SS Normandie Transatlantic Ocean Liner in New York Painting by Louis Sedroc

Californian artist Lorraine Stelzer created this mesmerizing psychedelic Pop Art composition in 1969. This mid-century modern dimensional wall sculpture panel is in resin and feature...

This Italian frame, in polished brass, dates from the 1940s. It will be perfect to include a painting, a drawing, a lithograph, a mirror, or any other DIY decoration. The piece's rec...

New York Vertical, English Book by Horst Hamann, 2000. This book offers a new perspective on New York, the American metropolis. This award-winning pictorial tribute to the world's mo...

New York, L'Humanite au Metre Cube (New York, Humanity by Cubic Foot), French book by David Lachterman, 1966. About this book, the author said: "Anything that can be written about Ne...

Hand-picked by buyers at Ann-Morris Inc.

Beautiful French Normandie village painting. Sight dimensions: 17.5"W x 13.5"H

Johann Berthelsen (1883-1972) was an American Impressionist painter, as well as having a career as a professional singer and voice teacher. Essentially self-taught as an artist, he ...

Cubist painting in acrylics on canvas, Fritzie Abadi New York, 2001 In strong muted colors, angular figures and elements are divided and reassembled in a different context. The elements are partly bright and finely outlined, which makes this even more plastic and stronger in their effect. The high, narrow format makes the image a special eye-catcher. Expressive modern representation in handmade shadow gap frame. The frame is 4.5cm wide and has a slightly raised silver-plated front bar of 1.5cm. Fritzie Abadi (1915 – 2001) was an American painter, sculptor, and collage artist. Born in Aleppo, which was then part of the Ottoman Empire. Biography: The daughter of a rabbi, Abadi lived in Palestine until she was nine years old. She then emigrated to New York City in 1924. She won a drawing competition while attending Bay Ridge High School, and this fostered an early interest in art. She married at eighteen and moved to Oklahoma City, giving birth to two daughters and "forgot about art". In 1945 she returned to Brooklyn, and in 1946 she enrolled in the Art Students League of New York; there she studied under Nahum Tschacbasov. Her work is included in several museum collections such as the Butler Institute of American Art, the Evansville Museum of Arts and Science, the Slater Memorial Museum, and the Georgia Museum of Art. She has also exhibited in many venues throughout her career. She has also received several awards including the Acrylic Painting Award of the National Association of Women Artists (1974) and the Box Assemblage Award from the American Society of Contemporary Artists (1979). She was a member of both institutions, serving on the board of the former in 1970 and as president of the latter from 1970 to 1972; she was on the board of the New York Society of Women Artists in 1980, and was also a member of Women in the Arts and the Hudson River Contemporary Artists. A small collection of documentary material is owned by the Archives of American Art. References: Jules Heller...