Entrance to the House of the Faun in Pompeii (Italy). Att VERA, Alejo.

The attack of the lion, Orientalist. Oil on canvas. XIX century. Signed in the lower left area. Painting located within the orientalist current, highly appreciated in Europe during...

Landscapes, Xalapa, Mexico. Pair of oils on canvas. Spanish school, around 1840. Provenance: Conde de la Cortina collection, Jalapa, Mexico. Couple of landscapes framed within the Spanish school of the first half of the 19th century, with a clear romantic affiliation. Both evidence the knowledge of the Dutch classicist landscape, one of the main influences on the Spanish romantic landscape. Thus, we see compositions in "V", closed on the sides and open in the center, very low horizons that allow a wide development of the sky, spaces built in depth based on successive planes subtly differentiated by light and color, and small figures perfectly integrated into the natural setting. In addition, the skies are scenographic and dramatic, with low clouds behind which the golden light characteristic of the classicist landscape filters. One of the most radical aspects of romantic painting was the attempt to replace large canvases with historical or religious themes with landscapes. They wanted the pure landscape, almost figureless or totally devoid of them, to achieve the heroic significance of history painting. They were based on the idea that human feeling and nature should be complementary, one reflected in the other. In other words, the landscape should arouse emotion and transmit ideas. Thus, landscapers like the author of these canvases tried to express their feelings through the landscape, instead of imitating it. The romantic landscape had two main aspects: the dramatic one, with turbulent and fantastic views, and the naturalistic one, which emphasized images of a peaceful and serene nature. This second conception is what we see embodied in these works; the painter tries to communicate a religious reverence for the landscape, nature in its fullness. In fact, the author's own use of light here conveys a foggy, cloudy, dreamlike atmosphere that invites the viewer to meditate and contemplate himself in the landscape. The romantic landscape is constituted, however, by manifestations of very different types and not comparable to each other; it does not affect all national schools equally, staying more faithful to tradition in schools such as the French or the Dutch. Thus, in this canvas we do not find the grandiose scenery of the British and Germans, the steep mountains or the monumental Gothic ruin...

Heraldic shield. Oil on canvas. TORRES, A. Spanish school, 1856. Signed and dated. This work shows a heraldic shield on a blue background with different tones, in an oval and fra...

View of the pier of Antwerp. Oil on canvas. Flemish school, 18th century. Numerous ships and boats appear in the landscape, accompanied by small characters. In the background a city...

Sacrifice of the Mosaic Law. Oil on copper. 17th century, inspired by RUBENS, Pedro Pablo (Siegen, 1577-Antwerp, 1640). Oil on panel showing a figurative scene located in a building...

Circle of VAN DE KASTEELE, Frans (Brussels, c. 1541 – Italy, 1621). "Virgin with angels and saints". Oil on copper. Curly frame in ebony. Devotiona...

Dimensions: Frame: height 26 cm / width 33 cm Painting: height 15 cm / width 22 cm.

The Entrance to the Grand Canal, Venice - exquisite oil on panel, unsigned. This is a superb oil painting of one of the most famous scenes in Venice, dated around the mid 18th centu...

The ancient city of Pompeii was founded sometime around the 7th or 6th century BCE by the Oscans, an Italic tribe that inhabited the region of Campania in what is now southern Italy....

Two wonderful oil on canvas paintings of Maenads, inspired by frescoes unearthed at Pompeii in the late 18th century. Both shown suspended in air holding instruments in flowing drape...

A wonderful surrealist Mid-Century painting by the noted Dutch/American artist Artist Cees Brokke. It it's original frame, we did have to have the linen liner replaced. From an old ny times article is this blurb about the artist Several miles away, tucked along a wooded road near a busy White Plains thoroughfare, the artist Cees Brokke, his wife, Marie, and their two grown children, Nancy and Clifford, who are also artists, live in a 159-year-old former farmhouse. Every day, Mr. Brokke, a native of the Netherlands who is a retired freelance designer for such companies as K.L.M., El Al and Bristol-Myers, climbs the uneven wooden stairs...

Painting "House behind the fence" Dimensions with frame: 47 cm x 34 cm Dimensions without frame: 35 x 22 cm.