Follower of Frans Floris, Samson and Delilah, Oil on Canvas, circa 1600

17th-century Italian Baroque oil on canvas 'capriccio' painting in the manner of Alessandro Salucci depicting an urban battle scene between what appear to be Spanish soldiers...

A wonderfully atmospheric and exquisitely painted oil on canvas late afternoon waterfront view of the English seaside resort town of St. Leonards-on-Sea, Hastings, East Sussex in 187...

A stunning circa 1805 English equestrian oil on canvas painting firmly attributed to prominent late-Georgian period artist Benjamin Marshall portrayi...

A fine quality circa 1780 oil on canvas portrait painting of a gentleman in powdered wig, coat, waistcoat, and frilled shirt housed in a period giltwood frame having bead and lamb's tongue design. Red wax seal collection...

Grand Tour charcoal and watercolor drawing executed by an English tourist in Italy, circa 1800, depicting a gentleman peering over a staircase balustrade in a Baroque interior...

An exquisite circa 1820 Regency period portrait in the manner of Scottish royal portraitist Sir Henry Raeburn (4 March 1756 – 8 July 1823) of a...

Brilliantly transposed from Biblical times to 1940s America, this vivid scene shows Samson and Delilah in a quintessentially domestic setting, complete with pink wallpaper...

This is a truly splendid antique oil on canvas painting featuring a continental mountainous lakeside scene with a palace, by a follower of the celebrated British artist Alfred Pollen...

Shelly Gurton is a native of Georgia having been born and raised in Savannah and Atlanta. She attended the University of Georgia where she received her BFA. Upon graduating from UGA,...

Follower of Giambattista Valentino Piazzetta (Venice, 1682 - there, 1754) Head of St. Peter Oil on canvas applied on cardboard, 36.5 x 34.5 cm With frame 42.5 x 41 cm The claves Regni Coelorum, an essential Petrine attribute, shyly peek out in this painting, with the sole purpose of allowing the character to be recognized. The wholeness of attention is indeed conveyed to the Saint, from aching humanity and divine inspiration. Pietro is rendered with a liquid epidermis, illuminated by a pearly light that slips and drips to define the overbearing nose, cheekbones and browbone; while the vitreous humor of the eye turns bright to the sky, to investigate the highest wills of the divine mystery. The portrait, rendered here in intense monochrome, denounces the direct dependence of the present artist on the suggestions of Giambattista (Valentino) Piazzetta, one of the greatest among the eighteenth-century Venetian masters. Following an immature apprenticeship in the field of wood carving with his father Jacopo, a sculptor from Pederobba, in the Treviso area, Piazzetta retired to the workshop of Antonio Molinari...

Extraordinary oil painting on canvas depicting still life. It is a work of Paolo Paoletti, an artist born in Padua in 1671 and died in Udine in 1735, who from an early age...

1950s painting on masonite board of a Dutch older man from the 1600’s. In a washed gilt wood frame.