Antique Canvas Depicting 'The Preaching of St. Peter'

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

The work is a round framed painting made of gilded wood, with an angel above the frame cin center. The frame is all made with very elegant, curv...

Antique and very rare Japanese painting made in the early 1900s by a fine Japanese manufacturer. The painting has a rectangular brass frame with rounded corners. Internally we see an...

Beautiful vintage frame in chromed steel made by Luigi Caccia Dominioni and Vittorio Introini in the '70s for the Vips Residence. The frame has a square...

A superb quality German 18th century Neo-classical themed oil on canvas by Johann Dominicus Fiorillo. The painting depicts a courtship in the town square with townspeople looking on. The maiden is draped in modest classical dress and the young man in a vibrant red garment, holds her hand. Wonderful execution and detail throughout. Johann Dominicus Fiorillo (Hamburg 1748 - 1821) was a German painter and historian of art. Fiorillo, a son of Italian...

A delightful small painting, framed in a contemporary frame in carved and gilded wood, depicting a lively genre scene. In the background, an Italian garden opens up to reveal two you...

Early 17th century German oil painting on chamfered oak panel by Maller Michael Nagel signed in gilt on hem of cloak. The date 1602 is on the edge of the ...

Christ about to take up the Cross on the Via Dolorosa, Oil on canvas, Signed and dated lower left. Frame: H: 105cm, W: 134cm, D: 10cm Canvas: H: 71cm, W: 102cm, D: 2cm.