Oil on Canvas Portrait “WWI German Field Marshal” by Franz Triebsch 1939

Gregory Gillespie (1936–2000) Split Image Swamp, c. late 20th century Oil on panel 21.5 x 19.5 inches Signed and inscribed verso Provenance: Salander-O’Reilly Galleries, New York, N...

This elegant wing back chair reflects the restrained beauty of the Biedermeier period, likely crafted in Germany or Austria in the mid to late 19th century. Made of warm, honey-toned...

This elegant pair of early 19th-century Sandwich Glass whale oil lamps is a striking example of American craftsmanship from the 1820s. The lamps feature a delicate etched floral desi...

This Vintage Italian Modern Dining Table by Pierantonio Bonacina artfully combines contemporary design with traditional materials, creating a stunning focal point for any dining area...

A light-brown, green antique Austrian Baroque oil on canvas painting by Franz Xaver Hornöck in a hand crafted original black, partly gilded wooden frame, in good condition. The vinta...

Great German painting from the early 20th century. Artwork oil on canvas, first canvas, depicting a wooded landscape, view of the river, of good pictorial quality. Painting adorned...

Impressive 4' tall portrait of a scholar, possibly Jan Cornelisz Sylvius by artist Franz Josef Blaschke. Signed Blaschke and dated 1952. After a portrait by the workshop of Rembrandt...

Franz Mörscher The composition of the painting is deliberately designed for reduction and corresponds to the idea of cultural minimalism and the new objectivity that developed in the 20th century. Mörscher chooses the rational, crystalline form of the representation of selected objects (vases, lemon, fruits?) and uses color as surface and line to create structure in the space. In this composition, Mörscher reduces the classical means of perspective to create a pictorial space between object light and color. The application of paint appears partially modeled. The natural crack and fissure network (Krakelee) of the sometimes layered paint application seems to be deliberately achieved. The selection of the depicted objects is possibly also based on symbolic aspects. After the desolation of the war years, the painting speaks of the color world of the spirit of optimism of the 1950s. W 63 x H 50 Measures with frame: W 71 x H 58 Biography Franz Mörscher was born on November 7th, 1931 in Bundenbach and died on July 14th, 2018 in Neunkirchen (Saar). Besides the sculptor Hubert Nietsch, he was the second artist to set a monument to the miner’s cow in public space in Germany from 1993 to 1995. Franz Mörscher studied from 1951 at the School of Arts and Crafts Saarbrücken with Boris Kleint among others in the subjects of painting and sculpture. During his studies he met the photographer Otto Steinert...