Angelica Kauffman 1741-1807 Attributed Roman Grand Tour Watercolor Painting

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Angelica Kauffman 1741-1807 Attributed Roman Grand Tour Watercolor Painting

About the Item

We are delighted to offer for sale this stunning circa 1780, Angelicia Kauffman 1741-1807 attributed watercolour of a Grand Tour Roman scene Maria Anna Angelika Kauffmann RA 30 October 1741 – 5 November 1807 Usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768 Kauffman was born at Chur in Graubünden, Switzerland. Her family moved to Morbegno in 1742, then Como in Lombardy in 1752 at that time under Austrian rule. In 1757 she accompanied her father to Schwarzenberg in Vorarlberg/Austria where her father was working for the local bishop. Her father, Joseph Johann Kauffmann, was a relatively poor man but a skilled Austrian muralist and painter, who was often traveling for his work. He trained Angelica and she worked as his assistant, moving through Switzerland, Austria, and Italy. Angelica, a child prodigy, rapidly acquired several languages from her mother, Cleophea Lutz, including German, Italian, French and English. She also showed talent as a musician and was forced to choose between opera and art. She quickly chose art as a Catholic priest told her that the opera was a dangerous place filled with "seedy people." By her twelfth year she had already become known as a painter, with bishops and nobles sitting for her. In 1754, her mother died and her father decided to move to Milan. Later visits to Italy of long duration followed. She became a member of the Accademia di Belle Arti di Firenze in 1762. Kauffman and her family moved to Florence in June 1762, where the young artist first discovered the painting style that was coined Neoclassical painting. Moving to Rome in January 1763, Kauffman was introduced to the British community. While learning more English and continuing her portraiture, a few months later the family moved again to Naples. There Kauffman studied works by the Old Masters, and had her first painting sent to a public exhibition in London. Later in 1763 she visited Rome, returning again in 1764. From Rome she passed to Bologna and Venice, everywhere feted for her talents and charm. Writing from Rome in August 1764 to his friend Franke, Winckelmann refers to her popularity; she was then painting his picture, a half-length; of which she also made an etching. She spoke Italian as well as German, he says, and expressed herself with facility in French and English – one result of the last-named accomplishment being that she became a popular portraitist for British visitors to Rome. "She may be styled beautiful," he adds, "and in singing may vie with our best virtuosi". In 1765, her work appeared in England in an exhibition of the Free Society of Artists. She moved to England shortly after and established herself as a leading artist.[9] Legacy Mary Tisdall, Dublin (1771-72) By the time of her death she had made herself what she considered to be a renowned artist. This explains why her funeral was directed by the well known Neoclassical sculptor Antonio Canova. Canova designed her funeral based on the funeral of the Renaissance master Raphael. By 1911, rooms decorated with her work were still to be seen in various places. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait (NPG 430 There were other pictures by her in Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek at Munich, in Kadriorg Palace, Tallinn (Estonia) and in the Joanneum Alte Galerie at Graz. The Munich example was another portrait of herself, and there was a third in the Uffizi at Florence. A few of her works in private collections were exhibited among the Old Masters at Burlington House. Kauffman is also well known by the numerous engravings from her designs by Schiavonetti, Francesco Bartolozzi and others. Those by Bartolozzi especially found considerable favour with collectors. Charles Willson Peale (1741–1827), artist, patriot, and founder of a major American art dynasty, named several of his children after notable European artists, including a daughter, Angelica Kauffman Peale. A biography of Kauffman was published in 1810 by Giovanni Gherardo De Rossi. The book was also the basis of a romance by Léon de Wailly (1838) and it prompted the novel contributed by Anne Isabella Thackeray to the Cornhill Magazine in 1875 entitled "Miss Angel" The condition is excellent so far as I can see, there will naturally be age related patina Dimensions Height:- 25cm Width:- 30.5cm Depth:- 2.5cm Please note all measurements are taken at the widest point. Condition Please view the very detailed pictures as they form part of the description pertaining to the condition. Please note vintage period and original items such as leather seating will always have natural patina in the form of creasing and wear, we recommend annual waxing to ensure no moisture is lost, also hand dyed leather is not recommended to sit in direct sunlight for prolonged periods of time as it will dry out and fade.

Attributed to:
Angelica Kauffmann (Artist)
Dimensions:
Height: 9.85 in (25 cm)Width: 12.01 in (30.5 cm)Depth: 0.99 in (2.5 cm)
Style:
Georgian (Of the Period)
Materials and Techniques:
Paper,Hand-Painted
Place of Origin:
England
Period:
1740-1749
Date of Manufacture:
1741-1807
Condition:
Wear consistent with age and use. Minor fading.
Seller Location:
GB
Reference Number:
1stDibs: LU2823329915632