Malcolm Furlow Signed Serigraph Print American Rodeo Cowboy Bucking Bronco Horse

Two antique colored etchings / prints featuring birds eye maple frame and reverse painted glass borders. One scene features four children playing war with a blue coated general lead...

Mid 20th century folk art woodblock print titled "Girls' Dormitory," depicting a flock of chickens at their nesting boxes and feeding trough in a coop. Black ink on Momigami paper. Titled and signed by Fannie Mennen...

Pair of very large and impressive colored botanical prints on canvas depicting "Fruit and Stem of the Indian Fig" and "Multiflorous Crown - Imperial Fritillary," after originals by 1...

Ike Ude 1995 "Man in Polyester Suit" Cibachrome print Mapplethorpe nude 48" "1995 Man in Polyester Suit, Ike Ude, Solo Exhibition: Celluloid Frames Sept....

A wonderfully composed, abstract designed limited edition silkscreen serigraph print by American artist Dean Meeker. This work is titled "Portofino" and is one of his more elusive/rare and hard-to-find images. The print is hand-pencil signed, titled, and numbered (Edition of 50) by the artist. Dean Jackson Meeker (born in Madison, Wisconsin, 1920-2002) was an internationally recognized sculptor, painter, and printmaker. He studied at the Art Institute of Chicago, Northwestern University, and the University of Wisconsin. In 1958, Meeker was awarded a Guggenheim Fellowship for 1959 and 1960 to study printmaking in Europe. In Paris, he worked at Hayter's printmaking workshop, Atelier 17, and with printmaker Kaiko Moti while also studying in museums in Spain and Italy. Meeker's works are in collections worldwide including the Metropolitan Museum of Art (New York), Museum of Modern Art, Whitney Museum of American Art, National Gallery of Art, Smithsonian, Milwaukee Art...

Known as God's own Pop artist, Sister Mary Corita Kent went straight from high school into Catholic convent life in 1936. While serving her order and teaching art at Immaculate Heart...

Rare signed and numbered serigraph print by American artist Allan D'Arcangelo (1930-1998) Artist: Allan D'Arcangelo, American (1930-1998) Title: Untitled - Under Overpass Year:...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...