Painted Paintings

Igneous is a design made from carbon powder and using Custhom’s innovative process of hand-foiling wallpapers, creates a unique distressed or highly polished finish in a wide range o...

Pair of naïve allegorical landscape paintings. Oil on canvas Signed Lieutenant Christian Georg V. Lind, 1837 and 1838. See text on the back. In original gilded damgaard frames. ...

A melancholy painting of still life in late 1800s. Oil on canvas, signed and framed. From Norway, Scandinavia. Later frame.

19th century oil painting on canvas depicts a scene portrayed by a wide variety of artists over the years. A young couple are saying their g...

Little Italian enamel on copper signed Amurri (Giancarlo Amurri) within a square black frame cm. 23,5. It' a little art work!

This beautiful one-of-a-kind painting was produced in 2015 by the late Artist, Larry Roberts. Larry was an abstract figurative, Expressionist and impressionist painter. He was a true...

The painting shows Magdalene with a crucifix. The intimate composition raises the inner contemplation and penitence of the biblical figure to be the subject of the artwork. The oil ...

Camp In The Rapids by Greg Parker Item Number: AG0123_GP Oil on canvas; 40" x 30". Unframed (frame not needed) North Idaho artist. Amazing firelight ...

A Beautiful oil on board antique portrait of a boy by an unknown artist. The artist succeeded in capturing this boys striking expression. Age related wear and patina. May have had...

A 19th C three quarter length portrait of an aristocratic gentleman with his personal valet shown behind him. The young man with flowing long hair is portrayed from the waist up and ...

Preben Fjederholt 1955 - 2000. 2 Paintings, untitled. Formerly private Danish collection. Top painting signed: Preben Fjederholt April 2000. Dimen...

Impressionist New York City bustling train station city-scene depicting the "EL" train with pedestrians in a starry, yet energetic way. Busy New Yorker’s daily travels with the sun setting on the elevated train. From early childhood to the present, Willett, a natural talent carried on the tradition in the arts. Currently as a painter in the New Hope, Bucks County Impressionist...

Modern oil on canvas painting. Displays brush stoke textures in the darker tones providing an interesting background for the white geometric forms. Framed in silver. Signed by artist...

19th century miniature portrait of a nun on porcelain with brooch frame Wonderful antique portrait of a nun hand painted on porcelain. The portrait is housed in a brass frame t...

Roger desserprit painting signed and dated 1967 Roger desserprit 19230-1985.

Mid-19th Century oil on canvas, “Portrait of an Ecclesiastic”, by Italian painter Amadeo Augero (1799-1885). Painted holding his holy book, and wearing his sombre robes, this serious...

17th century Roman school, Santa Cecilia with angels in concert, oil painting on canvas The valuable painting, in excellent condition, depicts Sa...

Beautiful ocean beach scene with waves crashing on the rocks at night. Very well done by a listed artist noted for seascapes. Period thin edge frame. In...

Signed by J.E. Gourgue, noted Haitian painter, this large scale artwork is destined for a major collection, a culinary enthusiast or even a restaur...

The ‘Multicolored Man’ depicts a head with an enlarged nose and ear and worried looking eyes and mouth. The characteristics are yellow, orange, blue, wh...

Painting by Pietro Domenico Ollivero. "Manio Annio Curio Dentato receives the ambassadors of the Samnites", around 1740 The work in question depicts the scene of and was made by the famous italian painter Pietro Domenico Ollivero. The oval canvas shows on the back the card of the Galleria Caretto in Turin (Italy) with the authentic 1965 Giorgio Caretto. The work was also published in "I Piaceri e le grazie" by Arabella Cifani and Franco Monetti in 1993. The subject refers to the history of Rome and an episode narrated by the historian Valerio Massimo. Manius Curius Dentatus (330 BC - 270 BC), one of the great Romans of the 3rd century B.C. was a consul in ancient Rome, known for ending the Samnite Wars. Elected consul in 290 BC. along with Publio Cornelio Rufino, in the same year he fought and won the Third War against the Samnites and their allies, thus ending a conflict that had lasted for 49 years. He definitively subdued the Sabines and the Greek army of Pyrrhus in the battle of Benevento. He represented the ideal prototype of ancient Roman for the generations that followed in that he avoided public honours; Cato the censor, who collected his sayings, placed him among the great figures of universal history. For centuries after his death (in 270 B.C. while overseeing the construction of the second aqueduct in Rome) his military exploits were recounted and his moral rectitude was praised as an example for all the Romans. Ollivero, in the cultured choice of the episode, illustrates the moment when Manio Curio Dentato is found in his home, characterized by Roman walls, sitting by the fire, on a rustic bench while eating his meal in a "ligneo catillo" (wooden basin...

Large and impressive painting of still life of flowers with a white cockatoo In an Italianate landscape with ancient columns and ruins in the backgroun...

Hedi Rothschild Kandel Israeli Artist (1912-2003) Portrait of Young Man Wonderful expressionist portrait. Hedi Kandel (born Rothschild) studied art in Nurenberg and medicine in Er...

Two under enameled paintings on triangular mural glass plates manufactured in Italy in the Fifties. They are very nice Mid-Century Modern wall decorations and in perfect conditions.

Two Chinese paintings of figures in court dress 19th century, opaque pigments on paper, each depicting a figure wearing robes decorated with dragon motifs on yellow-grounds. Pr...

Original artwork by Eduardo Dhelomme. Signed and dated 1988. This large scale artwork measures 5 by 3. Eduardo Dhelomme (1922-2006) is a Franco-Br...

