Eduardo Chillida Abstract Black Lithography "Untitled" on Paper, 1999

Eduardo Chillida print. Spain, circa 1990. Introduce a touch of modern Spanish artistry to your space with this striking Eduardo Chillida print, circa 1990. The renowned artist's bo...

Delve into the evocative world of Louise Bourgeois with a captivating lithography dating back to circa 1980. Executed in timeless black and white, thi...

Timeless Legacy: Eduardo Chillida's Original Historic Poster for Sala Gaspar Manufactured in Spain, circa 1971. In original condition with minor wea...

Lithography by Sonia Delaunay. Provenance: France Framed Sonia Delaunay (1885-1979) was a Ukrainian-born French artist, who spent most of her working life in Paris and, with her hu...

Lithography hand signed by Brassaï from the book "Historie de Marie" Limited edition of 12/ 126 With some moisture spots Framed on a 20th century ...

Lithography by Sonia Delaunay. Provenance: France Signed in Stone. Sonia Delaunay (1885-1979) was a Ukrainian-born French artist, who spent most of her working life in Paris and, with her husband Robert Delaunay and others, cofounded the Orphism art movement, noted for its use of strong colours and geometric shapes. Her work extends to painting, textile design and stage set design...

Eduardo Chillida Lithograph on cardboard Number T 169/1000 The work is signed by the artist and individually numbered (pencil) Work dimensions 47/34 The work is framed Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Selection of Mid-Century Modern Abstract Lithographs, recently professionally framed in vintage gilt wood frames under UV resistant glass. They are priced at $575 each or $2000 for all four works. From left to right, as seen in the first photo, they are: 1) Abstract lithograph by Raoul Ubac, from the limited edition portfolio Le Derriere Miroir...

Jean Carzou Venezia 1973 lithography on the so-called Dosabiki Masashi which is Japanese handmade paper. The Art work is numbered XXXIX/C, 39/100, and signed. It can be shipped with ...

Original colored lithograph on japanese paper, countersigned and numbered XXII/XXV by Jean PICART LE DOUX (1902-1982), depicting playful elements, including a five of diamonds and a ...

Number 180 from an edition of 200 plus one prototype. Essays by Carlos Fuentes and John Berger; translations by Professor Alfred MacAdam and photographs by Ferdinando Scianna...

Jean Hardy (b. 1880), France. Lithography on paper. Young woman. Beautiful oval gold frame with a bow ribbon. 1930s. Visible dimensions: 29 x 21 cm. Total...