Fine Engraving of the 2nd Corps de Garde in the Low Countries 'Holland', 1760

Title on Page (Dutch and French): CORPS DE GARDE van Hollandsche Officiers / Corps de Garde des Officiers Hollandois". Amst., 1754. Fine engraving depicting an officer's mess by J. Punt and P. Tanjé after a painting by C. Troost, with coat of arms engraved in lower margin and dedication to G. Braamcamp ("beminnaar der schilderkonst"). Waiting room with reading, smoking and card playing officers. Right, one of them studies a map of the Netherlands. On the wall a coat of arms with the Dutch lion. At the bottom of the margin the coat of arms and an assignment to Gerrit Braamcamp, who had the original painting in his collection. Cornelis Troost...

Antique print titled 'Synode tenu dans le Choeur (..)'. Old print of a meeting of the Dutch Synode in 'De Nieuwe Kerk' in Amsterdam, The Netherlands in 1730. Also depicted the accept...

Antique map titled 'Germaniae Cisrhenanae ut ineter I Caesaris et Traiani Suit imperia Scaldis Item Mose ac Rheni.' Miniature map of the Low Countries and part of Germany and France....

Original antique print titled 'Succession des Empereurs du Japon avec une Description de Meurtre de l'Empereur Cubo et la Reception des Ambassadeurs Hollandois en ce Pays la'. It sho...

Plan de l’Isle James sur la Gambra en 1732 (…). Copperplate engraving/etching on Hand laid (Verge) paper. Sheet size: 19,7 x 26,7 cm. Image size: 13,8 x 19,8 cm. From vol. 3 o...

Antique print titled 'Gezicht van de Nieuwe Koren-Beurs tot Amsterdam - Vue de la Nouvelle Bourse (..)'. Optical print of the 'Korenbeurs' in Amsterdam, the Netherlands. The Korenbeurs (""grain bourse"") was a 17th-century commodity market in Amsterdam where grain was traded. The building stood on the banks of the Amstel, on the western side (Nieuwezijde) of the Damrak. It was directly south of the Oude Brug bridge, on a spot now occupied by the former stock and commodity exchange Beurs van Berlage...

Dutch golf engraving by J. Boydell, Winter. Rare 18th century Dutch golf engraving by J. Boydell depicting Dutchman playing the early form of golf on the ice, titled 'Winter'. The s...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

"Vue Interieure de la Cathedrale de Dorth," a hand-colored engraving of the interior of the cathedral in Dorth, near Wiesbaden. Published by Daumont, Paris, 1760. Image, 15.5"L x 11"...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

1908 "1902-1907 Officers of the Staff Corps & Departments, General Staff and Chaplain in Full Dress" Chromolithograph by C. Ogden This colorful lithograph by H. A. Ogden was publish...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...