Dove Holding a Branch Oil Painting by David Segel

"Black on White on Black on White" is the name given by Segel for this composition. The subject is open to interpretation though some viewers could thin...

Expressive Abstract painting of machinery. Randall uses deep reds complemented with greenish-yellows. The piece sits in a patinated grey frame. Randall had a fascination with labor...

David Segel 3 panel floor screen titled "PARTS OF HER" This is an amazing piece of functional art. 3 panels of David Segel artwork on a 3 part floor screen. Hand painted gouache artwork by well known artist DAVID SEGEL is signed and numbered on the back of the 3 panel floor screen. The subject or model for this piece of art is again his muse that is used for his sculptures. The condition is in excellent vintage condition. Strong and sturdy. No chips, no cracks, no marring, the long brass piano hinges are stable and secured in place. Dimensions Are: Panels 1 & 3 Are Twenty-Three Inches Wide by Panel 2 Is Thirty-One Inches Wide. Total Of Seventy-Seven Inches Wide by Seventy-Two and A Half Inches Tall by Two and a Half Inches Thick. David Segel 1921-2005: An American Modernist Painter And Sculptor. He Lived In Venice California and Paris. After studying at the Carnegie Institute in Pittsburgh, and the Art Institute of Chicago, David moved to Paris in 1950 to work and teach, He studied in the atelier of Fernand Leger and then traveled around other Western European countries. He has been shown in galleries from Paris, France, to Los Angeles, California, including the Whitney Museum in New York City. Segel enjoyed a prolific career and worked with a variety of mediums including: oils, bronze and wood sculptures, and dramatic sketches. He also worked in furniture and interior design. Segel’s work is represented in the permanent collection of the Whitney Museum. His awards include The First Carnegie Prize and The Hallmark International Art Award. David Segel died in Venice, California in 2005 at the age of 84. His solo exhibition of painting and sculpture include: Lynchburg, VA; Galerie Ariel, Paris; Galerie Maeght, Paris; Van-Dieman Lilienfeld Gallery, New York; Palmer House...

ALFRED S. WALL United States, 1825-1896 Nature Morte: Fallen Doves (1865) Oil on canvas signed and dated lower left "Alfred Wall 1865" ref. 412APH13E 26 1/2" H x 32 1/2" W x 2 1/2" D [frame] 20 1/8" H x 26" W [canvas] Essay This finely executed still life painting captures a group of three doves laid upon a forest floor, rendered with meticulous attention to texture and natural detail. The composition follows the tradition of nature morte, a genre that captures the stillness of life through carefully arranged subjects. The artist employs a rich, earthy palette, contrasting the softness of the birds’ feathers with the dense foliage and scattered undergrowth, the colors in the foliage and fallen leaves suggesting an early fall setting for the scene. An almost ecclesiastical light falls on the doves, lighting them and showcasing the realism, drawing attention to the delicate gradations of color in the plumage and the subtle sheen of the wings. While the subject matter suggests themes of the hunt or the passage of life, the restrained execution avoids overt dramatization. Instead, the scene invites quiet contemplation, emphasizing form, texture, and atmosphere. Works of this nature were historically popular in European and American art, particularly in the 19th century, serving both as studies in naturalism and as reflections on mortality and transience. It is housed in what is almost certainly its first frame, a finely worked gilded composition that complements the painting beautifully with still-life emblems in the corners. Provenance: Private Collection, Senoia, Georgia Condition: Original stretchers in good condition, these only allowing for four keys instead of eight; linen is taut and unlined, in good condition. Ground layer is overall stable with fine age related craquelure throughout. Several losses under the frame rabbet that have associated inpainting. Areas of old overpaint on the dove chests removed during the conservation process. Our conservator removed the old varnish, inpainted the minor losses and applied a traditional Dammar varnish. Frame is likely the original frame and presents with minor losses, chips and overall discoloration to the gilding. A very fine presentation, ready to place. Biography Alfred S. Wall (1825–1896) was a central figure in the development of Pittsburgh’s artistic community during the 19th century. Born in Mount Pleasant, Pennsylvania, he was the son of English immigrants William and Lucy Wall. His father, a sculptor specializing in tombstones, instilled in him an appreciation for the arts, a legacy shared with his older brother, William Coventry Wall...