French Mid-Century Art Work by Jean Piaubert Plaster & Mixed Media on Panel 1965

Fantastic large abstract informal painting with a poectic note in wonderful colors signed Danilo Picchiotti 1987. The original artist frame in red allows the artistic design to run into the frame or integrates the frame into the artwork Childhood and the French period Danilo Picchiotti was born in 1933. His childhood and youth are characterized by the restless search of an artistic expression for his own sensibility and perception, as well as his very strong sense of existence. This would eventually lead him to join an art club known as “I Pennelacci” (the Paintbrushes) in his hometown in Rome at the early age of 18. He then starts devoting himself exclusively and passionately to reading and painting. He moves to Paris in 1952. In Paris he explores the stimulating and innovativeenvironmentsrepresented by the local versions of Surrealism of the period. From that moment onwards, he allows his own existence to be overwhelmed by his art until he becomes his art’s main subject, firmly convinced that self-consciousness and stylistic research are closely linked. This immense labour will find the truest expression of his artistic and existential sensibility in Surrealism. From his early career to action painting. During the early 1970s, the artistic environment in Rome and his successful participation to several collective art exhibitions, especially with the “Pennellacci” club, leads him to his public debut and paves the way to a very important and busy period. Later on, after enormous intellectual labour, he approaches the gestural informal painting, also known as “Action Painting”. This art movement was mostly developed in the United States, and is also called Abstract Expressionism. The most celebrated artist of this movement is Jackson Pollock. In 1986 Danilo Picchiotti holds a number of exhibitions of works that are strongly influenced by this art movement (action painting). The latest works of the artist. In Europe, the French painter Jean Fautrier begins incorporating his paintings with plastic materials that burst out of the canvas, overcoming the boundary between two-dimensional images and plastic forms. This type of painting will be called “Matter Painting”; other painters will join this movement including Jean Dubuffet, Antoni Tápies and the Italian Alberto Burri. While some artists hide into the sign, others, including Picchiotti, emphasises the matter that identifies the work itself, by choosing any kind of material such as wood, fabric, glass, wall or even colour, which are arranged on the canvas, assuming their own physicality and are transformed, layer by layer, by using fire, water and other elements. Beginning from 2000, after several years of artistic inactivity due to health problems, Danilo Picchiotti, today more culturally open-minded than ever, returns to painting with determination, strength and energy giving birth to his new “GESTURAL MATTER” period. Major exhibitions and awards: a selection 1965 First Prize of the “Gatta d’oro” Award – Rome First Prize of the “Trevignano 1965” Award - Trevignano Art Exhibition at "Galleria Brandi" - Rome Art Exhibition at “Circolo Artistico” via Margutta – Rome Art Exhibition at “La Tozzella” Gallery – Avezzano First Prize of the “Riccio d’oro” Award, prize of Medaglia d’oro Award 1966 Art Exhibition at "La Saletta" Gallery- Frosinone Theatre and Painting exhibition at the "Piccolo Teatro" - Rome Figurative Art Exhibition at the "Piccolo Teatro" - Rome 18th Art Trade Show via Margutta – Rome International painting exhibition - Manziana 1967 International painting exhibition - Bracciano 1968 Exhibition at Geswind Villa at Meung sur Loire - France 1969 Art exhibition at the Hotel de Bordeaux Tours - France 1970 Art Exhibition at "Anfora" gallery - Paris Art Exhibition at "Hervè" gallery - Paris 1972 Art Exhibition at "Pencier" gallery - Paris Art Exhibition at "Bernier" gallery - Paris 1974 2nd prize of “IV edizione Cavalletto d'oro" Award - Florence 1975 Art Exhibition at "Galleria Facchetti” - Art Exhibition at "Daber" gallery - Paris 1977 Art Exibition at "Galerie Wolfang Gurlitt" - Munich 1978 Art Exhibition at "Galerie Ernest Fuchs...

Mixed media on paper and wood behind aryl glass Mimmo Paladino, Italy 2009 (2/20) Mimmo Paladino found art inspired by his uncle, a painter who introduced him to traditional techniques at an early age. After attending the 1964 Venice Biennale, he made the decision to become an artist. He studied painting at the Liceo Artistico in Benevento from 1964 to 1968 and, influenced by Max Ernst and Paul Klee, experimented with collages, frottages and non-objective paintings. In 1968 he finished his academic training with a diploma and began to paint freely. In the early to Mid-1970s, the artist dealt almost exclusively with mythological themes, such as the Icarus myth, which he translated into drawings. In the process, Paladino developed his own fresco-like technique, significant for his later work, in which he painted large-scale walls with pastel colors. Paladino had his first exhibition in 1977 at the "Galerie Lucio Amelio" in Naples. Several trips to Milan as well as contact with the art critic Tommaso Trini and the gallery owner Franco Toselli soon made Paladino known nationwide. In Toselli's gallery he presented his murals for the first time in 1978. That same year he traveled to New York, where he met Sandro Chia and Francesco Clemente. Several trips to Brazil followed. In 1980 Mimmo Paladino, together with the publisher Emilio Mazzoli, published a book with texts by Achille Bonito Oliva. The art critic Oliva had introduced the term Transavanguardia at the end of the 1970s for the style of the new movement, mainly characterized by young Italian artists such as Chia, Clemente, Enzo Cucchi and Paladino, who found parallels in Germany with the Neue Wilde. In the same year Paladino participated in the Aperto 80 Biennale in Venice and in 1982 in the Biennale of Sydney. In the following years Paladino had exhibitions at the Kunstmuseum in Basel and at the Galleria d'Arte Moderna di Bologna. In 1999 he had an extensive retrospective at the Lenbachhaus in Munich and in the same year he became an honorary member of the Royal Academy of Arts in London. The Centro per l'arte contemporanea Luigi Pecci in Prato dedicated an extensive retrospective to him in 2002/2003.[1] Works by Mimmo Paladino can be found in the collections of the Tate Gallery in London, the Irish Museum of Modern Art (IMMA) in Dublin, the Metropolitan Museum of Art and the Museum of Modern Art in New York. The artist lives and works in Milan and Benevento, Italy. PLANT Mimmo Paladino's works are often mixed media on paper or wood pre-sketched with drawing pencil, using all traditional means. His oeuvre includes watercolor, oil painting, and tempera, as well as collage, frottage, engraving, drypoint, or woodcut. Paladino's paintings are often untitled. Examples 1987: The Perfect Room 1992: hortus conclusus, horse sculpture in Benevento, Chiostro di San Domenico 1993: montagna bianca 2002: Le chien 2004: ciclismo 2008: Porta di Lampedusa - Porta d'Europa, iron sculpture covered with ceramic plates on the beach of Lampedusa in memory of the migrants who lost their lives at sea EXHIBITIONS 1979: Transavanguardia, Turin 1980: Venice Biennale, Venice 1982: documenta 7, Kassel 1982: Biennale of Sydney, Sydney 1984: Merianpark, Basel, sculpture in the 20th century...

French Art Deco mixed-media painting on panel by Vanvinckenray (School: Beaux-Arts of Brussels). Provenance: Daughter of the artist.

Ceramic wall art by Jean De Lespinasse, 1950s-1960s Dimensions ceramics artwork without frame. Width 62 cm, height 41 cm. Dimensions with frame. Width 83 cm, height 62 cm, depth 2 cm.