Cuban Paintings
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Period: 20th Century
Place of Origin: Cuban
Lolo Soldevilla "Untitled" Oil on Canvas Cuban Master Geometric Abstract Artist
By Loló Soldevilla
Located in Atlanta, GA
Dolores "Lolo" Soldevilla Neito (Cuban, 1901-1971), circa 1955.
A very important piece by a leading female artist in the Cuban abstract movement. This painting conducted in oil and likely tempera on canvas laid to board. Her colorful geometric paintings evoke mixed emotions and feelings - we have always viewed this piece as an homage to our solar system. In its original frame, identical framing to nearly all of her pieces. Signed to the lower right "LoLo".
Measuring 13.75" w x 10.5" h (image), 20.25" w x 16.875" h (framed).
Provenance: From the collection of a Cuban art collector in Canton, Massachusetts.
Below is a very detailed biography of the artist from her website dedicated to her work and life.
María de los Dolores (Loló) Juana Soldevilla Nieto was born June 24, 1901 in the Pinar del Río Province, Cuba. She was the third child of a piano teacher, María Paula Bathilda Nieto Lannes and a merchant, Raoúl Soldevilla Seballos, both originally from Pinar del Río. Her maternal grandparents were Severo Nieto (Pontevedra, Spain) and Lorenza Lannes Díaz, baptized in Pinar del Río. Her paternal grandparents were Pedro Soldevilla Martí (Caracas, Venezuela) and Dolores Seballos Bermúdez (Habana, Cuba).
Loló was a precocious, restless, and curious girl. She was surrounded in her early years in Pinar del Río by a numerous, charismatic, and cultured family. Her mother’s and uncle’s instructions provided a learning environment, and from an early age she practiced reading and writing, singing, piano, and the appreciation of various art forms such as painting and theater. Also as a child she was reflective of social issues since she was surrounded by ideals and actions that defined her family during that time.
Around 1911 Loló is translated to Havana with her family. There she studied and graduated from piano and vocal performance (soprano). She trained her voice with professor Zoila Gálvez in the Municipal Academy of Havana and violin with professor Casimiro Zertucha in the Falcón Conservatory. In 1926 Loló went to live with her mother and sister near Paseo del Prado, where they remained until they were evacuated during the catastrophic hurricane of that same year. At age 25, Loló married Manuel de Jesús Nazario Barba Bonen, a professional pianist. From this marriage were born her three children, Haydée, Magaly, and Pasto; the latter passing at one year old.
In 1934 she founds the “Loló Orchestra,” composed of women and with a Latin American and Cuban repertoire. She directed the orchestra and played the violin. They performed regularly in the “Aires Libres” in the cafés of the Paseo del Prado in Havana.
During these years Loló refines her political ideals and actions, stemming from her early education in Pinar del Río and family traditions. She takes part in diverse activities against the government of Machado and she was imprisoned more than once in the Women’s Detention Center of Guanabacoa. In 1937 she becomes a member of the National Executive Committee of the Cuban Revolutionary Party (Authentic), where she carried out activities according to that historical moment. In 1940 Loló marries syndicalist Eusebio Mujal and they divorce four years later due to the discrepancy of their political ideas. In 1946 she represented the Authentic Party as a member of the House Representatives of the Oriente Province, where she was named President of the Commission of Press and publicity. She travels to Prague in 1947 to participate in the first session of the International Women’s Federation. Loló was charged with representing and defending the ideals of Cuban women, their social problems, the defense of children, etc. In 1948 she became a member of the House of Representatives of Cuba. Between her actions one could mention the public denouncement about the assassination of the farm workers leader Sabino Pupo, the proposal for a law for minor courts, the retributions due to sugar workers, among other demands.
That same year she was invited by the American Federation of Art in Washington and she visited museums in Boston, Philadelphia, Chicago, and New York. Later that year she travelled to Paris and begins to paint under the guidance of her painter friend Wifredo Lam. At that time she creates her first small and large format sculptures, drawings, portraits, and projects for mural paintings.
