Antique French Oil On Panel Of A Castle

A stunning oil on canvas of RAF Lancaster Bombers returning from a mission over Germany in WWII. It has exceptional quality and detail. By South African ...

A beautiful decorative French table from the early 20th century. With lovely decorative wood carvings and original worn paint. Circa 1900 in date.

A beautiful early 20th century French cast iron bistro table with its original marble top. The iron base has lovely old original paint giving a great look. Please contact us directl...

A beautiful quality early 19th century French buffet made from bleached oak which has nice curved sides and front. With a lovely quality marble top.

Cute painting of playing cats. The painting dates from circa 1910-1920, presumably French. The painting is signed at the bottom right, but the signature ...

French oil on panel painting of a woman. Composed on a wooden panel, this c. 1815 oil depicts a woman displaying the exaggerated, theatrical mannerisms of the Neoclassical style that...

A framed oil on canvas painting that features a red roofed white castle on a hill overlooking a cerulean blue river by French artist, Blanchard. The castle is visible reflected in ...

Oil on panel by acclaimed outsider artist, Bruno Del Favero (b. Italy 1910, d. USA 1995), circa 1970. Fine example showcasing Del Favero's aptitude for creating fantastical landscapes. Contrasting oxen / bulls and flamingos with a castle backdrop creates an imaginary context removed from reality. Del Favero's marriage of fantasy and whimsy beautifully suits his Naïve painting style. Singed on verso. Bio from the Philadelphia Museum of Art: Born Princeton, Michigan, 1910; died Greenwich, Connecticut, 1995 Bruno Del Favero moved from Michigan to northern Italy with his parents at age five, returning in 1928 and settling in Greenwich, Connecticut, where he married and remained for the rest of his days. He made his living as a mason, chauffeur, and landscape gardener. It is not known exactly when or why he began to paint his delicate and mysterious landscapes, but he was exhibiting in local art shows by the early 1970s and took himself seriously enough as an artist to join the Greenwich Art Society. He maintained a studio in the basement of his home, but never shared his art with his wife and five children. After the artist's death his family introduced his work to New York dealers Shari Cavin...