Fabric Paintings

Vintage painting depicting a river boat fishing scene with weathered painted wood frame.

An Early 20th Century Oil On Canvas, signed Harry R. Ballinger, also has a label from the NYC art Gallery on back. The masterfully pa...

OLOF HERMELIN Swedish, 1827-1913 Collecting the Harvest Oil on canvas Signed lower left "O. HERMELIN" Item # 107LUY29P A vibrant scene of workers l...

Featuring a bouquet of roses and peonies in a rich color palette to complement various styles of décor. Incorporates nicely with Tuscan, shabby chic, or French country themes, accent...

Large-format painting depicting a canal in Venice, signed A.M. Rossi, possibly attributable to Alberto Maria Rossi, an Italian artist who lived from 1879 to 1965. The vertical format shows a beautiful perspective through an archway overlooking the canal. You can recognize a city view typical for Venice with buildings with chimneys, a bridge crossing the canal and the church towers that can be seen everywhere through the city of Venice, called the Serenissima. The ships and boats...

Large Pichhavai Hindu Painting of Radha and Krishna with Female Gopis. Pichhwai Hindu Painting of Krishna and Radha framed under glass. Kris...

Antique framed oil painting on canvas by Leon de Fechereux (1884-1941) is an intense post-impressionist work of a charming cottage in Pommiers in northern France in the Pas de Calais...

Antique Framed Oil Painting by Francois de Lalande is a splendid pastoral that combines forest, a riverbank, livestock and a quaint water wheel all in late fall colors. The artist dr...

Antique Painting, Landscape painting, scenery painting which represents the "Les Gorges de la Dordogne" in Neuvic, France.  Landscape art work, XIX Century. Place where many painters were inspired including Claude Monet. Paintings with landscapes that represent nature. The ancient painting and the frame are restored. The work is signed Didier Pouget, a French landscape painter, who loved to paint outdoors and especially southern France. William Didier Pouget (1864-1959) was born in Toulouse and began his career as an artist in 1886 when he participated in the "Salon de Paris". He studies at the "Des Beaux-Arts" school in Toulouse and then at the "Académie de Paris", considered close to the Impressionist painters. He becomes a member of the "Société Des Artistes Français", knows and associates with many important artists including Jean Baptiste Corot. His river landscapes are rich in poetry and the painter usually prefers to capture the light of sunset or sunrise, I paint the figure of the tree in a dark and decisive color in contrast with the clear light of the sky. In fact, on the back the painter writes what he paints, namely the light of 'Les Gorges de la Dordogne'. Since 1903 Didier-Pouget exhibits in the United States where he is very much appreciated. Many works by this important artist are exhibited in the many museums. The oil painting dresses...

A very decorative Arts and Crafts painted frieze, very much in the manner of Albert Edward Hayes. The paining has areas of loss as the photos show, the remainder is stable and adhere...

A German oil on canvas board painting from the early 20th century by August Specht, titled Deer in the Woods in old fir tree frame. Created in Germany during the first quarter of the...

Pair of Tapestries Antique French Tapestry Handmade Antique Tapestry Wool & Silk 3.3" x 3.10" each. Measures: 99cm x 117cm circa 1920 "This is a very fine pair of high quality rare authentic Antique French Tapestries made with very fine wool & silk. The detail in this piece is incredible- the artisan depicts a hunting scene in both pieces as well as extensive verdure design". Size Approx. 3.3" x 3.10" Each 99cm x 117cm Serial ID # 20955k Design Verdure, Hunting Origin French Age 1920 Category Antique Pattern Hunting Scene, Extensive Landscape & Verdure Material 100% Hand Woven Wool & Silk Foundation Material Cotton Color Beige, Gold, Ivory, Brown, Green, Blue, Red, Light Blue Pink, Mauve, Gray, Rose Quality Exceptionally Fine Condition Fantastic Condition, minute low area About Us~ Welcome to Antique Rug Collection. Your #1 Source for handmade Antique Rugs & Tapestries at great prices, curated by leading industry expert. We are a 6th Generation antique rug shop with 48+ years of experience working with designers, private clients, dealers, and really anyone looking for a unique antique rug at a great price. We've made an imprint selling rugs...

Beautiful framed wooden canvas from the end of the 19th century. The reference narrative is the one found in the Acts of the Apostles (Acts 2:14-42) in which Saint Peter starts pre...

Impressionistic painting of a garden with blossoming apple trees A colorful impressionistic oil painting depicting a garden with blossoming apple trees. Oil painting on board with vigorous pastell colors. Framed with antique decorative gilded frame. Germany ca. 1930s Mid-20th Century oil paintings often reflect people´s deep longing for security, beauty and a peaceful world. The natural landscapes show their beauty and majesty with powerful colors. The paintings of that time leave room for romantic feelings and sentimentality. The artist of the time gave people a sense of just be happy...

