Late 19th Century Oil Painting Depicting Fox Hunt by George Earl

19th century oil on canvas painting depicting lady in garden in gold gilt frame. The woman is among tall trees watering flowers. British School, Engla...

Large 19th Century Oil on Canvas Painting Depicting Hound Dogs by Joseph Dunn. Titled "Gundogs on the Scent". Signed & dated (1853). England, 1853. Measures: 22" H, 30" W, 1.5" D

Late 19th century Movement Style Original Oil Painting by Adrien Schultz Depicts person sitting in the woods in lovely earth tones with highlights of b...

Small late 19th century silk painting depicting boy and rabbit in oval frame Picture of a young boy with a rabbit and leafy vegetables painted on silk. Bowed glass has chip on edge. Gilt brass easel frame...

A French framed oil on canvas still-life painting from the late 19th century depicting a bouquet of flowers in a landscape. Born in France during the later years of the 19th century,...

A stunning late 19th century Tibetan Thangka depicting the Buddhist goddess, Sitatapattra. The term "Sitatapatra" translates to mean "White Umbrella" or "White Parasol," emphasizing ...

A striking 19th-century American oil on canvas, this still life captures a huntsman’s trophies in exquisite detail. A large Common Merganser drake, two female Mergansers, and a femal...

Impressionist painting by the Swiss painter Jeanniot. It is oil on a mahogany panel, the painting is signed in the lower left and dated 1884. On the back is a label, presumably stuck on it by a previous owner, with information about the painter. The painting has an Art Nouveau frame, woodwork with stucco, gilded and decorated with typical Art Nouveau flowers. Top left and top right are minor damages to the frame. See pictures. Jeanniot is a fairly well-known Swiss painter who was friends with the famous French painter Edgar degas. Below you will find more information about the painter Jeanniot. Pierre-Georges Jeanniot Switzerland, 1848-1934 The artistic education of Pierre Georges Jeanniot began with his father, Pierre-alexander Jeanniot (1826–1892), a longtime director of l’École des Beaux-arts of Dijon, France. Nevertheless, Pierre-Georges Jeanniot started out pursuing a military career, as an infantry officer (1866–1881), but he never ceased drawing. He was known for the first time in 1872 at the art exhibition salon de Paris, where he presented a watercolor painting called 'intérieur de forêt'. The next year he presented the painting 'Le Vernan à nass- sous-Sainte-anne'. From then on he was a regular contributor to the salon de Paris, where he presented new works with views of Toulouse, Paris, Troyes, the edges of the seine, and some portraits. In 1881, after the army offered him the rank of commandant, he resigned to devote himself exclusively to painting. He took up residence in Paris. His works from this period represent mainly scenes of military life that allowed him to forge a reputation. Jeanniot established himself permanently in 1882 and obtained his first award the following year (medal third class of the Salon de Paris). From then on, he started to show a certain artistic independence. He then mostly portrayed Parisian women during the “Belle Époque”, women in bathing suits...