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21st Century and Contemporary Paintings

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Period: 21st Century and Contemporary
Customizable Items Only
Vintage Abstract Floral Still Life Painting, "Love" by Garmed
Located in Miami, FL
Vintage Abstract Floral Still Life Painting, "Love" by Garmed Offered for sale is an original acrylic on canvas titled “Love” by Venezuelan born Miami resident artist Garmed, Alfr...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Acrylic, Canvas

Scarabeo Watercolor Painting
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Paper, Acrylic

21st Century Unique Painting Dilapidation by Elias Saifan
By Elias Saifan
Located in Paris, FR
Usually we describe falling apart buildings as “dilapidated structures” so the title of the piece and the series “Dilapidation” was derived from this idea to depict architectural sha...
Category

French Modern 21st Century and Contemporary Paintings

Materials

Canvas, Acrylic

Hiremio Garcia Santaolaya Abstract Painting, Cuban American Artist
Located in Miami, FL
Hiremio Garcia Santaolaya abstract painting, Cuban American artist Offered for sale is an original abstract figurative acrylic painting on paper by Cuban American artist Hiremio Gar...
Category

American 21st Century and Contemporary Paintings

Materials

Glass, Plastic, Acrylic, Paper

Monumental Ernesto Kunde Original Abstract Painting, Brazilian-American Artist
Located in Miami, FL
Ernesto Kunde Original Abstract Painting on Linen, Brazilian-American Artist Offered for sale is an original acrylic abstract painting on linen titled "Bromelains" by the Brazil...
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Linen, Paint

Monumental Ernesto Kunde Original Abstract Painting, Brazilian-American Artist
Located in Miami, FL
Monumental Ernesto Kunde Original Abstract Painting on Linen, Brazilian-American Artist Offered for sale is an original acrylic abstract painting on linen titled "Lights" by the Br...
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Linen, Paint

Floral Watercolor Painting
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Acrylic, Paper

MIST - original painting 1/1
Located in AMSTERDAM, NL
Do you recall those endless summer evenings when the sky transforms into a canvas of warm oranges and deep purples? This is the very essence of my inspiration. I collect sunsets ever...
Category

Dutch Modern 21st Century and Contemporary Paintings

Materials

Acrylic

THE DOT - gold original painting 1/1
Located in AMSTERDAM, NL
With my round wall objects ‘THE DOTS’, I aim to capture light – making the invisible visible. The dance of light upon an object, its interplay of reflections, that’s what fascinates ...
Category

Dutch Modern 21st Century and Contemporary Paintings

Materials

Acrylic

THE DOT - gold original painting 1/1
Located in AMSTERDAM, NL
With my round wall objects ‘THE DOTS’, I aim to capture light – making the invisible visible. The dance of light upon an object, its interplay of reflections, that’s what fascinates ...
Category

Dutch Modern 21st Century and Contemporary Paintings

Materials

Acrylic

Poppies Watercolor
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Paper, Acrylic

Handpainted Wallpaper "Magnolio", Set of Three
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Hollywood Regency 21st Century and Contemporary Paintings

Materials

Cotton, Acrylic, Paper

Hand Painted Dragonfly
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Acrylic, Paper

Floral Watercolor Painting
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Paper, Acrylic

Night Rose
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Acrylic, Paper

Cuban-American Artist Geiler Gonzalez "US Marine" Painting Acrylic on Canvas
Located in Miami, FL
Cuban-American Artist Geiler Gonzalez "US Marine" Painting Acrylic on Canvas Offered for sale is an acrylic on canvas titled "US Marine" by the Cuban-American Artist Geiler Gonzale...
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Wood, Paint

Original Bamboo Watercolor
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Paper, Acrylic

Stick Insect Watercolor Painting
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Acrylic, Paper

21st Century Watercolor Scarabeo
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Modern 21st Century and Contemporary Paintings

Materials

Cotton, Paper, Acrylic

Cuban-American Artist Geiler Gonzalez Painting "Horizon" Acrylic on Canvas
Located in Miami, FL
Cuban-American Artist Geiler Gonzalez Painting "Horizon" Acrylic on Canvas Offered for sale in an acrylic on canvas painting titled "Horizon" by Cuban-American artist Geiler Gonzal...
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Wood, Paint

Cuban-American Artist Geiler Gonzalez Painting on Canvas "Man on NYC Beam"
Located in Miami, FL
Acrylic on Canvas by Cuban-American Artist Geiler Gonzalez "Man on NYC Beam" Offered for sale is an acrylic on canvas by Cuban-American artist Geiler Gonzalez titled "Man on NYC Bea...
Category

American 21st Century and Contemporary Paintings

Materials

Wire

Mixed Media Abstract Painting by Artist Gustavo Oviedo, "Sciatica"
Located in Miami, FL
Miami Artist Gustavo Oviedo Mixed Media Abstract Painting on Canvas Offered for sale is a mixed media on canvas by Miami-based artist Gustavo Oviedo from his 131 Projects studio....
Category

American Modern 21st Century and Contemporary Paintings

Materials

Enamel

Cuban-American Artist Geiler Gonzalez Painting on Canvas, "Game Over"
Located in Miami, FL
Cuban-American Artist Geiler Gonzalez Painting on Canvas, "Game Over" Offered for sale is an acrylic on canvas painting titled "Game Over" by Cuban-American artist Geiler Gonzalez....
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Acrylic, Wood

"Golfers" Painting by Cuban-American Artist Geiler Gonzalez
Located in Miami, FL
"Golfers" Painting by Cuban-American Artist Geiler Gonzalez Offered for sale in an acrylic on canvas painting titled "Golfers" by Cuban-American artist Geiler Gonzalez signed and ...
Category