Original oil on canvas landscape painting of cows in pasture. Artist: Poul Steffensen (1866-1923). Signed in monogram P.ST. Canvas in good condition...

Farmyard Scene with Chickens, Medium: Oil on canvas, Signed: L.J. Cruise, 1911, Criuise (1861-1945), Berks County, Pennsylvania Dimensions: Frame: 35 inches high x 55 31/2 inches wide; sight: 29 inches high x 48 3/4 inches wide This oil painting by Bucks County artist Louis J. Cruise depicts a farmyard scene. A chicken emerges from a farm building, with eight other chickens and a cockerel below. All of the birds are either standing or pecking on the straw pile, as are three other small birds. To the back right of the painting is a wood fence, beyond which is a grass field and woods. The painting is framed in a wide gilt frame. Cruise was a prolific artist who painted a variety of subjects, including landscapes, still lifes, and portraits. He was a member of the Bucks County Academy of Fine Arts and the Philadelphia Sketch...

A dark-green, blue oil on canvas painting of a half-round vase with colorful anemones, flowers painted by Victor Charreton, in good condition. The antique French painting represents ...

The subject of this antique oil painting is a man enjoying lunch, as emphasized by the brass placard near the bottom of the giltwood frame that reads Dejeuner (“lunch”), with the artist’s name “A de Andreis”. Based on the man’s style of dress, it appears as if de Andreis is depicting a cavalier from the mid-17th century. The gentleman is clad in a red doublet with a light gray colored jerkin with floral patterning. He also is wearing a white ruff-like collar and tan boots...

French Impressionism oil painting on canvas by French Artist Andre Albert Tondu. Township view through trees. Original painted wood f...

R.H. Craig (active primarily in the 1880s in the United Kingdom) Portrait of a hunter, 1920 ca. oil on canvas cm. 85x66 within frame for cm. 92x74 Signed lower left Signed upper left Painting in excellent condition depicting an elderly hunter depicted seated while holding his rifle in his hands. Behind him, a poster bears some inscriptions including the word SKIE which could lead to the attribution to a Scottish painter...

A vintage French oil on canvas painting of Napoleon Bonaparte as Emperor in a hand carved original gilded wooden frame, painted by S. Chapin in good condition. The wall décor art pie...

A dark-green, light-lilac oil on canvas painting of a vase with pink anemones, flowers painted by Victor Charreton, in good condition. The antique F...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

A light-blue, red still life oil on canvas painting, portraying a sunny day in a dining room with colorful flowers in vases, decorated by detailed wallpaper, painted by Vladimir Naïditch in a hand carved original gilded wooden frame, in good condition. The room depicts a console, small side table and a black French armchair...

This delightful painting is a great example of Poul Steffensen's (1866-1923) pastoral work. A peasant boy is leading two cows to water by the lake. Ori...

Signed antique Asian watercolor on paper minimalist painting showing a bird perched on the branch of a flowering cherry tree. Mounted on a blue wall ...

A light-green, dark-blue oil on canvas landscape painting of red, pink & white anemones, flowers painted by Victor Charreton in a hand carved, original Renaissance wooden frame, in g...

Rimpa Floral Scene with Chrysanthemum, Morning Glories and Blue Bell Flowers. Pigment on gilded silk, signature and seal read: Hattori Shunyo. Bold colors and strong design elements combined with the trademark tarashikomi (diluted elements created when water is applied to the surface before or after pigments causing them to diffuse) exhibit the artists deep devotion to this important Japanese painting tradition. Notes about artist: Hattori Shunyo (b. 1883) was an artist from Kyoto who graduated the (now) Kyoto Municipal University of Art and fell under the circle of Yamamoto Shunkyo...

A French oil on canvas painting of two colorful vases with red and white anemones, flowers painted by Victor Charreton, in good condition. The blue and cream vases are standing on a wooden working...

A German oil on canvas mounted on board painting from the early 20th century by artist Oskar Frey, titled 'Deer in the Snowy Forest'. Created in Germany during the second quarter of ...

1920s Belgian oil on canvas Painting “Mallard”.

Francois Martin Kavel (French, 1861-1931) portrait of an elegant woman oil on canvas painting, circa 1890, with Original gilt-wood frame. Sign...

