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Important 1944 Surrealist Oil on Canvas by Erle Loran

$12,500
£9,523.09
€10,980.50
CA$17,493.50
A$19,546.07
CHF 10,224.76
MX$239,697.45
NOK 130,653.04
SEK 123,893.69
DKK 81,953.39
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About the Item

Fresh to the market, this painting was purchased directly from Erle Loran (1905-1999) in his Berkeley Hills home in the mid-1990s. Loran's surrealist work from the mid-1940s is highly desired and this is one of his finest and largest examples. Measuring 36" x 27", this work is unframed and is in very good original condition. There are only minor scuffs at the edges and the canvas is tight on the stretcher. The painting also happens to be double-sided. The verso is a self-portrait by Loran of the same period. It appears the portrait has been washed over by the artist to give the surrealist side dominance. It also should be noted that when the work is flipped horizontally, the portrait is upside down. This is a fantastic opportunity to own an important work by Loran that has been in a private collection for nearly 30 years. A brief bio: Erle Loran was born in 1905 in Minneapolis, Minnesota on October 3, 1905. After graduating from the University of Minnesota, Loran studied at the Minneapolis School of Art under direction of Cameron Booth. His talent was recognized early when in 1926, he won the Paris Prize, which provided him the benefit of a traveling scholarship to Europe where he lived in the studio of Paul Cézanne. After returning from Europe, he exhibited extensively. In 1936, he moved to California where be began his long teaching career in the art department of the University of California, Berkeley. It would also be during this period that Loran would associate himself with modernist Hans Hoffman. Loran served as the department's chair in the early 1950s, and was awarded a University Citation upon retirement in 1973. In the 1940s, as the war intensified, Loran's work transitioned from plein-air painting to studio work. During this period, he switched his focus to abstraction. In 1960, while in New York City, Loran had further study with Hans Hoffmann. In the late 1960s, his work became a fusing of op, pop, and hard-edge. From this he moved to figurative painting and later to geometric designs and symbols. Among Loran's many exhibitions were in 1924 at the Minnesota State Fair; the Museum of Modern Art in New York City, 1933; the Rockefeller Center, 1935; Oakland Art Gallery, 1936-1946; the San Francisco Art Museum annuals from 1936; the Golden Gate International Exposition of 1939; California Palace of the Legion of Honor, 1945; California Watercolor Society, 1947, among many others. His works can be seen at the San Francisco Museum of Modern Art, the Denver Museum, the University of Minnesota, the Santa Barbara Museum, and the International Business Machines (IBM) Corporation. Information on the biography above is based on writings from the book, "Artists in California, 1786-1940, II", by Edan Milton Hughes, and "The Plein Air Scene", by Sarah Beserra.
  • Creator:
    Erle Loran (Artist)
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 27 in (68.58 cm)Depth: 0.88 in (2.24 cm)
  • Style:
    Mid-Century Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1944
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Minneapolis, MN
  • Reference Number:
    1stDibs: LU10007241862912

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