In February of 1949 she is named Cultural Attaché in the Cuban Embassy in France. From that moment on, her career as a visual artist deploys in intense and varied studies and exhibitions. She matriculates in the “Académie de la Grande Chaumière” in Paris and begins her sculpture studies with professors Léopold Kretz and Ossip Zadkine. In the 1950s she travels across Europe with her daughter Magaly. In Spain, she meets Eusebio Sempre who dedicated the poem collection “Claridad de Vivir. Versos Populares.” Together with Lam, she visits museums and galleries in Switzerland, Holland, Belgium, Great Britain, Austria, and Eastern Germany. She continues her studies in various workshops and attends several conferences on new artistic trends. She also continues establishing connections with painters, sculptors, musicians, writers, photographers, and artistic personalities of Cuba and the world. She exhibits her work in various individual and collective shows, such as an exhibition in Tampa.
She returns to Cuba and exhibits there for the first time. In the show “Loló esculturas” (November 23-27, 1950) in the Lyceum Lawn Tennis Club of Havana she presented 22 sculptures and one oil painting. Back to Paris she participates in various collective exhibitions including Salon d’Automne Grand Palais del Champs Elysées; Peintres, graveurs et Sculpteurs Etrangeres (Ecole Nationale del Beaux-Arts, Paris). She also participates in Jubilé International in the Cité Universitaire, among others. There she becomes part of “The Dissidents,” and she travels to Mexico invited by the painter Felipe Orlando.
In 1951 she promotes and organizes, as Cultural Attaché of Cuba in Paris, the exhibition, “Art cubain contemporain, in the Musée National d’Art Moderne de la Ville de Paris. She includes works of Pedro Alvarez...
Category
Mid-20th Century Mid-Century Modern Cuban Paintings
Materials
Canvas, Masonite, Paint
Painting by Cuban Artist Lolo Soldevilla, Oil on Canvas, Signed & Dated 1958
Located in Chicago, IL
Midcentury oil on canvas painting by Cuban artist Lolo Soldevilla, signed and dated 1958.
Biography: 1901 - 1971. Lolo Soldevilla (1901-1971) was a painter, sculptor, draftsman and...
Category
1950s Mid-Century Modern Vintage Cuban Paintings
Materials
Paint
Cuban Contemporary Landscape Oil Painting on Canvas - Unsigned - Late 20th C.
Located in Chatham, ON
Cuban contemporary landscape oil painting on canvas applied to particle board - unsigned - untitled - wood frame - bearing a numbered official seal of the Ministry of Culture of Cuba...
Category
Late 20th Century Folk Art Cuban Paintings
Materials
Canvas, Paint
Lucia Lopez Cubist Nude, 1960s Cuban, Died 2011
By Lucia Lopez
Located in Santa Monica, CA
Lucia Lopez Cubist Nude, 1960s Cuban, Died 2011
Presenting "Lopez Abstract," a compelling oil painting on canvas by the Cuban American artist Lucia Lopez, reframed in a mid-century ...
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20th Century Mid-Century Modern Cuban Paintings
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1951 Felipe Orlando Cuban Oil Painting "Bodegon", Signed and Dated
By Felipe Orlando
Located in Miami, FL
1951 Felipe Orlando Cuban Oil Painting "Bodegon", Signed and Dated
Offered for sale is a rare oil painting on panel by the renowned Cuban artist Felipe Orl...
Category
Mid-20th Century Mid-Century Modern Cuban Paintings
Materials
Wood, Masonite
Dolores "Loló" Soldevilla Geometric Abstraction Wall Sculpture Cuban Painting
By Loló Soldevilla
Located in Miami, FL
Dolores "Loló" Soldevilla Geometric Abstraction Wall Sculpture Cuban Painting
Offered for sale is an untitled original work of art by Cuban artist Loló Soldevilla...
Category
1950s Mid-Century Modern Vintage Cuban Paintings
Materials
Wood, Paint, Masonite
1961 Cuban Artist Amelia Peláez Abstract Still Life Painting, COA
Located in Miami, FL
1961 Cuban Artist Amelia Peláez Abstract Still Life Painting, COA
Offered for sale is a 1961 abstract still-life painting on paper by the Cuban artist Amelia Peláez (1896-1968). ...
Category
Mid-20th Century Cuban Paintings
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Wire
Mario Carreño "Serenade" Oil Painting on Canvas, Cuba 1941, Signed
By Mario Carreno
Located in Miami, FL
Mario Carreño "Serenade" Oil Painting on Canvas, Cuba 1941, Signed
Offered for sale is an important oil on canvas painting by Cuban artist Mario Carreño (1913-1999) signed and date...
