Emile Albert Gruppe Gloucester Docks

A large Limoges enamel painting on a convexed copper plaque. The scene is of a mother and daughter sitting in front of a fireplace drying yarn while the...

A large enamel on a convened copper plaque. The scene is of a seated elderly woman looming cotton or wool yarn, Circa 1900. Hand painted then baked on in a oven by Limoges. Signed “...

A KPM painted porcelain portrait plaque of Rembrandt’s father originally painted by Rembrandt himself. Germany, late 19th century Marks: (scepter), K.P.M., Condition: Excellent. M...

A THANGKA DEPICTING AMITAYUS, 18TH CENTURY Tibet. Distemper on cloth, with a silk brocade frame, mounted as a hanging scroll with wood handles. Finely painted with Amitayus seated i...

Tibetan Buddhist thangka from the late 18th early 19th century. Distemper on cloth (either silk or cotton) Depicting a Buddhist deity with multi arms and Buddhist religious relics ...

Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...

Framed oil on board by the New Zealand artist Shay Docking (1928-2000) entitled 'The Burnt Paddock'. Signed and dated Shay Docking 61 lower right and titled 'The Burnt Paddock.' This vibrant abstract painting depicts the beauty of vibrant fields of corn or wheat and evokes the sights and smells...

This is a unique and beautiful oil painting on canvas, perfect for decorating any Home, Hotel or Restaurant to create a more refined ambient, in great condition and ready to hang. A ...

Collage - Albert Chubac Technique: collage on paper Numbered 3/8 Signed lower right Dimensions : 87x127cm circa 1960-70 Ref : /4 Price : 5900€ for this painting.

Oil on canvas signed and dated 1962.   

Katherine E Bard Cherry (1860-1931) American Impressionist Arts and Crafts period oil painting on canvas. Canvas mounted on board. Retains the original Saint Louis Art League exhibition tag on the reverse that is signed in pen, Kathryn Cherry, Exhibition Entry Form, Thumb-Box Exhibit... Heavily worked impasto of a colorfully rendered boat docked in a Gloucester, MA wharf where she summered. The piece is entitled "Green Boat". Good overall condition with no visible surface paint losses. No visible lifting of the canvas from the board. The framing treatment is a simple reeded edge gold wood molding and the work has been under glass. The piece has been inspected out of the frame. Overall approximate measurements with frame are 17.5" wide x 16" high x 1" deep. The approximate image dimensions 13.5" wide x 12.25" high. Ask Art Bio: Born in Quincy, Illinois, Kathryn Cherry became one of the most prominent artists in Saint Louis in the early 20th century. She painted landscapes, marine scenes, and floral still lifes in an impressionist style. She began her formal art education at the Saint Louis School of Fine Arts and then studied with Richard Miller at the New York School of Arts and Hugh Breckenridge at the Pennsylvania Academy of Fine Arts. Cherry started her career as an artist working with porcelain and painted mostly floral subjects. At the 1904 World's Fair, she won the only gold medal awarded to a woman. Beginning 1908, she showed her work regularly at the Saint Louis Artist's Guild, and she was included in numerous exhibits at the Saint Louis Art Museum. In 1915, she became the head of the art department at Principia Junior College Academy, and at this point turned from painting on porcelain to florals on canvases. She also painted scenes at Gloucester, Massachusetts where she spent her summers in her Rocky Neck studio. Her floral studies are said to "possess a rich, tapestry-like blend of colors reminiscent of French Nabis painting."

Signed lower right. An impressive hulking ship with a green hull dominates the scene at a dock, perhaps for repair. The partial view of a steamship is in the right background. Sigh...