Italian Grand Tour Painting, circa 1820

Italian Grand Tour marble specimen plaque in original silver-giltwood frame consisting of 20 different rare and ancient marbles, including Porphyry and Jasper, inlaid into a black an...

A collection of three 'Grand Tour' English / Italian polychrome marble plaques or paperweights, one rectangular; two of cartouche form, the 'Derbyshire' or 'Belgian Black' marble slabs inset with native English stones 'Blue John' (Derbyshire Spar), 'Duke's Red', 'Bird's-Eye', and foreign Lapis Lazuli, Malachite, and Jasper in 'ovoid' and 'kidney' form inlays. Measurements : Rectangular plaque: 8" by 4.63" by .88" Cartouche plaque...

An exquisite circa 1820 Regency period portrait in the manner of Scottish royal portraitist Sir Henry Raeburn (4 March 1756 – 8 July 1823) of a...

Rare early 19th century Italian Grand Tour model of an ancient Roman labrum (bath) or sarcophagus in exquisitely carved rosso antico marble having double ring handles and central lio...

A superb pair of framed Grand Tour intaglios, circa 1820. These genuine plaster hand-carved intaglios are all gilt paper wrapped and numbered. They are custom framed on a gray linen ...

Beautiful oil painting on canvas depicting the Roman Forum, in particular the Temple of Jupiter Stator. An important example of Grand Tour painting, this wonderful painting evocatively illustrates the unparalleled beauty of the Roman ruins, which have inspired generations of poets and artists throughout the world. Unidentified signature at lower right, but most likely attributable to the great Italian artist Pietro Sassi. This painting, never before on the market, comes from a private collection Pietro Sassi (18 July 1834 – 30 December 1905) was an Italian painter who specialized in large scale vedute of Rome and the Roman Campagna. He was born in Alessandria and resident in Rome, where he painted genre and both urban and rural vedute paintings. Le Sponde del Lago di Garda in Tirolo was exhibited at the 1880 Exhibition of Fine Arts in Turin, while two landscapes where exhibited in the next year in Milan. In 1883 he found great success in Rome where he exhibited three large scale views of ‘La Campaña Romana’, 'Il Temporale in Mare’, and ‘Il Mare del Nord’ in addition to twelve other paintings including Un Bosco di Querce negli Appennini Romani and The Arch of Septimus...

Post Impressionist Grand Tour style Venetian oil painting on prepared Masonite panel - titled verso 'PALAZZO DUCALE, VENEZIA' - featuring the Doge's Palace on the Grand Canal with bo...

Neapolitan School, 19th century grand tour landscapes gouache painting on canvas. Mounted in fine period gold gilt frame.