Category
1940s Mid-Century Modern Vintage Cuban Paintings
Materials
Canvas
“Loló” Soldevilla, Oil on Wood, Untitled, Signed and Dated 1959
By Loló Soldevilla
Located in Miami, FL
“Loló” Soldevilla (Cuba 1901- 1971) oil on wood, Untitled, signed and dated 1959
Offered for sale is an untitled mixed media and collage on wood by ...
Category
Mid-20th Century Cuban Paintings
Materials
Wood
Servando Cabrera Moreno Cuban Painting Untitled, Desnudo COA signed, dated 1980
By Servando Cabrera Moreno
Located in Miami, FL
Servando Cabrera Moreno Cuban Painting Untitled, Desnudo COA signed, dated 1980
Offered for sale is an original oil on canvas by Servando Cabrera Moreno (Cuban, 1923-1981) untitled painting of a nude woman, nicely framed, signed lower left and on verso, and dated 1980. A certificate of style and value is included as pictured, dated 2009 is included as pictured with an appraised value of $16,000. Nicely framed, wired, and ready to hang. Servando Cabrera Moreno is a well-listed Cuban artist particularly known for his erotic figurative paintings. This is a fine example of his mid-career work.
Servando Cabrera Moreno. b. in Havana, Cuba (1923–1981). He graduated from the San Alejandro Academy after completing studies at the Art Student’s League in NY and La Grande Chaumière in Paris. His first individual exhibition took place at the Lyceum, Havana in 1943. He has also participated in many biennials in Venice, Mexico, and São Paulo as well as other collective exhibitions. Stylistically, his paintings are rooted in the tradition of Vanguardia and are especially indebted to the work of Carlos Enríquez Gómez. Cabrera Moreno has received a number of prizes at Cuban salons; a gold medal at the Panamerican Tampa Exhibition and a silver medal at the International Joan Miró Drawing...
Category
Late 20th Century Cuban Paintings
Materials
Wire
Domingo Ramos Cuban Landscape Oil on Canvas Painting
Located in New York, NY
Domingo Ramos (1897-1967) paisaje Cubano oil on jute canvas painting.
Framed in the original Art Deco wood frame..
Signed by the artist, D. Ramos 1934 on front lower left.
Painting measures 20" W x 15" H
Frame measures 24.5" W x 20.5" H x D
Domingo Ramos was among the highest regarded Cuban landscape painters of the early 20th century, often referred to as the painter of the Vinales Valley.
He carried out part of his pictorial work in G�ines. One of the most famous Cuban landscapers...
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Mid-20th Century Cuban Paintings
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Framed Watercolor on Paper of a Cuban Sailboat
Located in Palm Beach, FL
Watercolor on paper of a sailboat in repose, flying a Cuban flag, in a tropical setting as if some grand adventure is waiting. Presented under glass and sign...
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1970s Mid-Century Modern Vintage Cuban Paintings
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Paint, Glass, Giltwood, Paper
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ARIE LAVER, Sandú (see Diez Pintores Concretos).
Artistic Name: Sandú Darié.
Signature: Darié.
Born: Roman, Rumania, April 6, 1908.
Died: Havana, Cuba, September 2, 1991.
Resided: Havana, Cuba. Since: 1941.
Art forms: Sculpture, painting, drawing, graphic humor, ceramics, stage design, film maker.
Education:
1926‑1932 Law School, Paris, FRANCE.
Professional Activity:
1926‑1939 Cartoonist in periodicals.
[1949] Founding Member. Asociación de Caricaturistas de Cuba.
1950‑1957 Co‑Editor. Noticias de Arte, Havana, CUBA.
1958-1961 Member. Group “Diez Pintores Concretos, “ Havana, CUBA.
1961 Founding Member. Unión de Escritores y Artistas de Cuba (UNEAC).
Art Advisor. Grupo Experimental de Danza de La Habana, CUBA.
1963‑1969 Documentary Filmmaker. Instituto Cubano de Arte e Industria Cinematográfica (ICAIC), Havana, CUBA.
1971 Director of Light and Set Design. Ballet “Dinamia, “ Ballet Nacional de Cuba, Sports Center, Havana, CUBA.
1975 Environmental Designer. Cuban Pavilion. International Oceanographic Exhibition, Motoba, Okinawa, JAPAN.
1982 Juror. Salón Paisaje’82, Museo Nacional de Bellas Artes, Havana, CUBA.
1986 Juror. Concurso “13 de Marzo, “ Galería L, Havana, CUBA.
1988 Juror. 3er. Salón de Premiados, Museo Nacional de Bellas Artes, Havana, CUBA.
Solo SHOWS
1949.
