Linen Paintings

Late 19th century donkey portrait. Oil on canvas. Unrestored on the original stretcher with cast iron corner braces. Period walnut frame with faux painted "burl veneer". Indistinctly...

A rare striking 18th century Tibetan Thangka depicting the Green Tara seated on a lotus throne ready to step down to offer comfort and pro...

A rare offering. This amazing vintage hand painted Thangka depicts the Tibetan female celestial goddess Dakinis, whose ferocious expression subdues negative and demonic forces. In Alidh Asana posture, she wears a garland of human skulls, with a Khartwanga wand resting against her shoulder. Her face wrathful in expression, her feet firmly pressing down on devils masqueraded in human form above lotus base. With her right hand the deity holds a blue Kartika symbolizing severance of all material. With her left hand she drinks blood from a skull cup...

A beautifully painted Ancestral Painting from the Qing Dynasty period, late 19th Century. The genre of ancestor paintings, first seen in the Ming dynasty (1368-1644), embodies the C...

Nineteenth century. Still life with fruits. Oil on canvas, 64 x 52 cm. The still life analyzed presents a mixture of floral and fruit elements arranged in a circular order o...

An antique Tibetan Thangka with polychrome pigments on cloth, circa mid to late 19th century. It depicts Yamantaka, also known as Vajrabhairava, who is a wrathful manifestation of Manjusri, the bodhisattva of wisdom, and in other contexts he also functions as a dharmapala, or 'Dharma-protector'. The buffalo head deity Vajrabhairava is one of the three principal meditation deities of the Gelug School. He is shown with nine faces in the Yab Yum...

Paolo Paoletti (Padua, 1671 - Udine, 1735) Still Life with Fruits on a Shelf Oil on canvas, 53.5 x 81 cm Expert opinion Dr. Gianluca Bocchi The still life in question is referable to the hand of Paolo Paoletti (1671 - 1735). Born in Padua, but settled in Udine when he was not yet twenty, the artist was hosted here for many years at the Caiselli counts, in whose palace an entire room was decorated with his works. Between 1708 and 1715 he appears in the Fraglia dei pittori di Venezia, for which he paid the registration in 1712. The stay in Venice was of a certain importance for his artistic maturation, since he was able to frequent the stimulating international circles of the Lagoon. His allegories of the seasons and still lifes were mostly intended for the wall decorations of Friulian stately homes among which the Attimis, the Concina, the Giacomelli, the Morelli de Rossi, the del Torso and the Valentinis are mentioned. These compositions mainly depicting edible kinds such as vegetables, fruit, meats and cheeses were often enriched with flowers and sometimes framed by architectural backdrops or landscape backgrounds. The marked descriptive taste that characterizes them is similar to that of the samples of Bartolomeo Bimbi...

A THANGKA OF WHITE TARA First half of 20th century. Opaque pigments and gold on cloth. Image: 9 1/2" x 7 3/4" in. (24.1 x 19.7 cm) Frame: 18 3...

This beautifully detailed Tibetan folk painting dates to the mid-20th century and shares traditional knowledge in the style of painted Buddhist thangkas or manuscript cards. Intended...

Pair of American, 19th century Sag Harbor portraits in original giltwood frames (size includes frame).

A vibrantly colored Tibetan Thangka of a multi armed Deity, Tibet Circa 1900, framed in a gold tone frame under glass, Measures: 28 inches tall, 30.75 inches wide.

This beautiful Early 19th Biedermeier Still-Life Oil Painting was painted around 1820. It remains it original fantastic condition and shows a table scenery with Flowers and Fruits. A...