"George Washington" Engraving by James Fittler, after Gilbert Stuart, 1804

Presented is a handsome engraved portrait of George Washington by artist H. B. Hall. This engraving was published in New York, in a limited edition of 125 impressions. The engraving is based on a painting by William Birch Gilbert Stuart, a small miniature in enamel, completed in 1796. Birch painted Washington from life in his office in Philadelphia, by the request of I. G. Van Staphorst, Esqr. of Amsterdam. In the small portrait, Washington is depicted in a head and shoulders pose, facing right. He wears a dark coat and vest and a white shirt and ruffled cravat. The father of our country, George Washington was the commander in chief of the Continental Army during the American Revolutionary War (1775-83) and served two terms as the first United States president...

Presented is a handsome engraved portrait of George Washington by Italian artist Giuseppe Longhi. Titled “Georgius Washington” this engraving was published in Padua, Italy in 1817. The composition is based on a drawing by Longhi himself, but certainly influenced by the Gilbert Stuart and John Trumbull portraits. Washington is depicted in a head and shoulders pose, with his chest to the left but his head angled to the right. He wears a dark coat and vest and a white shirt and ruffled cravat. The father of our country, George Washington was the commander in chief of the Continental Army during the American Revolutionary War (1775-83) and served two terms as the first United States president...

This is a large, handsome engraving entitled Washington and His Generals by Alexander H. Ritchie, one of the best historical printmakers of the mid-nineteenth century. Ritchie is par...

Presented is an engraving entitled “The British surrendering their arms to Gen. Washington after their defeat at Yorktown Virginia October 1781.” The dedication continues in the bottom margin, “To the defenders of American independence, this print is most respectfully inscribed by their fellow citizen, Jn. Fcis. Renault, assistant secretary to the Count de Grass, and engineer to the French Army, at the siege of York.” The engraving is after a painting by John Francis Renault, and engraved by Tanner, Vallance, Kearny & Co. and William Allen, in Philadelphia in January of 1819. This historic print depicts the surrender of the British forces after the Battle of Yorktown. The print shows Lord Cornwallis offering his sword to the Duke de Lauzun, who defers the weapon to General Washington. British officers stand with Cornwallis on the right and French and American officers are shown at center and left. The immediate background is filled with an elaborate allegorical scene. Behind the British troops is a female representation of “Discord,” wearing a billowing robes and liberty cap and floating on storm clouds, as she sends lightning bolts to up-end the British people and a chariot below her. Behind the American and French officers, “Prosperity” stands next to an overflowing cornucopia, with “Justice”, an infant child with a paddle inscribed “American Constitution,” representing the helm of statehood. They crowd around a neoclassical monument with a giant urn...

Monumental framed standing portrait of George Washington (1752-1799) in colorful wood needlepoint after Gilbert Stuart's "Lansdowne". The sight measures 35.5 inches across and 51.75 ...

After George Bouverie Goddard (British, 1832-1886) Hunting Scene, Color Engraving on Paper, printed by W. J. Palmer, two greyhound dogs running after a hare, titled "The Altcar Cours...

A fine late18th century coloured copper mezzotint engraving printed on original handmade wove paper, after the original painting by George Morland. The bottom left margin references ...

A fine late18th century coloured copper mezzotint engraving printed on original handmade wove paper, after the original painting by George Morland. The bottom far left margin referen...