Sandú Darié. Composiciones 1949 [September 14‑25]. Lyceum, Havana, CUBA.
Sandú Darié [October 24‑November 5]. Carlebach Gallery, New York, U.S.A.
1950
Estructuras pictóricas 1950. Sandú Darié [October 9‑20]. Lyceum, Havana, CUBA.
1955
Exposición de Sandú Darié y Martínez Pedro [April 25‑May 1]. Escuela de Ciencias Sociales, Universidad de La Habana, Havana, CUBA.
1956
Estructuras transformables. Escuela de Arquitectura, Universidad de La Habana, Havana, CUBA.
1957
Multivisión espacial. Museo Nacional de Bellas Artes, Havana, CUBA.
1966
Pintura cinética de Sandú Darié. Cosmorama. Electro‑pintura en movimiento [August]. Museo Nacional de Bellas Artes, Havana, CUBA.
1971
Sandú Darié. Selección de 12 de sus obras desde 1944. Museo Nacional de Bellas Artes, Havana, CUBA.
1974
Poema‑espectáculo “Rumbos” (multimedia project) [April 9-?]. Casa de las Américas, Havana, CUBA.
1978
Espectáculos audiovisuales con “Poemas espaciales al aire libre.” Santiago de Cuba/Havana, CUBA.
1983
Sandú y los niños [July 20‑?]. House of Cuban-Soviet Friendship, Havana, CUBA.
Multivisiones espaciales 83 [November 25‑?]. Galería Espacio Abierto, Revista Revolución y Cultura, Havana, CUBA.
1984
Espectáculo de arte cinético “Imágenes en movimiento con ritmos batá” (parallel to the 1st. Havana Biennial) [May]. Pabellón Cuba, Havana, CUBA.
1987
Exposición personal Sandú Darié [July 16-?]. Centro Provincial de Artes Plásticas y Diseño, Havana, CUBA.
1988
Sandú Darié. Exposición antológica 1945‑1988 [December]. Museo Nacional de Bellas Artes, Havana, CUBA.
SELECTED GROUP SHOWS
1949
XV Salón de Humoristas [May 6-20]. [Caseta Parque Central], Havana, CUBA.
1950
An Exhibition of Cuban Paintings [January 28‑February 2]. The Women’s Club of Havana, Havana, CUBA.
1951
Some Areas of Research from 1913 to 1951 [May 2‑June 8]. Rose Fried Gallery, New York, U.S.A.
1952
XXVI Biennale di Venezia [June 14‑October 19]. Venice, ITALY.
1953
II Bienal do Museu de Arte Moderna de Sâo Paulo [December 8, 1953‑ February, 1954]. Parque Ibirapuera, Sâo Paulo, BRAZIL.
1954
Plástica cubana contemporánea. Homenaje a José Martí [January 28‑February 14]. Lyceum, Havana, CUBA.
1955
III Bienal do Museu de Arte Moderna de Sâo Paulo [July‑October]. Parque Ibirapuera, Sâo Paulo, BRAZIL.
1956
Exposición cerámica cubana y joyas [February 15‑29]. Museo Nacional de Bellas Artes, Havana, CUBA.
Recent paintings from Cuba [October 5-25]. Roland de Aenlle Gallery, New York, U.S.A.
VIII Salón Nacional Pintura y Escultura [November 28‑December 28]. Museo Nacional de Bellas Artes, Havana, CUBA.
1957
IV Bienal Museu de Arte Moderna Sâo Paulo [September‑December]. Parque Ibirapuera, Sâo Paulo, BRAZIL.
Exposición de arte abstracto. Galerie Raymond Crouse, Paris, FRANCE.
1958
Grupo de arte madi internacional. Galerie Denise René, Paris, FRANCE.
1959
Exposición pintura contemporánea cubana [September 12‑22]. Universidad de Santo Tomás de Villanueva, Havana, CUBA.
Salón Anual 1959. Pintura, escultura y grabado [October 10‑November 10]. Museo Nacional de Bellas Artes, Havana, CUBA.
1960
Pintura contemporánea cubana (See chapter “The Exhibitions, “ no. 511).
1961
“A”/Pintura Concreta [August 18-22]. Museo Nacional de Bellas Artes, Havana, CUBA.
