Paper Prints

Wonderful set of 16 prints of the Middle East Steel engravings after J.M. W Turner and J.D Harding etc. Published by Fullarton C.1850 Unframed. The measurement below is the paper...

Great image of beetles. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original color. Published, 1...

"Falco Subbuteo" (Eurasian Hobby - a small falcon). From "Nederlandshe Vogelen", a five volume set 1770-1829 to complete. Not examined out of the frame. Hand colored. Some foxing. 23...

Andreas Bernhard Feininger (American, 1906-1999), "New York Hudson River Ferries", Vintage Gelatin Silver Print, 1940, signed, titled, stamped, and dated to verso, The Laqrenc Galler...

Composition of 18 antique botanical prints from the iconic encyclopaedia "Histoire Naturelle" Buffon 1749-1804, each print is individually matted an...

Traditional 1986 Japanese wood block print of one of the 5 gardens of the Ryōgen-in, a sub temple of the Daitoku-ji Buddhist complex, located in Kita-ku, Kyoto, Japan, constructed in...

Great image of a hummingbird presented in a slightly distressed antique gilt frame. Lithograph after Cpt. brown with original hand color. Published, 1847. Free shipping.

Original 1938 Frank Macintosh "Night Blooming Cereus" & "Mending Fishing Net" Lithograph menu covers for Matson Lines are beautifully framed in black frames with woven wicker matting...

Great image of shells. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Publishe...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

Etching on paper, Rue Toulouse, Vieux Carre, New Orleans and Texas BBQ by Willie Lucille Rowe Reed. Born 1914 in Louisiana. One of an edition of 100, signed and numbered in pencil lo...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

Great image of fish Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Chromo-lithograph Published, C.1920 Free shipping.

Original 1938 Frank Macintosh "Fruit Harvest" & "Hawaii The Luau" Lithograph menu covers are beautifully framed in gold frames with double blue and purple matting. Frank McIntosh was born in Portland, Oregon in 1901. He moved to San Francisco to study art, where he graduated from the California School of Fine Arts. After briefly opening a studio in San Francisco, he moved to New York and later Paris to continue his studies. McIntosh established himself as an illustrator, designing numerous Art Deco-style covers for the American Asia magazine...

Bird's Eye View of Boston Engraving by Illustrated London News 1872. Framed. From a private English collection Free international shipping

Set of five maps of the constellations numbered 1-5, drawn by W. Newton and published by Baldwin & Gradock in 1830. Framed, in very good condition. A constellation map is a graphica...

Andreas Bernhard Feininger (American, 1906-1999), "42nd Street, N.Y. as Viewed from Weehawken, N.J.", Gelatin Silver Print, 1942, printed 1993, signed in ink lower right, ebonized wo...

Crossing 4 silkscreen by Kumi Sugaï 1978. Printed by Ryoichi Ishida printing company who also printed for Andy Warhol. Signed and numbered 237/250 in pencil by the artist. This print...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

Part of the first generation of Abstract Expressionists, Theodoros Stamos was one of the youngest members of the “Irascibles Eighteen,” a group of abstract painters in the 1940s who ...

Wonderful set of 12 botanical prints All part of a lovely green theme Lithographs after the original botanical drawings by Hooker. Original color Published, circa 1850 Unframed....

We are charmed by this sweet and detailed vintage hand colored lithograph of European village life. It is signed by the artist, titled 'Grantchester' and numbered 88/150. It is newl...

Pair of Horto Van Houtteano naturalist botanical prints with figural landscapes and palm trees. The prints exhibit fine color and subject from the Age of Travel. Presented in faux pa...

"Chit Chat" color print by Ron (Lee) Van Sweringen (1936-2016), #61 of 1500. Hand signed & numbered. Signed in plate lower right. Well listed & interesting career. Framed: 15 1/2" x ...

Great image of a racehorse presented in an antique oak frame Lithograph after George Stubbs with original hand color. Published, 1847.

Wonderful image after Veronese Fine Steel engraving. Published by Tallis, London. circa 1850 Unframed.

Embark on a visual journey through the abstract realm with Eduardo Chillida's mesmerizing lithography titled "Untitled," crafted in 1999. This limited edition piece, hand-numbered an...

Large Framed Color Lithograph after Kazimir Severínovich Malevich’s painting 'Portrait of a Female', 1928-1932. Printed by Atelier Mourlot, the famed Parisian printers noted for the...

