American Paintings

Daniel Hauben low relief oil painting cityscape in heavy impasto entitled "View of the Empire State Building." Signed and dated 1990 in lower right corner. 30" high, 36" wide.

A great image by the collaborative group Artfux founded in 1990. This work was most likely influenced by one of the founders Ray Arcadio. From his website the following; To artist R...

Painting on board of an atmospheric still life of eggs in a cloth draped basket by Chicago artist Stanley Mitruk titled "Basket of Eggs", dated 1958. Measurements given below are ...

Colorful block print of a red and green shelled turtle on a green background. Titled "Turtle," numbered "Second 60 60, signed "Whitey Pollock", and dated "50." Framed dimensions: ...

Abstract oil painting by Frank Roth in a giltwood frame. Measure: 5'.

Abstract expresionist acrylic airbrush on canvas painting "Dawn's reflection" signed Edward Evan in a white painted wood frame.

Muted palette of blues, blacks, greys, whites dashed with green, mustard and orange make this wonderful abstract torso painting interesting from all ang...

Large figural abstract painted by Robert D. Smeltzer in the 1960's. Mr. Smeltzer was born in 1933, graduated from the Art Institute of Chicago in 1969, was a founder of the Bucktown...

Ardisson is known for his simple oil on canvas pieces that represent simplicity. With such vivid and simple techniques Ardisson is able to create a elegant a unique vision.

This extraordinary two-panel art piece is created on two panels, signed to front and back. This Argentine born artist has multiple published books of his amazing artwork. Vivid blues...

Oil painting of a nude in a room by J. Wasserman, 1970. Measures: 60".

Decorative mural stillife oil paintings with birds in wood frame. Measures: 49".

Mid-Century still life painting in original giltwood frame signed S.Mitruk '61. Measures: 46".

70'sMonumental Abstract Oil Painting by Listed Artist Liccardi

Original Tempera Illustration of Sailors for Century Magazine by listed Artist-in Gilded Frame.

Abstract oil painting by Listed Southhampton artist Russell Christoffersen.

Myron Barlow American, 1873-1937 “Woman with Strawberries” Oil on canvas 29 by 29 in. W/frame 35 by 35 in. Unsigned Myron studied at the Art In...

Abstract oil on art board by Dorothy Vanderplas titled "Valley". Blues, greens. browns, and whites all in the realm of nature, executed with broad stokes and abstract imagery. Frame ...

Joseph Boston American, 1860-1954 Large “Impressionist Landscape” Oil on canvas 40 by 42 in. w/ frame 48 by 60 in. ...

A unique painting made of pieced and sewn canvas creating a ruffled edge and painted in stripes in the manner of Elsworth Kelly or Robert Ryman.

Walter Snelgrove American, 1924-1998 “The Hill” Oil on canvas Gallery label verso, dated 1967 75 ¼ in. by 54 ½ in. w/frame 76 ½ by 55...

By Mendez, contemporary Female artist from California.

Beautiful painting in acrylic on canvas of a horse accompanied by two dalmations.    

A work of art made by collage of hand-painted vellum applied in a collage format with original Sonnabend Gallery label to the reverse.

The Cliffs by Balcomb Greene painted in 1978. Signed on the front titled and dated on the reverse. Paintings of the Montauk coast by Balcomb Greene are few and far between. This painting likely created at his Studio in Montauk New York. Painting is in excellent original condition and retains the original gallery frame. provenance: Estate of Gertrude B. Pascal / Gifted from the previous in 1987, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY / Christie's, New York 2012 / Private Collection, New Jersey Public collections: Baltimore Museum of Art, Baltimore, MD Brooklyn Museum, Brooklyn, NY Cleveland Museum of Art, Cleveland, OH The Art Institute of Chicago, Chicago, IL Corcoran Gallery of Art, Washington, D.C. Guild Hall, East Hampton, NY Wadsworth Atheneum, Hartford, CT Museum of Fine Arts, Houston, TX Indianapolis Museum of Art, Indianapolis, IN Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY National Museum of American Art, Washington, D.C. Joslyn Art Museum, Omaha, NE Pennsylvania Academy of the Fine Arts, Philadelphia, PA Norton Simon Museum, Pasadena, CA Portland Museum of Art, Portland, OR Neuberger Museum, Purchase, NY Solomon R. Guggenheim Museum, New York, NY Parrish Museum, Southampton, NY Whitney Museum of American Art, New York, NY Walker Art Center, Minneapolis, MN Butler Institute of American Art, Youngstown, OH Boca Museum of Art, Boca Raton, FL Over a lifespan of 86 years, Balcomb Greene followed his muse wherever it led, unfettered by what had come before, unafraid of where the future might lead. Despite a series of different pathways explored, his purpose remained ever constant: to express truth as he found it and communicate it to a broader audience. In the 1930s, Greene was a young artist committed to abstraction as his expressive language. Greene’s paintings and collages of the 1930s reflect the influence of Pablo Picasso and Piet Mondrian and put him in the company of fellow Americans, including Ibram Lassaw, Josef Albers, Ilya Boltowsky and George L. K. Morris, all among the founding members, in 1936, of American Abstract Artists. John Wesley Greene, his christened name which he never legally changed, was born in 1904 in Millville, New York, the third child and only son of Methodist minister The Reverend Bertram Stillman Greene (1864–1929) and Florence Stover Greene (1876–1911). His family on both sides were Revolutionary-era colonists, originally living in Connecticut and Vermont before joining the Yankee migration to the western frontier of New York State. In 1922, John Wesley Greene enrolled at Syracuse University aided by a scholarship for the sons of Methodist ministers and intending to fulfill the promise of his name and follow his father into the ministry. As with so many before and after him, the liberal education he absorbed at Syracuse broadened his horizons and reshaped his life plan. Studying philosophy, psychology, and literature, along the way he separated himself from organized religion. During his senior year, on a visit to The Metropolitan Museum of Art in New York City, Greene was introduced to Gertrude Glass (1904–1956), an art student and the Brooklyn-born daughter of Latvian Jewish immigrants. Following Greene’s graduation, the two married in 1926 and went to Europe. They stopped briefly in Paris but spent most of their time in Vienna where Greene had a fellowship to study psychology. When they returned to New York in 1927, Greene enrolled in a master’s program in ‘English literature at Columbia University. When his thesis advisor rejected his essay topic on the “fallen woman” in seventeenth-century literature as inappropriate, he left without a degree. From 1928 until 1931, Greene taught English at Dartmouth College in Hanover, New Hampshire. At some point, he stopped using his given name, John, and began to call himself, more distinctively, Balcomb, the family name of his paternal grandmother. While Greene wrote three novels (all unpublished) during his teaching years at Dartmouth, his wife was a working artist, and he eventually developed an interest of his own in painting. In 1931, Greene gave up his teaching position and he and Gertrude went to Paris, determined to immerse themselves in the modern art ferment they had briefly experienced in their earlier visit. For young Americans with no prescribed agenda, a receptiveness to innovation, and wide-open eyes and minds. Paris, in 1931, offered a rich stew of approaches to modern art. The city absorbed and transmuted an international mélange of styles—cubism, orphism, futurism, dadaism, constructivism, neoplasticism, suprematism, de Stijl, Bauhaus—France encountering Holland, Germany, Italy, and Russia with Pablo Picasso from Spain, Constantin Brancusi from Romania, and Jacques Lipchitz from Lithuania. As a sculptor, Gertrude Greene...

