Pair of Tall Antique Italian Still Life Paintings, circa 1900

During the Renaissance, an Italian style of painting known as capriccio was introduced. Capriccio paintings, such as our pair from circa 1850, depict architectural “fantasies”, pairi...

Hand-painted in France, this handsome grisaille overdoor painting is from the neoclassical period, circa 1815. Grisaille is a monochromatic painting ...

Nature morte (French for “still life”) paintings first became popular in the Netherlands in the 16th century. Assemblies of flowers, fruit, and dead game were the main subject matters, and hundreds of artists from Western Europe would eventually participate in the genre. French artists such as Jean-Baptiste Oudry painted some exquisite scenes, depictions of hunt motifs including game and dogs. These subjects remained highly popular and were used in hunt lodges throughout France. The pair of paintings seen here are very well done 19th century examples of such hunt scenes, each one measuring over 57 inches wide. Both of our paintings depict hunting trophies displayed on an outdoor veranda. The balcony is elaborately styled with cavetto molding, volute scrolls, and a shaped cartouche beneath a bulbous gadrooned finial. Both paintings contain half of the cartouche and most of the finial, as if they were a continuous panoramic scene, complete with a blue sky and large trees in the background The left painting features three felled birds piled on top of a deer carcass, with fruit scattered around them. Beneath the trophies is a coiled horn with a red tassel tied to it. A similar scene can be found on the right painting, with three birds displayed on the edge of the balcony. The birds lie on top of a pale green fabric with tassels that has been loosely folded. Under the textile is a hunting rifle and another horn. A garland of fruit is draped across the rifle’s stock, rising onto the balcony. A beige fabric matte board and molded giltwood frame surround this pair of 19th century nature morte hunt trophy...

Once installed architecturally in a chateau in Normandy, France, this large pair of overdoors was painted in the 1700s and executed in a technique known as verdaille. Verdaille utilizes various shades of green to achieve a mesmerizing monochromatic effect. This technique’s rich history traces back to the 12th century when it was initially employed to create stained glass for Cistercian monasteries, where colorful art was prohibited, making these overdoors not only aesthetically captivating but also a piece of living art history. Interestingly, there is a hand-written transport note on the back of one of the overdoors (see detail photo) that mentions the paintings were to be shipped to a Madame DeFrance in Paris, at the rue St. Honore corner of la rue Dufour (freight pre-paid). These exquisite pieces are encompassed by wood frames adorned with lavish foliate carvings, beautifully painted in a soothing French gray hue. Each overdoor encapsulates a unique musical scene that transports you to the heart of 18th-century Europe. In the first painting, a man plays the uilleann pipe, a unique instrument with a bellow-driven mechanism that distinguishes it from a bagpipe. The musician has quite an audience, as two women, one cradling a sheep, and four more sheep next to a dog have gathered nearby. In the second painting, witness a captivating moment of courtship as a gentleman kneels before a woman with a tambourine in her hands. He presents a long woodwind instrument, possibly a carnyx, while a faithful dog rests nearby amidst a backdrop of gardening tools. These stunning French verdaille overdoors were once part of a themed boiserie room (most likely green in color and centered around music). They can once again be used to create a theme above a pair of interior doors or they can be hung as a unique set of artwork.

This oil on board pastoral painting of two cattle is signed and dated by the artist in the lower right corner “F.J. Dierckxsens 1858”. There is also a handwritten paper affixed to th...

After the original 17th-century by the famed Flemish painter, David Teniers II (usually referred to as “David Teniers the Younger”, as his father David Teniers the Elder was also an accomplished painter), this fabulous painting depicts a vibrant scene, both in color and theme. Our version, which was painted in the 1700s, is by an unknown, but very talented artist. The painting is surrounded by a giltwood frame with two layers of beading. Both Teniers were known for developing the “peasant genre” or “tavern scene”, where members of the working class were shown actively celebrating life. The earthy tones of the interior of the inn (brown and beige) are offset by citizens in brightly colored attire consisting of green, red, black, and gray. The scene is divided into two rooms, with seven patrons (mostly men) gathered around a barrel table in front of a very large fireplace. Two of the men are playing cards and there are two tankards visible. The calmness of this group is a drastic difference from the 11 people gathered in the foreground. A man in blue stands on top of a wine barrel table...

Splendid oil painting "Still Life" executed in the early 1900s.The manner in which this still life was executed shows a pictorial conception devoted to a total realism that takes int...

A pair of Italian school, early 19th century, floral still lifes in Florentine frames.

Early 20th-century French still life oil painting by artist Boris Buchet. The image depicts a bowl of fruit in a manner similar to early Cezanne. Vibrant yet contemplative, the fruit...

Still life mural oil painting with birds in a wood frame. One of a pair sold separately.

An antique painting offers oil on canvas still life with roses, seated in giltwood frame, c1890 Measures - 40" x 32.5" x 3.75"

Pair of still life oils on canvas, in trompe l'oeil, framed & signed. Circa 1900. The subject is the proceeds of a hunt - pheasants, partridge, hare and duck artistically portrayed ...