"Declaration of Independence July 4, 1776" by W. L. Ormsby, Antique Print, 1876

This is a stunning 1818 engraving of the Declaration of Independence, the first engraved broadside of our nation’s founding document. The year 1815 saw the conclusion of the United S...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Presented is a patriotic silk scarf, celebrating the Declaration of Independence. At center of the silk scarf design is artistic rendering of the Declaration of Independence. The famous text and signatures are printed in black ink on white silk. A border of bright red encloses the text, with a five-pointed white star set against a blue square appearing at each corner. This is a newly made silk scarf, printed to celebrate our Nation's foundational text. The United States Declaration of Independence...

Dwight, Nathaniel. The Lives of the Signers of the Declaration of Independence. New York: A. S. Barnes & Burr, 1860. Later printing. Octavo. Rebound in ¼ leather and cloth boards, wi...

Antique print titled 'Chateau de Stowe, du Coté des Jardins'. Copper engraving showing the garden side of the Stowe House. This print originates from 'Jard...

Antique print titled 'Pavillon Moresque Temple - Temple Moresque'. Copper engraving showing Moorish garden elements including a pavilion and temple. This print originates from 'Jardi...

Antique print titled 'Pavillons Grottes pour les Jardins Anglais'. Copper engraving showing pavilions for English gardens. This print originates from 'J...

Antique print titled 'L'Hermitage à Versailles - Labyrinthe d'Abano au Prince Mocenigo - Projet d'un Labyrinthe par Bettini'. Copper engraving showing a Labyrinth and the Hermitage o...