Large framed Lithograph of Kazimir Severínovich Malevich’s painting 'Peasant in the Fields', circa 1929. Printed by Atelier Mourlot, the famed Parisian printers noted for their clos...

Wonderful image by Arthur Rackham. It is one of the illustrations for Wagner's " The Rhinegold & The Valkyrie " Tipped in plate. On card Lithograph. Published 1910 The measurem...

Original 2000s silkscreen print “Heros” by the great Italian avant-garde artist Mimmo Rotella. Signed in full at lower right. Original dry stamp “Stamperia Berardinelli Verona Italy” Original multiple collage type model on silkscreen on which the artist has made scratches. This work, never before on the market, comes from a private collection and is beautified by an impressive original frame in ebonized wood, in almost perfect condition. This work is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Born in 1918 in Catanzaro into a middle-class family, in 1945 he moved to Rome where he frequented the young avant-garde made up of the exponents of Gruppo Forma 1 (Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato). After his figurative beginnings and early experiments, he began to paint abstract-geometric pictures inspired by the works of Vasilij Kandinskij and Piet Mondrian. In 1950, he exhibited in Paris at the Salon des Réalités Nouvelles. In February 1951, he participated in the exhibition 'Abstract and Concrete Art in Italy - 1951' organised by Palma Bucarelli and Giulio Carlo Argan at the National Gallery of Modern and Contemporary Art in Rome. In 1951 he was awarded a scholarship by the Fulbright Foundation, which allowed him to go to the United States as an 'Artist in Residence' at the University of Kansas City. In 1952, he held his second solo exhibition at the William Rockhill Nelson Gallery of Art in Kansas City. For Harvard University, he completed a performance of epistaltic poetry. In the autumn he returned to Rome, devoting himself to phonetic production. In 1953, he realised that the pictorial medium was no longer a suitable medium for the expression of his poetics and suddenly had what he called a 'Zen enlightenment': the discovery of the advertising poster as an artistic expression. This is how décollage was born: Rotella took pieces of posters torn off the street from the walls of Rome and glued them to the canvas, then reworked them in the studio, adopting the collage of the Cubists and contaminating them with elements borrowed from an informal matrix close to Hans Arp and Jean Fautrier and with the Dadaist ready-made. Still in 1955, Carlo Cardazzo organised an exhibition entirely dedicated to décollage and retro d'affiches in his Galleria del Naviglio in Milan. His works are exhibited in London, at the Institute of Contemporary Arts (ICA). In 1958 he took part in the exhibition 'New Trends in Italian Art' organised by Lionello Venturi at the Rome branch of the Rome-New York Art Foundation. The following year he met the French critic Pierre Restany, with whom he began a long association. In 1960 he joined the Nouveau Réalisme of which Pierre Restany was the theoretician and which brought together, among others, Yves Klein, Spoerri, Tinguely, César, Arman, Christo and Niki de Saint Phalle. Along with décollages, Rotella also executed assemblages and ready-mades with objects purchased from junk dealers such as bottle caps, ropes, wicker baskets and pieces of fabric. In May 1961 he exhibited in the historic exhibition À 40° au-dessus de Dada, curated by Restany at Galerie J in Paris. In 1962, the same French gallery hosted the series of works inspired by the world of cinema on the occasion of the 'Cinecittà' exhibition. His décollages from the early 1960s are characterised by the presence of stars of the silver screen and music such as Marilyn Monroe, Liz Taylor, Marlon Brando and Elvis Presley. During this last exhibition, his work was compared with artists from France (Arman, Christo, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely), Italy (Enrico Baj, Gianfranco Baruchello, Tano Festa, Mario Schifano), and the USA (Peter Agostini...

Vintage Robert Rauschenberg lithograph, 1970 Title: "Envelope" Photo: mechanical lithograph on laminated paper with a centre fold. Features dou...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

"Tower Bridge From Butlers Wharf" etching on paper by Alyson Stoneman (b. 1948) Great Britain. Unframed, age toning.

Aquatint and drypoint etching by Pablo Picasso titled “Dans l’Atelier III,” executed in 1965. Number 34 from an edition of 50. Signed l/r Picasso, numbered lower left. In a custom gi...

