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Joichi Hoshi ‘One Tree’ Woodblock c1974 Japan
About the Item
Fantastic woodblock by well noted Japanese artist, Joichi Hoshi c1974. In original frame with non-glare museum glass.
Hoshi was a Japanese printmaker best known for his woodblock print abstractions depicting the galaxy and engravings of trees embellished with silver or gold leaf. He was born in 1913 in Niigata, Japan, and graduated from Musashino University of Fine Arts in 1956. He died on June 17, 1979 in Tokyo, Japan. His works can be found in the collection of the National Museum of Modern Art in Tokyo, the Museum of Modern Art in New York, the Art Institute of Chicago, and the Cincinnati Art Museum, among others.o description provided
- Creator:Joichi Hoshi (Artist)
- Dimensions:Height: 15.5 in (39.37 cm)Width: 25.5 in (64.77 cm)Depth: 2.5 in (6.35 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1974
- Condition:Wear consistent with age and use. Minor losses. Frame edge has some wear that is age appropriate.
- Seller Location:Oakland, CA
- Reference Number:1stDibs: LU7361238837512
Joichi Hoshi
Joichi Hoshi was a Japanese printmaker best known for his depictions of trees in centered compositions. The trees are often shown leafless with monochromatic backgrounds, sometimes incorporating gold or silver leaf into the layers of the intricate woodblock process. Born in 1913 in Niigata, Japan, Hoshi began his artistic career after working as an elementary school teacher in Taiwan for several years. He later became a mimeograph printer and started creating his own prints. The artist graduated from the Musashino University of Fine Arts in 1956. Before focusing on his recurring motif of trees in the 1970s, Hoshi depicted galaxies and constellations. He died on June 17, 1979 in Tokyo, Japan. Today, Hoshi’s works are held in the collections of the National Museum of Modern Art in Tokyo, The Museum of Modern Art in New York, the Art Institute of Chicago, and the Cincinnati Art Museum, among others.
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