Beautiful painting by the Polish-Belgian artist Mécislas de Rakowski. The painting shows a flower still life in a Chinese vase. Beautiful display of delicate white flowers against a...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Oil on gesso canvas by Louis Francois Cabanes (1867-1947) depicts a massive wall of a vaulted palace room decorated with painted ceiling with huge figurative bronze and marble sculpture in the neoclassical style. Signed in lower right, Louis CABANES élève de M. J.P. Laurens (student of mister...) beneath and what appears to be a partial date (year) beneath in box. Stretcher measures approximately 26 by 37.5 inches and the period frame, 32 by 44 inches. Cabanes was a respected illustrator and painter of figures, genre scenes, history and Orientalism. He studied at the Ecoles de Beaux Arts of Toulouse and Paris under Jean Paul Laurens...

Original oil painting by the Indonesian impressionist painter G.A. Kadir: educated as a painter by the Danish van Russel (1898 - 1975) and active in the first half of the 20th centur...

Important early 20th century italian oil painting on canvas not signed. Woodland landscape. Painting of great artistic quality of impressionist taste.  

Sparrows ravish freshly harvested rice, drying on stakes, beyond wild chrysanthemum. Mineral pigments on silk. Signed in the lower left corner, signature reads: Soetsu. With a simple...

Spanish Orientalist school, 20th century. "Audience in the Alhambra". Oil on canvas. Measurements: 31,5 x 23 cm; 47 x 39 x 39 x cm (frame). Orientalism was born in the 19th centu...

Decorate a wall with this large and colorful antique oil on canvas painting. Set in the original carved gold leaf frame, the artwork was created in France at the turn of the century. The composition depicts peasant in front of their farmhouse and going to a party all dressed...

Rimpa floral scene. Pigment on gilded silk, signature and seal read: Hattori Shunyo. Bold colors and strong design elements combined with the trademark tarashikomi (diluted elements created when water is applied to the surface before or after pigments causing them to diffuse) exhibit the artists deep devotion to this important Japanese painting tradition. Notes about artist: Hattori Shunyo (b. 1883) was an artist from Kyoto who graduated the (now) Kyoto Municipal University of Art and fell under the circle of Yamamoto Shunkyo...

English orientalist school; late 19th - early 20th century. "Slave market". Oil on canvas. Presents stamps on the back. Measurements: 26,5 x 36 cm; 27 x 37 cm (frame). The orien...

This wonderful small oil painting of an Italian farmhouse was painted by the Italian artist Enrico Ortalani in 1919. It is signed and dated on the fr...

Superb and large framed canvas/painting depicting an autumn landscape: we see a walk / towpath in the forest, lined with trees losing their leaves, and along a stream. The trees on t...

Antique Original Oil Painting Depicting a Hilly Countryside Scene A dramatic landscape, instantly made me think of the Brecon Beacons. A patchwork of ...

Very decorative painting of an unknown artist. "View of a North Italian Village by a Lake," oil on canvas. Measurements without frame: 11.5 x 19 inches.

Mineral pigments on gold leaf.

An English oil on canvas equestrian painting from the early 20th century signed George Paice (1854-1925), depicting a horse standing in a field, in a new custom brown and gilded frame. Created in the early years of the 20th century by British painter George Paice, this horizontal oil on canvas painting features an elegant brown horse with a single white sock...

In Japan, it is a Shinto belief that the deer is a treasured and sacred animal. This admirable scene captures this gentle creature in its natural habitat with beautiful detail in bot...

Antique framed oil painting on canvas by Albert Caullet (1875-1950) is a charming work by the artist in vivid earth tones creating wonderful definition and contrast. Caullet invites ...

Signed antique Asian watercolor on silk landscape painting showing a small waterfall over a creek, topped with a tree and a woman carrying a b...

Bountiful mountain overlooking a city, divided by an occupied river. The shapes and colors that make up this unique painting allow for an unconventional take on a modern harbor view....

Erwin Waldow - Fox in the Snow 60 x 80 cm - canvas without frame 70 x 90 cm - frame included Oil painting on canvas, signed lower right. 1920s era.

Flowers artwork, oil painting, floral painting which represents Iris And Daisies. It also has a gold leaf frame realised in the 1800s. The oil on canvas painting dates back to th...

Original small oil on canvas painting of bucolic landscape with three cows, signed by Rasmus X Christiansen (1863-1940) in lower left corner. Condition is commensurate with age, canv...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This large antique oil painting was done by the well known Willem Hendriks of the Netherlands in approximately 1920 in his signature realistic style. The painting is an oil on canvas and is titled "The Old Well" and depicts a Dutch woman...

Dennis Ainsley "Flower Market Belgium" framed oil painting on canvas wall art. Item features Dennis Ainsley (1880-1952), American, entitled "Flower Market Belgium," signed by artist ...