“Vedute interrotte” Interrupted Views, 1988/1989 Lithograph with silkscreen interventions 70x70 cm Signature in pencil on front Artist's embossed stamp on the front Bibliography 1989 Mario Schifano. Best seller, edited by Giuseppe Bonini with introduction by Achille Bonito Oliva, Torcular Edizioni, snp, rep. 26 Notes Artwork part of the collection ‘Best Seller: 31 graphic works by Mario Schifano’ edited by Edizioni Torcular Edition on handmade paper with Torcular watermark by Cartiera Magnani of Pescia Printer: Egiziano Piersantini Total edition of 331 copies (200 in Arabic numerals, 50 in Roman numerals, 21 in letters of the alphabet, 30 artist's proofs and 30 out of print) This etching, never before on the market, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The artwork is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

1977 LeRoy Neiman John H. Crowther Offset lithiograph Poster signed in pencil with certificate done in 1979. Beautiful Nautical Sailboat Sailing and Sea . Framed with glass.. Due to ...

Pop art silkscreen print on paper - untitled - signed Cutler - numbered 44/99 at the bottom of the print - unframed - contained in a double bevel edged matte - circa 1987. Excellent...

Long polyptych of 9 oban tate-e prints, illustrating the procession of Emperor Mutsuhito (Meiji) entering, in September 1869, his new capital, the former Edo, renamed Tôkyô "Capital ...

Funasaka Yoshisuke (舟坂 芳助) is a distinguished Japanese printmaker and artist, recognized for his contributions to contemporary printmaking. Born in 1939 in Gifu, Japan, Funasaka deve...

Beautiful black and white lithograph by the great 20th century Italian artist Umberto Mastroianni. This work best represents the work of one of the greatest artists of the European a...

François Morellet 40,000 Carres, Screenprint in colors. Signed and numbered to lower edges ‘282/300 Morellet’. This work is number 282 from the edition of 300 published by Éditions D...

Beautiful and important colour lithograph by the great Italian artist Emilio Scanavino This extremely rare work best represents the artistic signature of one of the greatest artists of the 20th century artistic avant-garde. Taking up one of his iconic features, this abstract motif represents a geometric composition with a circle Title ‘The Welding of the Circle Published in the book entitled ‘40 drawings by modern masters’. Author of the publication: De Micheli Mario/ Fieschi Giannetto/ Zigaina Giuseppe/ Scanavino Emilio...

All by Basilius Besler { 1561-1629] Besler was an apothecary and botanist and managed the gardens of Bishop Johann Conrad of Eichstatt, Germany. Besler created 'Hortus Eystettensis a...

Abstract monoprint on paper by L. Jackson. Signed, titled Next Gas Twenty Miles in pencil along lower margin. Unframed, image size 6.5"L x 11.5"H

Great map of Scotland Engraved by F.P Becker Published by Virtue, C.1850 Unframed.

A graphic framed original poster for the opening of the New York International Design Center in 1985. This is a gorgeous poster featuring a lovely black and white photo of the building by Judith...

Series of 5 small prints from Donald Judd "The Last Editions" framed by Brooke Alexander.

A framed Georgian period lithograph titled "A View of High Street, Birmingham" from the early 19th century, signed T. Hollins. Born in England during the early years of the 19th cent...

A contemporary abstract color lithograph on paper titled "Overpass X" by Romas Viesulas. Hand signed in pencil on the bottom right and dated 1970. Annotated 16/25 and titled on the b...

An expressive black and white monoprint on paper. Signed in pencil and dated 1981 bottom right. A dynamic composition created with free and spontaneous painterly expressions. Abstrac...

Great image after Claude Lorrain Fine steel engraving Published circa 1850 Unframed.

Great image of a brown bear Copperplate photogravure engraving by Walter L. Colls. Good quality wove paper Published C.1900 In an antique oak frame

An Op Art lenticular serigraph with a yellow border known as an "Agamograph" by Yaacov Agam. Signed bottom right with an annotation bottom left. Circa early 2000s. An extraordinary e...

From "Hesperides sive de Malorum Aureorum Cultura et Usu Libri Quatuor", published in 1646. Cassiano dal Pozzo, a friend and scholar on citrus led to the publication. Ferrari was the...

Original 1918 Maxfield Parrish "Garden of Allah" early lithograph published by C.A. Crane Co. in Cleveland. The print is presented in its original Mission-style hardwood frame. Signe...

Great image of an elephant. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Pub...