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Rolph Scarlett Original Non-Objective Modernist Oil Painting on Canvas: Untitled
$12,500
£9,520.11
€10,973.31
CA$17,487.42
A$19,654.70
CHF 10,235.65
MX$239,049.75
NOK 130,977.66
SEK 124,205.43
DKK 81,897.59
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About the Item
This original painting was done by the well known Canadian-American Rolph Scarlett, dating to approximately 1950 and done in his Non-Objective Modern style. This abstract painting is done with oil on canvas in his own original hand-crafted pine shadow box styled frame with a powder blue painted exterior and cream border. The painting is clearly signed in the bottom right corner and retains its original gallery label on the back. Rolph Scarlett has exhibited in many very prominent museums including the Metropolitan Museum of Art in New York and the Guggenheim Museum among others. Please note the posted dimensions refer to the framed artwork. The canvas itself measures approximately eighteen and a quarter inches wide and twenty one and three quarter inches in height.
- Creator:Rolph Scarlett (Artist)
- Dimensions:Height: 23.25 in (59.06 cm)Width: 19.25 in (48.9 cm)Depth: 1.75 in (4.45 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950
- Condition:Wear consistent with age and use. Minor losses. Some light wear to the sides of the frame, and some curling of the canvas as presented in the photos, and consistent with age and use.
- Seller Location:Hamilton, CA
- Reference Number:1stDibs: LU1355235551282
Rolph Scarlett
Rolph Scarlett was a painter of geometric abstraction during the American avant-garde movement of the 1930s and 1940s. Scarlett was born in Guelph, Ontario, Canada in 1889, he left Canada at the age of 18 to go to New York City and returned to Canada during the years of World War I. However, by 1924, Scarlett had established New York City as his home. While he was beginning his career as an abstract painter, he was designing stage scenery for George Bernard Shaw's play, Man and Superman and the Rockettes at Radio City Music Hall. In 1939, while creating the Museum of Non-Objective Painting (later the Solomon R. Guggenheim Museum), Director Hilla Rebay began to take an interest in Scarlett's work. By 1940, he had become the new museum's chief lecturer. By 1953, the Guggenheim owned nearly 60 of his paintings and monoprints. Scarlett later became a resident of the Woodstock art colony for more than 25 years and showed his work in the Woodstock exhibits.
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