Exposición primer aniversario 1961/1962 [October 25-?]. Galería INIT, Hotel Habana Libre, Havana, CUBA.
Los primeros 15 años de arte madi. Museo de Arte Moderno, Buenos Aires, ARGENTINA.
1966
Kunst‑Licht‑Kunst. Stedelik van Abee Museum, Eindhoven, HOLLAND.
1967
EXPO’67. Cuban Pavilion, Montreal, CANADA.
1968
Panorama del arte en cuba [January]. Museo Nacional de Bellas Artes, Havana, CUBA.
Pittura Cubana Oggi [June 6-13]. Istituto Italo-Latinoamericano, Piazza Marconi, Rome, ITALY.
1969
(“Intervención artística en la aalle.” Project for the creation of cinetic environments). Plaza Chatelet, Paris, FRANCE.
1972
Encuentro de plástica latinoamericana [May 30‑?]. Galería Latinoamericana, Casa de las Américas, Havana, CUBA.
1977
50 años de la revista de Avance [October 5‑?]. Museo Nacional de Bellas Artes, Havana, CUBA.
1978
Images. Messages d’Amérique Latine [June 3-July 2]. Centre Culturel de Villeparisi, Galerie Le Colisée, Villeparisi, FRANCE.
Salón de Artes Plásticas UNEAC 1978 [December 29-?]. Museo Nacional de Bellas Artes, Havana, CUBA.
1979
XVIII Premi Internacional Dibuix Joan Miró. Fundació Joan Miró, Centre d’Estudis d’Art Contemporani, Parc de Montjuic, Barcelona, SPAIN.
1980
XIX Premi Internacional de Dibuix Joan Miró [July 22‑September 14].
Fundació Joan Miró, Centre d’Estudis d’Art Contemporani, Parc de Montjuic,
Barcelona, SPAIN.*
Salón de Artes Plásticas UNEAC’80 [December 18-?]. Centro de Arte Internacional, Havana, CUBA.
Peisajul Cubanez [December 23, 1980‑January, 1981]. Rotonda Sâlii mici a Palatului, Bucharest, RUMANIA.
1984
1a. Bienal de La Habana [May 22‑July 9]. Museo Nacional de Bellas Artes, Havana, CUBA.
Salón de Artes Plásticas UNEAC 1984 [December 14-?]. Museo Nacional de Bellas Artes, Havana, CUBA.
1986
Exposición latinoamericana (guest of honor). Segunda Bienal de La Habana [November 26, 1986‑January 18, 1987]. Museo Nacional de Bellas Artes, Havana, CUBA.
Primera exposición internacional del arte efímero. Fortaleza de La Sierra, BRAZIL.
1989
Art in Latin America: The Modern Era, 1820-1980 [May 16-August 6]. Hayward Gallery, London, U.K. [September 16-November 19]. National Museum of Modern Art, Stockholm, SWEDEN [December 19/1989-March 11, 1990]. Palacio de Velázquez, Madrid, SPAIN.
1990
Salón de Artes Plásticas UNEAC’90 [December]. Museo Nacional de Bellas Artes, Havana, CUBA.
AWARDS
1956
Honorable Mention. VIII Salón Nacional de Pintura y Escultura. Museo Nacional de Bellas Artes, Havana, CUBA.
1975
Honorable Member. Royal Academy of Arts, The Hague, HOLLAND.
1981
Order “Por la Cultura Nacional.” State Council, Republic of CUBA.
1983
Alejo Carpentier Medal, State Council, Republic of CUBA.
PUBLICATIONS
DARIE, Sandú. “Apuntes para un método básico de arte popular.” Revolución y Cultura, Havana [illus], pp.55‑60, CUBA, [197‑].
_________. “A propósito del espacio-tiempo en la escultura.” La Nueva Gaceta, Havana, Second Period, No. 5 [illus], p.2, CUBA, 1983.
_________. cat. Exposición personal Sandú Darié, Centro Provincial de Artes Plásticas y Diseño, Havana, CUBA, July 16, 1987.
BIBLIOGRAPHY
Arte contemporáneo. Origen universal de sus tendencias. Editor E.D.H.A., SA., Barcelona, SPAIN, 1958.
“Arte cinético y cosmorama.” Cine Cubano, Havana, Vol. 6, No. 38, pp.24‑26, CUBA, [19-].
“Arte y ciencia de Sandú Darié.” Boletín de la Comisión Nacional Cubana de la UNESCO, Havana, No. 31 [illus], pp.22‑24, CUBA, April‑September, 1970.
