1910s Posters

Original US advance style film poster for Quentin Tarantino Classic, 1994 cult thriller.   

Directed by the great Sidney Lumet and starring Al Pacino and John Cazale as the friends who attempted a true life ill-fated 1972 robbery resulting in a hostage situation, "Dog Day A...

Vintage cold war propaganda poster - "Khrushchev Wants You" or "We'll Bury You" by Roland "Rolly" Crump, circa 1961. This is a very rare poster in great co...

Some of the most iconic and sought after images of modern music and art. In 1967, the Beatles and their manager reached out to American photographer Richard Avedon to help create the...

Presented is a vintage U.S. Army recruitment poster, dating to World War I. The poster depicts an Army officer conferring with a soldier. They stand next to an artillery battery, manned by two soldiers. Their fort looks over a cliff, with water and clouds completing the background. The text "Men Wanted for the Army" is printed in bold red letters at the top of the poster. The bottom margin of the poster includes a cartouche where the name of the recruiting station can be filled in. The color lithograph was illustrated by Michael P...

Original US film poster for Bruce Weber's 1988 Jazz documentary about the life of the Jazz trumpeter Chat Baker. The image used on the poster was taken by the American photographer ...

Absolutely gorgeous original lithograph from 1928 for Favor. Founded in 1898 as a bicycle manufacturer, Favor moved onto producing motorbikes and continued to trade until the 1970s. ...

Antique Original French advertising poster Curacao Mirabelle Hand coloured Lithographic print Framed in a simple photo frame gold with plexiglass Condition : Good, minor damages ...

Original US movie poster for the 1963 Sci-Fi, Horror film directed Steve Sekely and starring Howard Keel, Nicole Maurey.

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...

Le Livre de la Jungle! We love the softly illustrated artwork on the French first-year-of-release poster for Disney's classic The Jungle Book. A charming poster that will bring the J...

Original US film poster for Douglas Sirk's 1955 Melodrama staring Rock Hudson, Jane Wyman. This large poster was printed in two sheets as it was designed to...