Portrait of Kaiser Ferdinand I of Austria

A couple of paintings, depicting two men dressed in the fashion of the Renaissance. Oil paint on panel. The frames are carved and gilded with gold leaf. Here and there some small pieces of gold leaf are missing. Below you will find more detailed information about the artist Constantin Stoitzner...

Large, very well done oil on canvas representing the Portrait of a mathematician, a professor, leaning on his elbows and holding a ruler. This painting has a very beautiful frame, w...

Our haunting and beautiful portrait on canvas of Medusa was painted by the Austrian-born artist Karel Eichhoff (1899-?).  Stretcher measures 12.25 by 13.25 inches and the period giltwood frame measures 20 by 21 inches. Signed in lower right. With written authentication completed by the independent appraiser, Antonin Kleinwachter, Brno, Czech Republic, in 1976. Provenance: Jay Waldmann, Southampton, New York. The artist was born in Graz (Štýrský Hradec) in the south-eastern part of Austria.  He studied at the Academy of Fine Arts in Prague from 1920 to 1924 under Professor Karl Krattner (1862-1926).  He exhibited at Krasoumná Jednota, the provincial association formed in 1835 to support fine arts. Members included patrons from royalty and the state, including Emperor Francis Joseph...

Portraits of the monarchs Louis XIII and Anne-Marie of Austria as hunters. Oil on canvas. Possibly Madrid school, 17th century. Pair of full-length portraits showing the characters against natural backgrounds, with landscapes with mountains in the distance and trees. The male character, who looks directly at the viewer, has dark hair and a fine moustache, and is dressed in a ruff, a doublet, leather gloves, a blued breastplate with gold details, breeches, white silk stockings and cavalier boots. The lady, who modestly lowers her gaze, has her head partially covered with a hat decorated with a brooch and white feathers; she is dressed in a ruff and a dress with a wide-skirted doublet and skirt, wide-mouthed gloves and a short cloak with a decorated edge gathered around the left arm and placed over the right side of the skirt. Alongside these “hunting” dresses, they appear carrying firearms and accompanied by large dogs. The king's dog is standing alertly, turning his head to one side. The queen's dog is sitting looking at her, with a collar and a rope that she holds in her left hand. The male subject is clearly the French King Louis XIII (Fontainebleau, 1601-Saint-Germain-en-Laye, 1643), monarch of France and Navarre (1610-1643), son of Henry IV of France and Marie de Médicis and father of Louis XIV of France. Compare with other portraits: by Rubens, painted around 1622-1625 at the Norton Simon Museum (Pasadena, California, USA); by Philippe de Champaigne, painted in 1635 and kept at the Museo del Prado (Madrid, Spain); the painting by Frans Pourbus the Younger from the 1920s at the Musée des Beaux-Arts in Chambéry (France); etc. Louis XIII married Anne of Austria, daughter of Philip III of Spain, in 1615. This was brought about by the marriage agreement of Fountainebleau (1611), which stipulated the future wedding of the Prince of Asturias, Philip IV, with the French princess Isabella of Bourbon, and that of the French monarch with Anne. Anne Maria Mauricia of Austria and Austria-Styria (Valladolid, 1601-Paris, 1666) was an Infanta of Spain and Portugal as the daughter of Philip III of Spain and Margaret of...