Painting by William Kozar Modern Art circa 2016 Black on Black Color Large Scale

M. Fleischer’s intriguing large scale work of art challenges what we commonly consider “painting.” The work itself is a sheet of paper, creased to create a richly textured surface. T...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

A stunning contemporary piece of decorative artwork signed FABRICE. Mixed media giclee on canvas with embellishments by FABRICE using oil paint and a fine brush. Hand signed lower r...

A stunning contemporary piece of decorative artwork by Fabrice. Mixed media giclee on canvas with embellishments by Fabrice using oil paint and a fine brush. Hand signed lower righ...

William McCloy, borned in China and moved to US in 1926 and started his studies in Iowa in 1930.This is a nice modern style landscape also he is known by abstractions and commissione...

Charles Hersey vintage Mid-Century Modern op-art painting, circa 1968 Black, silver and red Vintage 1960s acrylic op-art painting on canvas by San...

The painter Emil Fiala (8.9.1896 Prossnitz - Mähren Czech Republic - Dec. 1960 Vienna) studied at the Viennese Academy by Franz Rumpler, August Eisenmenger, Julius Schmid, Christian ...

This large piece of wall art features bold colors and eye-catching lines. Painted on canvas this piece is sure to turn heads. Please confirm the item location with the dealer. (NJ/NY).

Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...

Late 19th or early 20th century garden portrait of a lady painted in the period of Art Nouveau. Stylized palms serve as an elegant backdrop for a seated heiress painted in soft paste...