A 1980s abstract acrylic on paper landscape painting by American artist Harry Hilson (1935-2004). Gestural lines come together to create a vibrant abstract landscape with a purple horizon line in the background and rolling fields...

Early 20th century stage prop oil painting on canvas Details of red, white, and blue swags against a gray background. Unsigned. Some damages.

An early contemporary still-life Gouache portrait painting of a woman. On paper, this piece depicts a seated woman reclining in a brown rocking chair. She wears a hat, and her arms are crossed across her chest. Her legs are crossed at her ankles, and she wears a blue-green ankle-length skirt. This sketch was created by Helen Wagner Malta and is signed at the bottom right in black ink "Helen Wagner" before her marriage. Her later works are signed "Helen Wagner Malta". Helen Wagner Malta was born in 1912 and worked in New York City in the 1930s teaching at the Harlem Art...

Abstract illusionist post modern painting by Joseph Stabilito circa 1980s. Stabilito’s work is in numerous public and private collections and was ...

Large-scale signed abstract painting 1970s the signature is unreadable.

Great oil painting signed and dated, 1978. Original wood frame. Picture with Eames LCW for scale.

Strong lines, and exaggerated features makes the image both eye-catching and fun. Bold colors. Native American figure. Painted by Ray Pearce, 1973.

Mid Century Abstract Art Oil Painting Boat -1960s Dimensions: 9.25"w x 12"h x .5"d Oil on Board. Signed Trigg. Backside inscription ...

A wonderful abstract by the Chinese/American artist Esther Liu (b 1950). This painting is signed on the reverse on the stretcher. It is large at 59 x 66 inc...

"Dripping Dots Regents Park, London" 2018 oil and gold leaf on canvas by Cindy Shaoul signed. Cindy Shaoul was born in 1987 in New York. She is a visual listed American artist bes...

"Dripping Dots -Shanghai" 2018 oil on canvas 36 x 48 (framed) by Cindy Shaoul Cindy Shaoul was born in 1987 in New York. She is a visual listed American artist best known for her ...

"Dripping Dots -Hyde Park," 2018 oil and gold leaf on canvas 30 x 24 (Framed) Cindy Shaoul Cindy Shaoul was born in 1987 in New York. She is a visual listed American artist best k...

"Dripping Dots-Rotterdam" 2017 oil on canvas 20 x 16 (Framed), Cindy Shaoul Cindy Shaoul was born in 1987 in New York. She is a visual listed American artist best known for her “D...

Cindy Shaoul was born in 1987 in New York. She is a visual listed American artist best known for her “Dripping Dots" series. Formally trained, Shaoul also paints impressionistic stre...

REDUCED FROM $3,850....Agustin Fernandez, born in Havana, Cuba in 1928, attended famed San Alejandro art school in Havana at the age of 15. His early...

Through a layering of hand-dyed sand, the mirror consists of gradient tones and textures suggesting Patagonian glaciers breaking over water. The granules are stratified with nuance a...

Ejnar Hansen, (1884-1965), “Californian Coastline”, oil on board. Measurement with frame: 16 X 20 inches. Ejnar Hansen was a notable figure paint...

Through a layering of hand-dyed sand, the mirror consists of gradient tones and textures suggesting Patagonian glaciers breaking over water. The granules are stratified with nuance a...

20th Century painting by Joe Boudreau, untitled #2. This untitled work was painted with acrylic, house paint, oil and water colored paint by Chicago arti...

21st century painting by Claudia Thomas, 8" x 8" signed Contemporary painting on paper. One-of-kind. Striking use of color. The artist, Claudia Thomas lives in Sagaponack,...

20th century oil painting in gilded frame. Scene depicting two naked ladies and dismembered parts of a man.

Early 20th century Sunday afternoon in a black American Southern neighbourhood painting pos. New Orleans framed and signed.

Oil on Canvas of Winter Scene by Anton Otto Fischer in a Carved Wood Frame