“Las aspiraciones del arte madi internacional.” Goya, Madrid, p.375, SPAIN, May, 1958.
“Darié.” Noticias de Arte, Havana, Special Number dedicated to the Biennial in Brazil, Vol. I, No. 11 [illus], p.5, CUBA, October-November, 1953.
“Diálogo con Sandú Darié.” Bohemia, Havana, CUBA, September, 1966.
Espacio. Revista de Arquitectura, Universidad de La Habana, Havana, No. 18, p.12, CUBA, May‑August, 1955.
La enciclopedia de Cuba. Book 5. Artes. Sociedad. Filosofía, Enciclopedia y Clásicos Cubanos, Inc., Ed. Playor, S.A, Madrid [illus], SPAIN, 1975.
“Las experiencias de Sandú Darié.” Revista de la Biblioteca Nacional José Martí, Havana, pp.156‑158, CUBA, September‑December, 1970.
Modern Artists in America. Ed. Wittenborn Schultz Inc., New York, Exhibition, pp.135, 162, U.S.A., 1951.
“Sandú Darié.” Pintores cubanos, Ediciones R., Havana [texts by Oscar González Hurtado/Edmundo Desnoes] [illus], pp.174‑177, CUBA, 1962.
“Sandú Darié en Eindhoven.” Boletín de la Comisión Nacional Cubana de la UNESCO, Havana, Vol. 6, No. 18, pp.27-28, CUBA, March‑June, 1967.
“Sandú momentáneo.” Signos, Las Villas, No. 21 [illus], pp.323‑331, CUBA, January, 1978.
The World of Abstract Art. Ed. George Wittenborn, New York, [illus], p.80, U.S.A., 1957.
ALONSO, Alejandro G. “Lo publican.” Juventud Rebelde, Havana, CUBA, August 21, 1977.
_________. “Para extender la incidencia de las artes plásticas.” Juventud Rebelde, Havana, [illus], p.4, CUBA, June 6, 1978.
_________. “Experiencias Cubanas viajan a Europa.” Juventud Rebelde, Havana, [illus], CUBA, December 20, 1979.
_________. “Sandú Darié: El espacio, el tiempo, el color, la luz…” Revolución y Cultura, Havana, CUBA, [197‑].
_________. “Un nuevo árbol para los pioneros.” Juventud Rebelde, Havana [illus], CUBA, March 17, 1981.
_________. Juventud Rebelde, Havana [illus], p.4, CUBA, September 6, 1981.
_________. “Arriba Sandú Darié a los 75 años de existencia.” Juventud Rebelde, Havana [illus], CUBA, April 6, 1983.
_________. “Sandú Darié, un artista siempre activo.” Juventud Rebelde, Havana [illus], CUBA, January 3, 1984.
_________. “Para todos el mar.” cat. El Mar, Museo Nacional de Bellas Artes, Havana, CUBA, April 22, 1986.
_________. “El arte como propuesta.” Revolución y Cultura, Havana [illus], pp.38‑47, CUBA, October, 1988.
ALONSO FAJARDO, Luis. “Sandú Darié o los caminos inexplorados.” Bohemia, Havana [illus], pp.10‑13, CUBA, May 28, 1976.
BUENO, Salvador. “De la pintura dinámica al cosmorama.” El Mundo, Havana, CUBA, 1963.
_________. “La tenaz creatividad de Sandú Darié.” Granma Internacional, Havana [illus], CUBA, September 22, 1991.
CAPOTE, María Elena. “La permanente luz de Sandú Darié.” Granma. Resumen Semanal, Havana [illus], p.8, CUBA, March 11, 1990.
CATA, Almayda. “La cinética y Sandú Darié.” Notas. Unión, Havana, Vol. 5, No. 4, pp.173‑175, CUBA, October‑December, 1976.
DIAZ ROSELL, Raimundo. “Sandú Darié. El Artista Cósmico.” Bastión, Havana [illus], CUBA, January, 1990.
FERNANDEZ BARROSO, Sergio. “Música Actual para la Danza de Hoy.” Juventud Rebelde, Havana, CUBA, February 20, 1976.
GARZON CESPEDES, Francisco. “Rumbos: imágenes de tres héroes.” Granma, Havana, CUBA, April 8, 1974.
