Large Painting of Seated Figure in Blue by John Kaine, 1960's

Dynamic Swedish figurative painting of five contemporary dancing women in a green field by R. Dagstrom 1960's. The artist accentuated the expressi...

Large expressionist 1980's landscape of birch trees against a background of bright colors, pink, green and red and dark distance view. The painting is executed withe expressive brush...

Expressive portrait of women in bright colours acrylic paint on board in original frame, by artist Pieper, Munich, Germany 1960's in bold colours. The painting dimensions; Height 52...

Photo-Realistic still Life of butterflies painted on canvas by Bridget Orlando. The inspiration for this painting came from an early twentieth century collection of butterflies from all over the world mounted with pins in boxes. Bridget became fascinated by the ephemeral beauty and fragility of butterflies, the intricacies of their patterned wings which require close scrutiny. On a large scale they become a blaze of color and texture, easily seen from a distance. They have a surreal element of something being larger than it should be, like a scene from Gulliver Travels...

Painting by John Bashor (1926-2003)- Artist from Montana, professor at Bethany College in Lindsborg, KS. This work was done in the 1950's. Excellent comp...

Here is a stunning and powerful painting by Montreal artist, John Popovic. The work features deep dark blacks, contrasted with splashes of red, orange and...

A stunning, large abstract oil painting by renowned British artist John Mackay. This is signed by the artist and dates 1996. This is beautifully execute...

Dynamic layered blue & red abstract acrylic painting on canvas by the Late Midwestern Artist John Link, mounted in a wood frame. This work, entitled "Temporary Ephedrine", is one of several large Link pieces available exemplifying his technique of richly layering tones of acrylic paint using an alkyd spirit resin. Link detailed this process: “The medium is indeed "acrylic" but not what most people mean by acrylic - which is waterborne acrylic. Instead this is acrylic resin dissolved in turps, with a dash of alkyd resin thrown in to stabilize it so the next layers of paint do not re-dissolve it. Thus it does not muddle up like repeated layers of watercolor can. This stuff does not yellow either, like oil, and a glass of it looks like a glass of water, it is that clear, thus preserving the intensity of the pigment. Also, because it is clear when wet, there is no "pastel effect" like you get with waterborne acrylic, where you must let a glaze dry before you see what you have. It is WYSIWYG to the core." Link (1942 - 2021) was born in Oklahoma City, began his career in Illinois, headed the art dept at Virginia Tech...