View of the pier of Antwerp. Oil on canvas. Flemish school, 18th century.

The work presented here is a devotional painting, especially for its small format, probably intended for a private altar. It represents with a scenographic sense and deep dramatism t...

Landscape with lake. Oil on canvas. Century XVIII. Landscape with a sunset situated on a lake, with some mountains in the background and some trees and a hut in the foreground. Sli...

Rapture of Europe Oil on canvas. 17th century, following the model of VERONESE, Paolo Caliari (Verona, 1528-Venice, 1588). Oil on canvas showing a scen...

Couple of landscapes. Oil on canvas. Spanish school (BILSO), 20th century. Signed in the lower corners. Pair of landscapes or notes of rural landscapes with trees, mountains and bu...

The attack of the lion, Orientalist. Oil on canvas. XIX century. Signed in the lower left area. Painting located within the orientalist current, highly appreciated in Europe during...

Miracle of Saint Peregrine Laziosi. Oil on canvas. Spanish School, 18th century. Oil on canvas showing a man surrounded by angels and seated on a cloud of angels and seated on a clou...

Painting with probably biblical Italian school characters End of the 17th beginning of the 18th century unsigned carrying a Carlo Maratta cartouche of in...

European School oil on panel of the 18th century Measures: 34X24CM Good condition.

Roman school, 18th century The Sacrifice of Iphigenia Oil on canvas, Measures: 50 x 64.5 cm The canvas depicts The Sacrifice of Iphigenia, a theme reported by numerous sources, including the Greek tragedies Iphigenia in Aulis by Euripides and Agamemnon by Aeschylus, as well as in Ovid's Metamorphoses. The myth tells how the Greeks, under the command of Agamemnon, gathered at the city of Aulis, in Boeotia, from which they then set sail for Troy. The persistent calm of the winds, however, prevents the Greek ships...

Adoration of the Shepherds, French School. Oil on canvas, 18th Century. Framed.

Painter active in Rome in the 18th-19th century. View of the temple of Minerva Medica Oil on canvas, 65 x 78 cm - with frame 71.5 x 85 cm The painting bears a traditional attribution to François Marius Granet (Aix-en-Provence, 1775 - 1849). The painter was a pupil of David but from 1802 to 1819 he lived in Rome, as evidenced by a series of paintings depicting views of the city and especially of the Roman countryside (Ponte San Rocco in Tivoli, 1810-20, MoMA, New York), and then return there between 1825 and 1830. In the Eternal City Granet devoted himself to landscape painting, inspired by the landscape painting of Gaspard Dughet and Van Lint...

Oil on canvas depicting a country scene: a man watering his horse near a river where two cows and a sheep wade accompanied by a farmer. Work of northern France or Belgium of the 17t...