21st Century and Contemporary Paintings

Materials

Canvas, Wood, Paint

Cuban-American Artist Geiler Gonzalez Oil Painting on Canvas, "Icaro" Signed L/R
Located in Miami, FL
Cuban-American Artist Geiler Gonzalez Oil Painting on Canvas, "Icaro" Signed L/R Offered for sale is an oil painting on canvas by Cuban-American artist Geiler Gonzalez titled "Icaro...
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Wood, Paint

Oil on Canvas Painting "The Slaughter" by Geiler Gonzalez
Located in Miami, FL
Oil on Canvas Painting "The Slaughter" by Geiler Gonzalez Offered for sale is an oil on canvas painting titled "The Slaugher" by Cuban-American artist Gelier Gonzalez. The artist w...
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Paint

Cuban-American Artist Geiler Gonzalez "Deer" Oil Painting on Canvas, Signed
Located in Miami, FL
Cuban-American Artist Geiler Gonzalez "Deer" Oil Painting on Canvas, Signed Offered for sale is an oil on canvas painting of an stag in the wilderness by Cuban-American artist Geil...
Category

American 21st Century and Contemporary Paintings

Materials

Canvas, Wood, Paint

Peter Buchman "Now Showing”, Voice-Over Paintings Series, 2024
Located in New York, NY
Contemporary New York artist Peter Buchman's 'Now Showing' is created using laser-cut plexiglass, acrylic medium, and enamel on wood. It's part of his Voice-Over series, in which the artist gathers linguistic phrases to immortalize the valuable contributions of other cultures to the American Diaspora. To describe Buchman's word paintings as 'A Figure of Speech' is an understatement of the profound soulfulness they embody. They bear the marks of the artist's hand but also carry the collective spirit of those who came before him. These words derive from familiar phrases, music albums, his unique brand of irony, and the very essence of the human form. 'Now Showing' draws inspiration from Film Noir, a genre that held a profound influence on Peter's film and cinematic journey. The strident and punctual dialogue always fascinated him, along with the black and white director's perspectives. As an artist who spent hours drawing and sketching in pencil, the dramatic black and white hardened scenes just gripped him. He wanted smoke and spit and to rough something up. He wanted to emulate those textures, those scenes, that gut reaction with danger but in a poetic sense. The work reflects someone who is under interrogation, spilling their guts out, or just spilling the beans. It's a collection of phrases Peter unearthed or scratched out from movies or vintage pulp...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Enamel

Peter Buchman "Note to Self”, Voice-Over Paintings Series, 2024
Located in New York, NY
Contemporary New York artist Peter Buchman's 'Note to Self' is created using laser-cut plexiglass, acrylic medium, and enamel on wood. It's part of his Voice-Over series, in which th...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Enamel

William P. Montgomery Abstract Mixed Media Painting "Rocket Science #4" on Wood
By William P. Montgomery
Located in Miami, FL
William P. Montgomery Abstract Mixed Media Painting "Rocket Science #4" on Wood Offered for sale is "Rocket Science #4" painted with acrylic paint, charcoal and markers by artist Wi...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Acrylic, Wood

"Puzzled" by Bissy Riva Contemporary Oil on Canvas Painting
Located in Essex, MA
"Puzzled" by Bissy Riva is an oil on canvas original contemporary painting measuring 30 inches wide by 40inches high by 1 1/4 inch deep. iIbegan my career...
Category

Kenyan Modern 21st Century and Contemporary Paintings

Materials

Paint

Peter Buchman "Exit Strategy”, Voice-Over Paintings Series, 2024
Located in New York, NY
Contemporary New York artist Peter Buchman's "Exit Strategy" is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice-Over series, in which the ar...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Enamel

Peter Buchman "Pardon my French”, Voice-Over Paintings Series, 2024
Located in New York, NY
Contemporary New York artist Peter Buchman's "Pardon my French" is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice-Over series, in which the...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Enamel

Peter Buchman "Star Wars”, Voice-Over Paintings Series, 2024
Located in New York, NY
Contemporary New York artist Peter Buchman's 'Star Wars' is created using laser-cut plexiglass, acrylic medium, and enamel on wood. It's part of his Voice-Over series, in which the a...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Enamel

Sky above Us by Flora Temnouche
Located in Geneve, CH
The Sky Above Us by Flora Temnouche 2023 Dimensions: D 125 x H 158 cm Materials: Oil on canvas. Flora Temnouche lives and works in Brüssels. ...
Category

Belgian Modern 21st Century and Contemporary Paintings

Materials

Canvas

Murf Murphy Large Contemporary Abstract Painting on Canvas
Located in Miami, FL
Murf Murphy Large Contemporary abstract painting on canvas Offered for sale is a striking mixed-media painting by Marvin Murf Murphy. The artist has u...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Canvas, Wood, Paint

Richard Hirsch Encaustic Painting of Nothing #72, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #73, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #76, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #79, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #75, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #70, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #28, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #77, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #53, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #62, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #52, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #63, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #55, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #26, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #78, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #50, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #61, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #54, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #40, 2014
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #44, 2015
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Richard Hirsch Encaustic Painting of Nothing #60, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category

American Modern 21st Century and Contemporary Paintings

Materials

Clay, Organic Material

Hand Painted Wallpaper "Poppy", Set of Two
Located in Madrid, ES
This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...
Category

Spanish Hollywood Regency 21st Century and Contemporary Paintings

Materials

Cotton, Acrylic, Paper

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