Name: Art Deco Print of Ecstasy after Original by Maxfield Parrish Framed, circa 1929
Brand: Maxfield Parrish
Rating: 4.8 (210 reviews)

Art Deco Print of Ecstasy after Original by Maxfield Parrish Framed, circa 1929

View Similar Items

Maxfield Parrish Iconic Art Deco Original 1923 Print "Daybreak"

Large Antique Maxfield Parrish Art Deco Print "Lamp Seller of Baghdad" c 1920

"Dream Garden", Spectacular 1920s Print with Maxfield Parrish-Inspired Frame

Art Deco Maxfield Parrish “Waterfall” Edison Mazda Calendar Top Print C1970

Antique Art Deco Maxfield Parrish Print of Cleopatra, Framed, C1920

Maxfield Parrish Art Deco Dreaming Large Size Print, Framed, Circa 1920

Modern Maxfield Parrish Framed Print "Daybreak"

Extra Large Antique Art Deco Maxfield Parrish Print “Cleopatra”, Framed C1920

Art Deco Maxfield Parrish Print “Garden Of Allah” C1920

Large Maxfield Parrish "Dream Light" Art Deco Edison Mazda Calendar Top c1920

Maxfield Parrish “Garden of Allah” Crane Lithograph 1918

Antique Maxfield Parrish Art Deco Print “Evening” C1930

About the Item

Art Deco into Art Nouveau print of "Ecstasy" after original by Maxfield Parrish, excellent color and framed, c1929 Measures: frame 10" H x 7.5" W x .5" D; sight 8.5" H x 6" W Biography: Maxfield Parrish (July 25, 1870 – March 30, 1966) was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neoclassical imagery. Early Life: Born in Philadelphia, Pennsylvania, he was the son of painter and etcher Stephen Parrish.[1] His mother was Elizabeth Bancroft.[2] He began drawing for his own amusement as a child. He was raised in a Quaker society.[1]:110 His given name was Frederick Parrish, but he later adopted the maiden name of his paternal grandmother, Maxfield, as his middle name, and later as his professional name.[3] Young Parrish's parents encouraged his talent. In 1884, his parents took Parrish to Europe. He toured England, Italy, and France. Parrish was exposed to architecture and the paintings from the old masters. They returned in 1886.[2]:110 During their travels, however, Parrish studied at the Paris school of a Dr. Kornemann.[3] He attended the Haverford School and later studied architecture at Haverford College for two years beginning in 1888.[1] From 1892 to 1895, he studied at the Pennsylvania Academy of the Fine Arts to further his education in art. He studied under artists Robert Vonnoh and Thomas Pollock Anshutz.[2]:110 After graduating from the program, Parrish went to Annisquam, Massachusetts where he and his father shared a painting studio. A year later, he attended the Drexel Institute of Art, Science & Industry with his father's encouragement.[1] Career: Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts.[4] During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers.[5] Parrish's early works were mostly in black and white.[6] In 1885, his work was on the Easter edition of Harper’s Bazaar. He also did work for other magazines like Scribner's Magazine. He also illustrated a children's book in 1897, Mother Goose in Prose[1] written by L. Frank Baum.[5] By 1900, Parrish was already a member of the Society of American Artists.[7] In 1903, he traveled to Europe again to visit Italy.[3] Parrish took many commissions for commercial art until the 1920s.[1] Parrish's commercial art included many prestigious projects, among which were Eugene Field's Poems of Childhood in 1904,[8] and such traditional works as Arabian Nights in 1909.[9] Books illustrated by Parrish are featured in A Wonder Book and Tanglewood Tales in 1910,[10] The Golden Treasury of Songs and Lyrics in 1911,[11] and The Knave of Hearts in 1925.[12] Parrish was earning over $100,000 per year by 1910, when homes could be bought for $2,000.[13] Parrish worked with popular magazines throughout the 1910s and 1920s, including Hearst's and Life. He also created advertising for companies like Wanamaker's, Edison-Mazda Lamps, Colgate and Oneida Cutlery.[14] Parrish worked with Collier's from 1904 to 1913.[7] He received a contract to deal with them exclusively for six years. He also painted advertisements for D.M. Ferry Seed Company in 1916 and 1923, which helped him gain recognition in the eye of the public.[1] His most well-known art work is Daybreak which was produced in 1923. It features female figures in a landscape scene. The painting also has undertones of Parrish blue.[5] In the 1920s, however, Parrish turned away from illustration and concentrated on painting.[13] In his forties, Parrish began working on large murals instead of just focusing on children's books.[1] His works of art often featured androgynous nudes in fantastical settings. He made his living from posters and calendars featuring his works.[1] Parrish used Kitty Owen as a model in the 1920s.[13] Susan Lewin also posed for many works, and became Parrish's longtime assistant.[15] From 1918 to 1934, Parrish worked on calendar illustrations for General Electric.[16] In 1931, Parrish declared to the Associated Press, "I'm done with girls on rocks", and opted instead to focus on landscapes. Though never as popular as his earlier works, he profited from them. He would often build scale models of the imaginary landscapes he wished to paint, using various lighting setups before deciding on a preferred view, which he would photograph as a basis for the painting (see for example, The Millpond). He lived in Plainfield, New Hampshire, near the Cornish Art Colony, and painted until he was 91 years old. He was also an avid machinist, and often referred to himself as "a mechanic who loved to paint".[17]:34 By 1935, Parrish exclusively painted landscapes.[5].

