sailors and a shipwrecked...

Helen Stuart is a water colour artist who specialises in Northumberland scenes. This signed Artist's Proof of Alnwick Castle is framed and would effortl...

Featured in the book A Savannah Experience, by Myrtle Jones, this large pastel painting is one of the artist's finest paintings. Acrylic on canv...

This quaint oil on board painting of a shepherd and his flock was painted in the 1800’s by the Belgian artist, Henri de Beul. The painting is signed “H. De Beul” and dated 1885 in the lower left corner of the painting. A shepherd in a green cap...

A melancholic variant painting titled «Villaggio Sul Lago» by the french artist Henri Bellery-Desfontaines depicting a family scene with the father and son fishing in the river shore...

Abstract mid-century oil painting titled "Building Site" by English artist Peggy Trotman. Originally held in the collection of the Southampton Art Society, the oil on canvas painting...