Antique Japanese Woodblock - Kuniyoshi - Tanuki and Benkei - Edo period

I have not been able to find this print. Its certainly Edo period Additional information: Material: Paper Region of Origin: Japan Period: 19th century Decoration Type / Colour: Poly...

Kikukawa Eizan (1787-1867) Dated 1810-1820. The text is about thing happening between lovers. Shunga Print Nicely framed Additional information: Material: Paper Region of Origin: Ja...

Performance of Sarugaku for Lord Higashiyama (Higashiyama dono Sarugaku kōgyō no zu) Utagawa Sadahide In 1465 the shogun Ashikaga Yoshimasa (1436-1490) commissioned the palace retrea...

Utagawa Kuniyoshi (1798 - 1861) - Kabuki actors Condition Size Frame: 92x53cm Period 19th century

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

A fantastic framed Japanese woodblock triptych by Utagawa Kunisada II (Toyokuni IV) entitled "Twilight Snow at Mount HIra" from the series "Eight Views of Omi", Edo period, circa 185...

Artist: Utagawa Hiroshige (1797 - 1858) Series: One Hundred Famous Views of Edo (1856-58) Number: 39 Distant View of Kinryuzan Temple and Azuma Bridge Publisher: Uoya Eikichi Format: Vertical Oban Number of Prints: 120/120 (inc. title page and a replacement print by Hiroshige II) Medium: Woodblock Print Date: 1857 (Ansei 4), 8th month Size (H x W): 14" x 9.25" print only. Signature: Hiroshige ga Censor's seals: aratame, Snake 8 No blockcutter's mark Reference: For a similar print, see the collection of Art Institution Chicago Accession Number 1938.536 and 1965.1062; MFA Boston...

Pair of 19th century Japanese woodblocks by Utagawa Kuniyoshi in custom frames. Each set in a custom matted ebony and gilt decorated custom frame finely matter. The pair signed and dated on reversed. -Three Courtman drinking sake and admiring the full moon, 1788-1861 -A lady admiring the chrysanthemum flower 1785-1864. Utagawa Kuniyoshi 1798 - 1861 The vogue for full-body tattoos of interlaced characters, animals and fish, the full arms and backs that writhe with complex figures and designs can be directly traced not only in their drawing but in their conception to the Japanese woodblock artist Utagawa Kuniyoshi. It was he, whilst trying to establish a flagging career in the 1820’s in Edo (Tokyo) Japan, that conceived of decorating heroic, supernatural warriors with florid designs to emphasise their toughness and in some part to elaborate on their narrative. Kuniyoshi was born Yoshisaburo and like Kunisada was apprenticed to the great woodblock artist Toyokuni I at his Utagawa School 1811. Kuniyoshi showed prodigious talent but unlike his colleague Kunisada failed to find commissions and it was not until the late1820’s that he discovered his own style and overnight success with the release of his series of warrior prints...