Early 20th Century Japanese Willow and Ducks Byobu Screen

A bold early 20th century handwoven linen Danish flag, custom mounted on a Belgian linen stretcher. Can be hung vertically or horizontally.

A captivating and intriguing early 20th century Southern American folk art panel, found in Mississippi, depicting a figure with what appears to be African tribal headgear, and wearing a white collared shirt with black suit jacket. The line work and attention to detail is extraordinary and mysterious, with the artist choosing to incorporate a natural knot in the board to form the mouth of the figure, and the left half of the drawing showing shading, but seemingly left unfinished. The frame is not terribly old, and is constructed from splatter-painted boards...

A chic and modern-in-spirit early 20th century Japanese hand-carved wooden tray of rectangular form raised on two runners, and with a circular convex bowl in the center. There are several knife marks on one side making us believe that this was used in the kitchen. Today its perfect for catching your keys, pocket change...

A chic and spectacular early 20th century French Art Nouveau folding screen with three beautifully arched and beveled glass panels held in place wi...

Deer under maples Late Taisho period, circa 1925-1930 Pair of two-panel screens. Ink and pigment on silk. Signature: Goho Seal: Goho A pair of two-fold Japanese silk screens...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

Imao Keisho (1902-1993) Pine Trees Early 20th Century, Circa 1930 Pair of six-panel Japanese screens. Ink on silk and gold leaf. Dimensions: Each screen H. 67.5” x 148” (172 cm x 376 cm) A pair of monumental six-panel Japanese pine screens by the renowned Nihonga artist Imao Keisho. Here Keisho entirely removed the background and brought the pine trees to the surface of the painting. This simplification of the elements makes the scene exceptionally direct and compelling and injects a very modern...

The 19th Century Six-Panel Japanese folding screen "Byōbu" usually used in the most important Japanese house to stop wind and also to separate different space of the same big room de...