GONZALEZ, Angel Tomás. “El árbol rojo de Sandú.” El Caimán Barbudo, Havana, No. 161 [illus], p.14, CUBA, May, 1981.
GONZALEZ MANET, Enrique. “Huevos, latas y botellas.” El Mundo, Havana, CUBA, May, 1965.
_________. “Ciencia y arte de Sandú Darié.” Granma, Havana [illus], CUBA, June 16, 1970.
HERNANDEZ GUERRA, Erena. “75 de Sandú.” Cartelera, Havana [illus], p.3, CUBA, April 7 to 13, 1983.
LOPEZ-NUSSA, Leonel (ELE-NUSSA). “Pictorama.” Hoy, Havana, CUBA, February, 1963.
_________. “Cosmorama. Electropinturas en movimiento.” Cuba, Havana [illus], p.56, CUBA, March, 1964.
_________. “Los soles de Sandú Darié.” Bohemia, Havana, Vol. 74, No. 50 [illus], p.25, CUBA, December 10, 1982.
LOPEZ OLIVA, Manuel. “Significación de Sandú Darié en sus 75 años.” Granma, Havana [illus], CUBA, April 8, 1983.
MOSQUERA FERNANDEZ, Gerardo. “Una experiencia de arte masivo.” Verde Olivo, Havana, No. 35, CUBA, 1978.
MOTHERWELL, Robert/ REINHARDT, Ad/ KAPPEL, Bernard (ed.): Modern Artists in America, New York, Vol.I, U.S.A., 1952.
PELAEZ, Rosa Elvira. “Un árbol que parece surgir de un sueño.” Granma, Havana [illus], CUBA, October 10, 1981.
_________. “El día y la noche en un nuevo hospital.” Granma, Havana [illus], CUBA, September 25, 1982.
_________. “Presentes el día y la noche en el cumpleaños de Sandú Darié.” Granma, Havana [illus], CUBA, April 24, 1983.
PIÑERA. Toni. “Silencio…piensa.” Granma, Havana [illus], CUBA, April 6, 1988.
_________. “Ecuación poética de Sandú Darié.” Granma, Havana [illus], CUBA, March 6, 1990.
_________. “Siempre confabulando con el movimiento.” Granma, Havana [illus], CUBA, September 5, 1991.
POGOLOTTI, Marcelo. “Darié en el Lyceum.” El Mundo, Havana, Section A, p.6, CUBA, October 25, 1950.
POPPER, Frank. “El arte cinético y nuestro medio.” Granda, Cambridge, Vol. 69, No. 1235, p.12, U.K., April 25, 1964.
_________. Kinetic Art. Ed. Motion Books, London, U.K., 1966.
QUEVEDO, Alberto. cat. Sandú Darié. Exposición Antológica 1945‑1988, Museo Nacional de Bellas Artes, Havana, CUBA, December, 1988.
SANCHEZ, Juan. “Erase una vez un árbol rojo.” Bohemia, Havana [illus], CUBA, September, 1981.
SEDEÑO, Silvia. “Cosmorama.” Granma, Havana [illus], CUBA, September, 1966.
SERRA-BADUE, Daniel. “Las pinturas estructuradas de Martínez Pedro y las estructuras pintadas de Sandú Darié.” Boletín Colegio de Profesores de Dibujo y Pintura y Dibujo y Modelado, Santiago de Cuba, Vol. I, No.1, p.4, CUBA, August, 1955.
SEUPHOR, Michel. Dictionnaire de la Peinture Abstraite. Ed. Fernand Hazan, Paris, p.154, FRANCE, 1957.
SUAREZ SOLIS, Rafael. “Darié desea que el retrato se mueva.” El Mundo, Havana, CUBA, 1964.
TORRIENTE, Loló de la. “Sandú Darié en el cine.” El Mundo, Havana, CUBA, December, 1964.
VALDES RODRIGUEZ, J.M.: “Tablas y pantallas.” El Mundo, Havana, CUBA, November, 1964
VILLARES, Ricardo. “Color en movimiento.” Bohemia, Havana [illus], pp.70‑71, CUBA, September 15, 1978.
YOTU (pseud.). “Los detalles y el conjunto.” Rotograbado de Revolución, Havana [illus], CUBA, August 26, 1963.
ZALDIVAR, Rudel. “El día y la noche. Obra de Sandú Darié en el Hospital Hermanos Ameijeiras.” Opina, Havana [illus], CUBA, July, 1988.
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