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Symbolist Hand Painted Porcelain Plaque "La Source"

$3,261.14List Price

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19th Century French Pair of Napoleon III Hand-painted Porcelain Plaques
By Manufacture Nationale de Sèvres
Located in Saint-Ouen, FR
A French 19th century hand painted porcelain pair of plaques in pendant Full-length portraits of young women in period costumes in the woods Both signed lower left Bourgeot Napoléon ...
Category

Antique 1890s French Napoleon III Paintings

Materials

Porcelain, Wood

Hortense Richard (1858-1940) “Marguerite of Faust” Painting on Porcelain, c.1890
Located in Saint-Ouen, FR
A Universal Exhibition Painting on Plaque after the painter James Bertrand Hand-painted Polychromed Painting on Porcelain Plaque Representing The Marguerite of Faust Signed Lower Left Titled on the reverse: “Marguerite Folle d’Après James Bertrand, Exposition Universelle 1889” After the painting by James Bertrand "The Marguerite of Faust" In its original frame Circa 1890 Faust and Marguerite Faust is tired of his old life and wants to kill himself. In a final burst of bitter anger, he invokes the devil. The devil appears in the guise of Mephistopheles and offers him a pact: he will grant him what he desires most in the world in exchange for his servitude. Faust asks him for youth and his help in seducing Marguerite. When he achieves his goal, bound by his contract with the devil, Faust abandons the latter who is waiting for her child. Filled with remorse, he returns to her, but kills Valentin, Marguerite's brother who tries to stop him, during a duel. He then tries to save the life of Marguerite who is imprisoned for infanticide, but he fails. Like this multifaceted character, the vocal treat-ment chosen by Gounod is differentiated: sometimes very lyrical with touching flights, sometimes very cold and repetitive to evoke her detachment from the world of men. Marguerite is young and naive. She lets herself be seduced by the charming and mysterious character of Faust and thus causes her own downfall as well as that of her family (her brother and her child will die). Hortense Richard (1858-1940) Marie Sophie Hortense Jeanne Schrenk was born in Charonne in 1858, the natural daughter of Louise Christine Frederika Schrenk and an unnamed father. Her mother, a German born in Stuttgart, officially recognized her in August 1879. A few days later, Hortense married his fellow painter Désiré Alfred Magne...
Category

Antique 1890s French Napoleon III Paintings

Materials

Porcelain, Wood

A Large Napoléon III Centerpiece, Maison Christofle, circa 1880
By Cristalleries De Baccarat, Christofle
Located in Saint-Ouen, FR
A Large Silvered Bronze and Baccarat Crystal Centerpiece The silvered bronze mounts design simulating branches, foliages, leaves and grapevines Original fitted festooned Baccarat Cry...
Category

Antique 1890s French Napoleon III Porcelain

Materials

Ormolu

Les Bienfaits de la Nature by F.Majorel (1878-1965) Large Art Deco Oil on Canvas
By Fernand Majorel
Located in Saint-Ouen, FR
"Les bienfaits de la nature offerts au plus grand nombre" “Nature's Goodness offered to more people” An Impressive and Decorative Art Deco oil on canvas painting Original frame Signe...
Category

Vintage 1930s French Art Deco Paintings

Materials

Canvas, Wood

Émile René MENARD (1862-1930) Adam et Eve, Monumental Oil on Canvas, 1923
Located in Saint-Ouen, FR
Adam and Eve Oil on canvas signed below left «E.R. Ménard 1923» Labels on the back, including one from the Carnegie Institute in Pittsburgh, Pennsylvania in 1925. Titled in a cartou...
Category

Vintage 1920s French Aesthetic Movement Paintings

Materials

Canvas, Giltwood

Pierre Legendre, Accord II, circa 1980
By Pierre Legendre
Located in Saint-Ouen, FR
Pierre Legendre (1932-2009) Accord II oil on canvas circa 1980 Measures: 116 x 81 cm. Pierre Legendre, born in 1932 in Haute-Marne, moved to Paris at the age of 22. After classes at the Estienne school in Paris as well as those of the Beaux-Arts, he worked for several big houses and was the originator of logos for big brands like Hermès or Nina Ricci. He entered the academy of the painter Henri GOETZ, which allowed him to familiarize himself with abstract, geometric art. He exhibited from the 1970s, as in 1979 at UNESCO in Paris. A discreet painter, he nevertheless participated in the 80s and 90s in many artists' salons (Comparaison, Grand et Jeunes d'Aujourd'hui, Réalités Nouvelles). Pierre Legendre is of deep integrity, of great moral rigor, his geometric and abstract art also reflects a quest for spirituality and philosophical reflection. Although denying itself to belong to Concrete Art, Legendre by its taste for purism and the immateriality of the straight line is not so far removed from, among others, the art of Jean Gorin...
Category

Vintage 1980s French Modern Paintings

Materials

Paint

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This exquisite pair of hand-painted Wedgwood porcelain plaques, painted by Thomas Allen, is a beautiful example of the Aesthetic Movement. The delicate, intricate designs and vibrant...
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