John Taylor Arms - Arch of the Conca, Perugia Etching, 1926

Elizabeth O'Neill Verner (American, 1883-1979) Wrought Iron Gate, 1928 etching signed and titled sight: 2 ⅜ by 3 inches frame: 5 ¼ by 7 inches

Leon Foster Jones (American, 1871-1940) An etching depicting dry docked boats along the New York coast, circa 1925. sight: 13 ¼ by 8 ¾ inches frame: 18 by 13 ½ inches

Josef Eidenberger (Austrian, 1899-1991) Ulm on the Blau, circa 1950 etching sight: 7 ¾ by 10 ½ inches frame: 15 ½ by 18 ½ inches

Edward Edwards R.A. (English, 1738-1806) landscape engraving, published 1790 Paper: 6 by 4 ½ inches frame: 9 ½ by 9 ¼ inches

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

This finely detailed original etching by George Cuit (British, 1779–c.1840), titled The Abbey Gate, City of Chester, dates to 1810, offers a rare and atmospheric glimpse into early 1...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

Graves graduated Cum Laude from the Maryland Art Institute in 1972, where he studied anatomy and painting with Joseph Sheppard and Frank Russell, then pursued etching and history pa...