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William Merritt Chase “Port Of Antwerp” Oil Painting

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  • 18th Century Tibetan Thangka Of Amitayus Buddha
    Located in Dallas, TX
    A THANGKA DEPICTING AMITAYUS, 18TH CENTURY Tibet. Distemper on cloth, with a silk brocade frame, mounted as a hanging scroll with wood handles. Finely painted with Amitayus seated i...
    Category

    Antique Mid-18th Century Tibetan Tibetan Paintings

    Materials

    Silk

  • KPM Porcelain Hand Painted Plaque of Rembrandt’s Father, circa 1871
    By Königliche Porzellan-Manufaktur (KPM)
    Located in Dallas, TX
    A KPM painted porcelain portrait plaque of Rembrandt’s father originally painted by Rembrandt himself. Germany, late 19th century Marks: (scepter), K.P.M., Condition: Excellent. M...
    Category

    Antique 1870s German Bauhaus Paintings

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  • Limoges Enamel Plaque “La Fileuse”
    By Limoges
    Located in Dallas, TX
    A large Limoges enamel painting on a convexed copper plaque. The scene is of a mother and daughter sitting in front of a fireplace drying yarn while the...
    Category

    Antique Early 1900s French Aesthetic Movement Paintings

    Materials

    Copper

  • Limoges Enamel Plaque “La Fileuse”
    By Limoges
    Located in Dallas, TX
    A large enamel on a convened copper plaque. The scene is of a seated elderly woman looming cotton or wool yarn, Circa 1900. Hand painted then baked on in a oven by Limoges. Signed “...
    Category

    Antique Early 1900s French Aesthetic Movement Paintings

    Materials

    Copper

  • 18th-19th Century Tibetan Thanka
    Located in Dallas, TX
    Tibetan Buddhist thangka from the late 18th early 19th century. Distemper on cloth (either silk or cotton) Depicting a Buddhist deity with multi arms and Buddhist religious relics ...
    Category

    Antique Early 19th Century Tibetan Tibetan Paintings

    Materials

    Paint

  • Large 19th Century Parker American Carousel Horse
    By Parker
    Located in Dallas, TX
    Carousel Horse (American, 19th C) Wood carved with traces of paint with stand. An amazing decorative statement; this charming wood carved carousel horse shows character with traces of its original paint and jointed construction. The glass eye balls and facial features is a focal point from tail to hoof. Probably coming originally from a Long Island New York fair carousel ride, this bold yet soft piece draws eyes and complimentary statements as soon as guests see it. Comes with decorative wood stand! Attributed to Parker carousel horses...
    Category

    Antique 1890s American American Classical Animal Sculptures

    Materials

    Wood

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  • Oil Painting on Canvas Depicting the Port of Antwerp in Frame
    Located in Los Angeles, CA
    Late 19th-century Belgian oil painting of an industrial Antwerp port mounted in a thin wooden frame. A moody vista of three docked ships at sunset with an industrial cityscape just b...
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    Antique Early 1900s Belgian Paintings

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    Canvas

  • Oil Painting of Antwerp, circa 1900
    Located in Los Angeles, CA
    Late 19th-century Belgian oil painting of an industrial Antwerp port mounted in a thin wooden frame. An abstracted tangle of smoky, charcoal browns and creamy ochres, the scene is mo...
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    Antique Early 1900s Belgian Paintings

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  • 19th Century Landscape Oil Painting by W. Merritt Post
    By William Merritt Post
    Located in Water Mill, NY
    Landscape oil on wood painting by W. Merritt Post in a giltwood frame. Measures: 6 x 7.5, unframed.
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    Antique 19th Century American Paintings

  • William A Smith Oil Painting of a Baby
    Located in West Palm Beach, FL
    This charming painting was probably a private commission to celebrate a childs first steps, or perhaps for a magazine illustration. William A. Smith (American) b1918-d1989 F...
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    Mid-20th Century American Romantic Paintings

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  • Sumptuous Large Original William Foster Still Life Painting of a Banquet Table
    By William Frederick Foster
    Located in Tustin, CA
    Sumptuous, very large, original oil on canvas board, still life painting depicting a banquet table. This painting is a virtuoso display of how artist William Frederick Foster (1883-1953) captures texture in paint. You can see this in the mouth watering fruit, crustacea and other samplings laid upon the table as well as the masterfully painted reflective surfaces of the copper tea pot, wine bottle and the gathered table cloth. Painting is framed in the original wood frame. Painting framed measures 34.5” high x 46” wide x 1.5” deep. Painting unframed measures 30.5” high x 42.5” wide. William Foster was born in Cincinnati, Ohio, in 1883. He became a noted figure painter and illustrator, living the last twenty-one years of his career in Los Angeles, California. At age 12, he moved with his family to Colorado, but in 1898, he returned to Cincinnati and enrolled at the Art Academy where he studied with Joseph Henry Sharp and Frank Duveneck. His early ambition was to be a violinist, but he was re-focused on fine art when he saw a painting by Albert Ceck Wenzell. In 1902, he went to New York City where he painted scenery for theaters, auditoriums, and large department stores. He also studied at the New York School with Robert Henri and William Merritt Chase, and from 1903 to 1931, he worked as an illustrator and with a brief teaching stint in 1919 at the Art Institute of Chicago. In 1903, he sold his first illustration, a depiction of high society, to Life magazine, and the style was very similar to Wenzell. From that time, he worked for most of the major magazines including Collier's, The Saturday Evening Post and Harper's Monthly. In 1926, he won the National Academy of Design's Thomas B. Clarke Prize for the best figure composition painted in the United States by a non-academician. The following year, he was voted an Associate Member based on his recognition for a figure work titled The Girl in Brown. During World War I, he operated his own ambulance in France as a member of the American Volunteer Motor Ambulance Corps and also received mention as a camoufleur artist. Returning to the U.S., he resumed his illustration work and moved to Chicago, where he taught at the Art Institute. Foster moved to Los Angeles in 1932 and devoted his energy to painting, exhibiting and teaching. He taught at the Chouinard School of Art in Los Angeles and gave private classes in his studio. He also worked on a mural project at the Hearst estate...
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    Early 20th Century American American Classical Decorative Art

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  • William Shayer Framed Oil Painting of Stable Scene
    Located in New York, NY
    English Victorian (19th Cent) oil painting of a stable scene by William Shayer (1787-1879), signed, in a carved frame.  
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    Antique 19th Century British Victorian Paintings

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    Canvas

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