Antoni Clave 1950s Brutalist Serigraph

George Grosz an off-set lithograph print on paperboard entitled, Manhattan. Signed lower left in the print, Grosz. Grosz depicts what is most likely a bustling Manhattan's West Side ...

Oscar M. Dominguez (1906-1957) Surrealist still life in front of a window. Lithograph on paper. The piece is signed lower left in pencil, Dominguez and an edition of 137/200. Blind s...

A scintillating period Abstract Expressionist oil painting on masonite. A finely rendered piece that reveals a highly worked surface of the medium with brush stroke and palette knife...

Excellent etching entitled "Yomiuri Shimbun" by Christine Amarger. Pencil signed and numbered, 101/150. Yomiuiri Shimbun is one of Japan's national newspapers founded in 1874. The fr...

Original art exhibition poster by listed Spanish artist Antoni Clave from his Ginza Japan show. This interesting poster clearly depicts one wonderful work by this brilliant artist....

Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso's work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit's ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures.In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l'Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l'Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs...

Beautiful great collectible poster by Antoni Clave Gallery Gaspar printed in France 1975, never used in great condition.

Original signed Serigraph "Les Fleurs No.3" by Lyn Howley. Produced in the USA, circa 1950s. Lyn Howley's work was produced by Van Amstel Co. Studio Editi...