18th century French Baroque Old Master painting oil on leather. Old Master painting, French Baroque period 18th century oil on leather represents a lush imaginary landscape in ric...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Miniature on copper...

Our gallery is pleased to represent a wonderful new California artist Scott Anderberg. This evocative abstract work is titled “Hunger and Bread Seed Poppies” 2022 and measures 36” by 24...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

Nude painting by Jenna Snyder-Phillips. Black ink on hard paper. Art work is from 2012. Artist is educated in Italy.

19th century Russian princess with tiara and elaborate jewelry portrait miniature This young woman is wearing elaborate jewelry and a golden tiara....

An antique miniature portrait painting on celluloid of Marie Antoinette seated in parcel gilt frame, artist signed Alex lower right...

A lovely gem of an impressionist Arizona landscape oil on board painting by Brisbee, Arizona artist Edwin H House. The painting is done in subtle s...

We are delighted to offer for sale this stunning original late 19th century Flemish oil painting, signed Demoen and with an exhibitio...

Maria Harrison (XIX-XX) - 'Delphiniums & Daisies' (Untitled) - Antique watercolor floral still life painting on paper - J. Green & Son watermark to the paper (this watermark used cir...

Antique Framed Oil Painting on Canvas by Berthe Otten-Rosier (1885-1973) will make the perfect addition to your collection, featuring a cool palette depicting a hilly, lush countrysi...

Description: Artist: Jan Luigi Fini Italia (1901-1973) Mix Technique: Acrylic, collage, and insertions on canvas Artwork dimensions: 60x42cm Total measurements: 61 x 43cm Sig...

Abstract painting by Ben Hanisch, 2022. 48” x 36” Acrylic on canvas, stretched on wood stretcher bars. Painted edges. Can be hung vertical or h...

This colourful painting is of an abstract village scene in the geometric style. The elegant 'tray' frame keeps the focus on the picture itself. Si...

This superbly painted view of the mountains framing a river valley in northern New Mexico is attributed to Frank Guy Applegate, who lived and worked in the state during the 1920s, and is known for his watercolors -- such as this -- that present strong, abstracted views of the local landscapes, all in vivid colors and bold strokes of paint. Applegate was considered one of the New Mexico Modernists, and was accompanied on some of his painting forays by B.J.O. Nordfeldt, Andrew Dasburg and Josef Bakos. Applegate also had enormous respect for the culture and artistry of the native people, and encouraged a revival of the Pueblo style...

The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist’s association provided a free studio for painters in Brussels, on the first floor of a building located at Quai au Bois à Brûler number 31. Here innovative artists who the official salons did not appreciate were given a forum. The members of “L’Effort” opposed academism. Some names of artists who have worked in the studio spaces of "L'Effort" are: Jean Brusselmans...

In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...

In this painting, the viewer is presented with a figure that seems to embody the concept of nonduality and the interconnectedness of all things. The figure is depicted with a futuris...

"Fantastical Realms: A Nondual Landscape" is a breathtaking painting that captures the wonder and magic of a world beyond the boundaries of reality. The scene is bathed in a soft, et...

Beautiful abstract composition example of the artist’s work, original color painting on paper by C. Azuelos. Wonderfully decorative original with so much movement to be interrupted...

A fine orientalist painting of two women in a harem by Stiepevich A fine orientalist oil painting depicting two women conversing in a harem. Artist: Vincent G. Stiepevich (Russo-...

Discover an authentic gem of contemporary art—an abstract mixed media masterpiece on paper, hand-painted in the year 1998 by the renowned Cuban artist, Jose Bedia. Bedia is celebrate...

In this painting by John Brevard, the theme of the work is nonduality, illustrating the concept that all things are interconnected and inseparable. At the center of the painting, th...

This is a desirable original Oil on Canvas from American Muralist BIFF ELROD. Very large (183 x 138cm) Oil painting on canvas 1994. American Fine Art Artis...

In this painting, the viewer is transported to a world beyond the boundaries of the material world. At the center of the painting, we see a female ethereal character, with a transluc...

Richard Geiger Large Oil on Canvas Master Painting Scene of the Commedia dell’arte. The Commedia dell’arte is an early form of theater in Italy. Various performers in the troupe w...

Erik Hoppe (Danish painter) 1896-1968. Painting depicting "Wilder's Plads", in Copenhagen, 1936-1937. Oil on canvas. Measurements with frame: H 104 cm ...

Presenting a lovely early 19th century portrait of a gentleman in the style of Jacob Eichholtz. Nice sized portrait of a Gentleman of high status from circa 1820. He has brown hair with a period collar and bowed white silk cravat and a black period tunic or coat. Oil on Canvas mounted on a wooden fame with nails and glue. Unsigned …. but most definitely in the style and manner of Jacob Eichholtz who was a renowned Pennsylvanian artist known for his portraits of families of status and wealth in and around Pennsylvania in the early 19th century. Jacob Eichholtz (1776–1842) was an early American painter...

19th century fine portrait miniature of a young man with curly red hair Dimensions 3" x 2.5". The velvet lined mat measures 3.75" x 5". The portrait is in very good condition. ...

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also an artistically talented woman, took her son and struggled her way to West Berlin where they settled. This is where Peter Robert Keil grew up in the working-class neighborhood of Berlin-Wedding and where he discovered his interest in painting – particularly in expressionistic artists and in Pablo Picasso's work. From 1954 on, the East Berlin...

Adrianus Marie van der Plas was borne in 1899 in Rotterdam and died in 1974 in Kerkrade. He was a painter, a sculptor and a graphic artist. “Het Rotterdams Nieuwsblad” wrote in 1969?...