Creator:
Maxfield Parrish (Artist)
Dimensions:
Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)Depth: 0.5 in (1.27 cm)
Style:
Art Deco (Of the Period)
Materials and Techniques:
Paper
Place of Origin:
United States
Period:
Early 20th Century
Date of Manufacture:
20th Century
Condition:
Very good color.
Seller Location:
Big Flats, NY
Reference Number:
Seller: 642971stDibs: LU2396310379301

More From This Seller

View All

Large Antique Maxfield Parrish Art Deco Print "Lamp Seller of Baghdad" c 1920

By Maxfield Parrish

Located in Big Flats, NY

Large Antique Maxfield Parrish Art Deco Edison Mazda Print "Lamp Seller Of Baghdad" circa 1920 Measures - 35.75" x 24" x 1".

Category

Early 20th Century American Art Deco Prints

Materials

Paper

Large Antique Maxfield Parrish Art Deco Print "Lamp Seller of Baghdad" c 1920

$1,160 Sale Price

$360 Sale Price

20% Off

Early 20th Century American Art Deco Prints

Materials

Wire

Maxfield Parrish Iconic Art Deco Original 1923 Print "Daybreak"

$1,200 Sale Price

25% Off

"Dream Garden", Spectacular 1920s Print with Maxfield Parrish-Inspired Frame

By Maxfield Parrish

Located in Philadelphia, PA

This extraordinary paean to Maxfield Parrish brings together an original, 1920s print featuring the "Dream Garden" mosaic in Philadelphia, with a recent, ...

Category

Vintage 1920s American Art Deco Prints

Materials

Paper

"Dream Garden", Spectacular 1920s Print with Maxfield Parrish-Inspired Frame

$3,500

Modern Maxfield Parrish Framed Print "Daybreak"

Located in Van Nuys, CA

Modern "Daybreak" artwork printed under glass, features a serene scene with a reclining woman and a standing girl set against rolling hills, a tranquil body of water, and classical a...

Category

Vintage 1980s American Decorative Art

Materials

Paper

Modern Maxfield Parrish Framed Print "Daybreak"

$162 Sale Price

35% Off

Maxfield Parrish “Garden of Allah” Crane Lithograph 1918

By Maxfield Parrish

Located in Van Nuys, CA

Original 1918 Maxfield Parrish "Garden of Allah" early lithograph published by C.A. Crane Co. in Cleveland. The print is presented in its original Mission-style hardwood frame. Signe...

Category

Vintage 1910s American Prints

Materials

Paper

Maxfield Parrish “Garden of Allah” Crane Lithograph 1918

$1,040 Sale Price

35% Off

Original Antique Framed Print After Fra Bartolomeo. C.1870

Located in St Annes, Lancashire

Great image of a Renaissance fresco by Fra Bartolomeo Chromo-lithograph Published, C.1870 Presented in an antique distressed pine frame

Category

Antique 1840s English Renaissance Prints

Materials

Paper, Pine

Original Antique Framed Print After Fra Bartolomeo. C.1870

$350

Original Antique Bird Print of the Eurasian Coot, 1929

Located in Langweer, NL

Antique bird print titled 'Fulica Atra'. Old bird print depicting the Eurasian Coot. This print originates from 'Svenska Foglar Efter Naturen Och Pa Stenritade' by Magnus von Wright.

Category